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In the Skin of a Lion : A Novel. [Import] [Hardcover]

Michael. Ondaatje (Author)
3.9 out of 5 stars  See all reviews (78 customer reviews)


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Product Details

  • Hardcover: 243 pages
  • Publisher: McClelland & Stewart,; First Edition. first canadian edition (1987)
  • Language: English
  • ISBN-10: 0771068875
  • ISBN-13: 978-0771068874
  • Product Dimensions: 8.8 x 5.8 x 1 inches
  • Shipping Weight: 15.2 ounces
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (78 customer reviews)
  • Amazon Best Sellers Rank: #3,671,335 in Books (See Top 100 in Books)

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Customer Reviews

78 Reviews
5 star:
 (41)
4 star:
 (11)
3 star:
 (10)
2 star:
 (8)
1 star:
 (8)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (78 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

51 of 51 people found the following review helpful:
5.0 out of 5 stars if you onlyever read one ondaatje novel, this is the one, February 11, 2001
By 
A. Gillingham (Pittsburgh, PA USA) - See all my reviews
(REAL NAME)   
This review is from: In the Skin of a Lion (Paperback)
In 1987, Ondaatje wrote his chef d'ouevre, In the Skin of a Lion, which combines the best of his previous prose, poetry, and recent autobiography. Here one will see fictional characters come to believable life, prose more sonorous than most poetry of the day, and learn more about the history and politics of Canada than one does at school (unless, of course, one is lucky enough to be Canadian.) Many feel (and I believe rightly so) that this is the book that should have won the prestigious Booker Prize--an honor later given to 1992's The English Patient. Certainly, this is the book that helped give birth to the latter. It is here that we meet Patrick Lewis, Caravaggio, and a much younger Hana. Lewis is the anti-hero of the story, so deftly written that we grow with him, we love with him, and we grieve with him. I somehow feel that Patrick is closer to Ondaatje's heart more so than any other character that he's written until the advent of Kip in The English Patient. The tale of Patrick's life in "Upper America" made me weep at each reading, as did the sheer beauty of Ondaatje's prose. In my humble opinion, it is his finest prose to date.
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32 of 32 people found the following review helpful:
5.0 out of 5 stars all the beauty that surrounds us, April 7, 2000
By 
Jonna (London, England) - See all my reviews
This review is from: In the Skin of a Lion (Paperback)
I am trapped by these words, I slow down on each one almost notwanting to know what comes next because I know it'll most certainly besomething that puts me in awe and leaves me hungry for more.

I thought The English Patient was a wonderful book, I walked in Libyan desert looking for Zerzura for weeks after reading that book. But In The Skin Of A Lion is something so much more. This book moves me so I'm left speechless. The continuance, the surprises, the beauty, the characters. If it was possible to choose to write like someone I would absolutely pick Michael Ondaatje. His work is simply beautiful.

I am amazed. Read this book, read all of them. Find the fine red line that ties all the stories together. END

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18 of 18 people found the following review helpful:
4.0 out of 5 stars Romantic, Cubist, Very Well Crafted, January 5, 2001
By 
"beachillen" (Detroit, MI United States) - See all my reviews
This review is from: In the Skin of a Lion (Paperback)
There is no more poetic and skillful an author on the scene today and this book is a fine illustration of his extraordinary talent. Part of the "big deal" that some fail to see is the sheer mastery with which Ondaatje paints a very deep and complicated portrait of the protagonist and his historical and geographical contexts. He comes at the characters and the plot from a variety of angles. But unlike Faulkner, (those who think this novel difficult should open "The Sound and the Fury"!) Ondaatje uses third person narration to keep us from getting lost. Ondaatje use of metaphor is almost overwhelming and that, ironically, is one of my problems with the book.

It is a bit too romantic in its depictions of some exceedingly difficult lives and there are too many metaphoric descriptions. Everything seems weighted. Nothing is light or allowed to pass easily. That is why some say the book is slow. But it does move along quite well. You need to read it slowly. It's not something to be crammed down or hurried.

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