Amazon.com Review
When Charlie Evans finishes his last and most humiliating music gig, he tosses his violin aside and takes up life in a skid row boarding house populated by drifters, a dominatrix, and an unforgettable huckster named Tinsel Greetz. As in his first work,
Lord of the Barnyard, Tristan Egolf's novel
Skirt and the Fiddle swiftly brings readers into a world that is near--but nothing like--the one we know. Charlie and Greetz strike up a contentious friendship and commit spontaneous pranks around Philth Town, a fallen city populated by cruel bodega owners, dark alleys, and shady bars. They start thinking bigger when they land an illegal but lucrative gig killing sewer rats. But then Charlie falls for Louise Gascoygne and his friendly chemistry with Greetz goes awry. What follows is the duo's most interesting caper of all. As an author, Egolf has been compared to John Kennedy Toole, but his work also summons references to Jonathan Lethem and George Saunders. Beneath its bravado, the novel ultimately forces Charlie to make a choice between his passions: the adrenaline-pumping good times he begrudgingly shares with Greetz or the more profound passions he can experience by making music and love.
--Jane Hodges
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
In this follow-up to his widely acclaimed debut, Lord of the Barnyard, Egolf creates a bizarre world peopled with cartoonish freaks, losers, and down-and-outers. Narrator Charlie Evans, a violin virtuoso and orphan of Asian-Afro-American parentage, ends up in a skid-row boarding house in Philth Town, somewhere near New York City. Among the residents is Tinsel Greetz, an anarchist and troublemaker with whom Charlie reluctantly forms a friendship. They take a high-paying job hunting rats in the sewers, but soon Charlie meets Louise Gascoygne, a wealthy beauty who somewhat improbably falls for him. Charlie strives to overcome his streak of bad luck and lack of confidence to attempt a happy ending with the lovely Louise. The novel features extended slapstick scenes of comic destruction and nightmarish wackiness, as Charlie and Tinsel run into waiters carrying full trays of food, kick over buckets of paint, and start a street riot. This energetic and entertaining work seems more like an expanded short story, but the author's vibrant writing and lunatic vision might be especially appealing to a younger (college age and up) audience. Jim Coan, SUNY Coll. at Oneonta
Copyright 2002 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.