From Library Journal
Non-practicing Florida attorney Tony Kozol (Stiff in the Freezer) hopes to earn some much-needed cash by playing his guitar at an Arizona New Age conference. Spirit-induced music, mediums, fortune-telling, and ancient, alien-enhanced crystal skulls aside, Tony finds his credibility challenged by the murder of the spacey former college roommate who invited him there. He can't make up his mind who killed his friend--the rejected one-time lover, the jealous rival, the married-but-promiscuous hot-tub masseuse, or a host of others. Wacky characters, liquid prose, frequent humor, and a decidedly light plot place this in the fun, breeze-to-read category. Readers who enjoyed Sharon McCrumb's Bimbos of the Death Sun will also get a kick out of this.
Copyright 1999 Reed Business Information, Inc.
Review
J.R. Ripley has out a new Tony Kozol myster, SKULLS OF SEDONA...and it is just as much fun to read as the first Tony Kozol mystery,
Stiff In The Freezer...As always, with J.R. Ripley's work, this book is fun to read. Maybe it's because he always seems to write with a tongue-in-cheek attitude...I like J.R. Ripley's work. He has that touch of the bizarre, the outre, the silly, yet there seems to be some common sense behind it. It's always entertaining reading and one can't help liking his hero, Tony Kozol. He is a sort of Everyman. You know he is going to get in big trouble before the story spins out. You'll enjoy this book. Virginia Sink, Reviewer. (The (Oklahoma) Tribune, Oct. 21, 1999) --
(The Oklahoma Tribune, Oct. 21, 1999)Well, folks, Tony Kozol, lightning rod for trouble, is back.
Skulls of Sedona is the second installment in the Tony Kozol murder mysteries. J.R. Ripley continues to delight with offbeat and provocative settings for this follow up to the benchmark
Stiff in the Freezer. And true to form, Ripley comes up with a mixture of innovation, some wry commentary of the fads of the day, and just plain old amateur sleuthing in a grab bag of fun and excitement. J.R. Ripley, true to form, continues to cast Tony as a basically clueless, but streetwise, male who is irrestible to women and challenging towards men. Tony leaves a trail of angry and provoked women, men who would like to beat him up, and a seeming run of bad luck when it comes to financial matters. Because he is so prone to mishap, he ultimately comes across as the prodigal son whom we would like to straigthen out. But he does indeed get the job done, and at the end of this volume Tony finally decides to admit his true calling; investigator.Shelley Glodowski, Reviewer --
Midwest Book Review, November, 1999