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Skin: Stories [Hardcover]

C. E. Poverman (Author)
2.5 out of 5 stars  See all reviews (2 customer reviews)

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Editorial Reviews

From Publishers Weekly

Unsettling ambiguities characterize the determinist, chaotic, often violent world depicted in this powerful collection of 11 short stories by the author of My Father in Dreams. In the title story, a woman recalls her brief but intense affair with a marine who survived two tours of duty in Vietnam unscathed; in fact, she is attracted to him by the beauty and smoothness of his skin. But when mysterious razor slashes leave Lewis's body as scarred as his psyche, it emerges that the marine has not told his lover the truth and may not know it himself; she, too, has had a glimpse of the person she might be. Other tales are similarly haunting, such as The Man Who Died, which recounts both sides of a sexual assault case. Exploring such themes as male sexuality, addictive and codependent behavior, the rights of the mentally ill and new love among old friends, the stories all hit the mark with their depictions of characters who are devious, gullible, confused, quirky and even insane, but never unreal. Poverman's habit of recycling background material and names from tale to tale keeps the reader off balance and adds to an atmosphere in which things are seldom what they seem.
Copyright 1992 Reed Business Information, Inc.

From Library Journal

If there is a weakness in these 11 stories it is that Poverman's endings never quite live up to the promise of emotional impact they brilliantly build toward. In the title story a young college student/fashion model has a hypnotic attraction for a tough Marine with gray eyes and "smooth . . . tight skin." She learns that his grotesque Vietnam nightmares and grisly tales are figments of a psychosis and flees in terror when she finds the razor slashes in his beautiful skin weren't inflicted by angry gamblers at all. In "Africa," an art curator confronts his own sense of romance and love as he observes the tortured relationship between an itinerant German sculptor in his late 30s and Madame Bardi, 91, a once-great beauty. Sandy's dawning awareness of his homosexuality in "On the Ocean" leads to overt expressions of denial: through religion, drinking, affairs, then marriage to a woman with an uncanny resemblance to a former boyfriend. These involving, carefully crafted tales resonate with sexuality, relationships, and the tension between romance and love. Very highly recommended.
- Ron Antonucci, Hudson Lib. & Historical Soc . , Ohio
Copyright 1992 Reed Business Information, Inc.

Product Details

  • Hardcover: 279 pages
  • Publisher: Ontario Review Pr; 1ST edition (November 1992)
  • Language: English
  • ISBN-10: 0865380767
  • ISBN-13: 978-0865380769
  • Product Dimensions: 8.6 x 5.8 x 0.9 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 2.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #3,234,364 in Books (See Top 100 in Books)

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Customer Reviews

2 Reviews
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Average Customer Review
2.5 out of 5 stars (2 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful:
1.0 out of 5 stars Flip-flop from a flop., May 24, 2003
By A Customer
This review is from: Skin: Stories (Hardcover)
What makes a good short story collection? They are hard to come by because the author is asking his or her reader to accompany them on not one but numerous tales. In some ways a short story collection can be more difficult than a novel, because one bad story might spoil the dozen. Such is not the case with Skin: Stories by literary novelist turned mystery writer, C.E. Poverman. These stories do not inspire, they do not entice, and they do not give any reason to continue on from page one to page two. The characters are caricatures, and the plots irrelevent.
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4.0 out of 5 stars Unsettling Pathos, April 28, 2004
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This review is from: Skin: Stories (Hardcover)
With a spare use of images, tropes and situations, Poverman convincingly persuades us of the humanity and worth of his characters. These stories, particularly "Cutter", "Beautiful", and "On the Ocean" are affecting while remaining affectless. In his mild and understated way, Poverman upheaves.
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