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69 of 75 people found the following review helpful:
3.0 out of 5 stars
A rehash, December 2, 2002
Terry Teachout's new biography is largely a rehash of Fred Hobson's biography of Mencken and to complete the feeling of déjà vu, the same controversies that greeted Hobson's book swirl around this one as well. Unlike Lord Byron or de Sade, Mencken led a life that was fairly bourgeois and apparently book reviewers resent it, thus playing up his alleged anti-Semitism. It is something of a fad these days to unmask literary anti-Semites and those who do it sometimes make themselves look foolish. One dunce who reviewed this book for the Seattle Times and compared Mencken unfavorably to Voltaire was apparently unaware of a large body of criticism condemning Voltaire for his anti-Semitism. Teachout himself is apologetic about Mencken's attitudes to the Jews, but doesn't go far enough in pardoning him. Part of the demonizing of Mencken these days might be attributed to the fact that American society is still intolerant of a critical attitude to religion. Mencken was indeed critical of Judaism. However, as readers of "Treatise on Gods" know, Mencken was also critical of Christianity and Islam. A rationalist to the core, Mencken had little time for people who believed in the supernatural. He detested the religious impulse in Christians, Jews and Muslims alike. As for those who claim that Mencken is racially prejudice against the Jews, they will have to explain away the fact that, as Teachout shows, Mencken had many close Jewish friends and that he used harsh language toward everyone (the English, the Irish, African-Americans, Italians), not just against the Jews. As so often with the genteel, the critics of Mencken have focused almost entirely on his manner of writing than rather than the substance of his writing. He argued quite forcefully for a humane foreign policy. Unlike the timid Walter Lippman, Mencken urged the US government to take in Jewish refugees from Nazi Germany. For a man who is so often characterized as nasty, he was surprisingly pacific in some of his politics: he was against participation in both world wars. Much has been made about Teachout's use of Mencken's unpublished writings for this biography and many reviewers have implied that these writings reveal his dark side. Actually, these unpublished writings appear to reveal some new facts, not new prejudices. If Mencken said nasty things in the diaries, a look at his published writings will show that he was nasty there as well. By the way, he could also be nice sometimes too. Again it's just that Mencken's style is far more biting than anything allowed in today's journalism, which is apparently stocked with aspiring political consultants and public relations people. The best account of the events of Mencken's life is still his Days books (Happy Days, Newspaper Days, Heathen Days). The collection of his newspaper columns, The Impossible Mencken, is better reading than this biography and a good record of Mencken's opinions on the issues of the day.
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31 of 34 people found the following review helpful:
5.0 out of 5 stars
Beneath the "Comic Mask", November 14, 2002
The title does not begin to suggest (nor could any title) the nature and extent of Mencken's intellectual and emotional complexity. Regrettably, for whatever reasons, he has received very little attention in recent years. My hope is that Teachout's biography will attract the attention it richly deserves and thereby direct attention to someone who was at one time a major figure in America's intellectual community. In Teachout's opinion, perhaps a "sage....not calm and reflective but as noisy as a tornado: witty and abrasive, self-confident and self-contradictory, sometimes maddening, often engaging, always inimitable." Of special interest to me is Teachout's analysis of Mencken's association with the city of Baltimore in which he lived and worked throughout most of his life (1880-1956). He left school after his father's death (1899) to become a reporter for the Baltimore Morning Herald, later serving as drama critic, city editor, and then managing editor of the Baltimore Evening Herald. Soon after the Herald folded in 1906, he joined the Baltimore Sun and continued with the Sun as editor, columnist, or contributor for most of his career. He published studies of George Bernard Shaw (1905) and Friedrich Nietzsche (1908), both of whom he admired. From 1914 to 1923, with George Jean Nathan he co-edited a satirical magazine, The Smart Set; in 1924 he and Nathan co-founded the American Mercury, a cultural magazine for "a civilized minority," which he co-edited for nine years. Mencken has been generally viewed (if viewed at all) as a crusty curmudgeon, never fully appreciated for the quality of his contributions to academic scholarship as well as to journalism during the first third of the 20th century. To Teachout's great credit, he resurrects rather than revises an abundance of relevant biographical, social, and cultural material which he examines with both precision and circumspection. My guess (only a guess) is that those who read this biography will view Mencken through the filters of their own values. Some will find him "delightful" and "colorful"; others will be offended by his (to put it mildly) political incorrectness; still others will conclude (as Teachout seems to) that Mencken was the archetypical skeptic of almost everyone and everything...except his own opinions. For better or worse, "he was to the first part of the twentieth century what Mark Twain was to the last part of the nineteenth." Until reading this biography, I tended to view Mencken as a reasonably well-educated variation of Archie Bunker. Edmund Wilson once suggested that Mencken's public persona was a "comic mask" which concealed an "all-too-human face." In this context, Teachout has succeeded brilliantly in revealing that face.
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24 of 27 people found the following review helpful:
5.0 out of 5 stars
A great review of a great man, January 10, 2003
When I first picked up "The Skeptic" I was a bit, errr, skeptical: barely 400 pages to cover the 40-odd working years of America's greatest 20th century journalist? It didn't seem enough, especially when long-forgotten literary figures often get biographies twice as thick. But it didn't take many pages to convince me. Teachout has delivered a model of concise but enthralling biography. He gives all the essentials of Mencken's life, and a good flavor of his times, without wallowing in matters only tangentially related to the main story line. Besides telling the story of Mencken's life better than it's ever been told before, Teachout delivers the most balanced and convincing critique of Mencken's thinking that I have ever seen. He doesn't slight Mencken's anti-semitism but doesn't exaggerate its importance either. He shows why Mencken's arguments often weren't very convincing, but also why Mencken continues to attract readers a half-century after his demise. He may not have been the Sage of Baltimore, but Mencken was a peerless prose stylist who deserves to remembered as one of the finest writers America has ever produced. Although Teachout modestly bills his book as "a life" it will go down as the definitive biography of Mencken.
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