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Sky Above the Mud Below

Tall DwarfsAudio CD
3.3 out of 5 stars  See all reviews (3 customer reviews)

Price: $14.20 & FREE Shipping on orders over $35. Details
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Audio CD, 2003 $14.20  

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Product Details

  • Audio CD (February 11, 2003)
  • Number of Discs: 1
  • Label: Carrot Top Records
  • ASIN: B00008BLFX
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #550,461 in Music (See Top 100 in Music)

1. Meet the Beatle
2. Beached Boy
3. Deodorant
4. Michael Hillbilly
5. Room to Breathe
6. Right at Home
7. Time to Wait
8. Melancholy
9. We Are the Chosen Few
10. Baby It's Over
11. Cascade
12. The Beautiful Invader
13. Big Brain of the World
14. You Want Me Shimmy
15. How the West Was Won
16. OK Forever
17. Your Unmade Eye
18. Seduced by Rock N Roll
19. Amniotic Love
20. Carsick
See all 25 tracks on this disc

Editorial Reviews

Customer Reviews

3.3 out of 5 stars
3.3 out of 5 stars
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Most Helpful Customer Reviews
1 of 1 people found the following review helpful
4.0 out of 5 stars contemplative, all-star affair from ageing legends March 26, 2003
Format:Audio CD
After 20 years of continually releasing dynamic, independent and thoroughly inventive music ' the Tall Dwarfs have released perhaps their most laid-back and restrained full length with The Sky Above, the Mud Below, their 13th album. Wearing their influences on their shoulder, the album varies between shades of the Beatles and Beach Boys brands of pop, and the Tall Dwarfs trademark lo-fi inventiveness. For the first time, the group incorporates digital techniques (which might send some shivers down the spine of the purest of listeners ' don't worry it's only for editing purposes!) to modify their endless collection of loops, sample snippets, tape-effects and found sounds.
The warmth of their previous recordings is still very evident, this time being far more reflective than their previous albums. Both Baithgate and Chris Knox (who has now reached the ripe old age of 50) seem at peace with themselves, and how they make music ' no longer concerned with the "lost opportunities" that their other recent albums such as 50 Flavors of Glue and Knox's solo release Beat portrayed.
The album starts with the chirpy, upbeat tribute to the late great George Harrison "Meet the Beatle" inspired by Chris' accidental run-in with Harrison a couple of years ago. "I know that guys like me are a drag, you must have had it up to here with fans" - a lyric typical of Knox's content throughout the album. He's playing for himself now, and songs like "Meet the Beatle" and the follow-up "Beached Boy" demonstrates he knows his place in the (music) world.
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3.0 out of 5 stars Junkmedia Review - Indie elder statesmen March 7, 2003
Format:Audio CD
The Tall Dwarfs occupy the same territory in New Zealand's independent music community as The Clean. While the music of the two groups have little in common, both are revered and respected as indie elder statesmen. Chris Knox and Alec Bathgate trade in the Kilgour boys' velvety rhythms for a much scrappier, fuzzed-out pop that often hits the bull's-eye. The Sky Above The Mud Below doesn't deviate from this path, revealing lo-fi nuggets resting alongside a couple of ill-considered sketches.
The two opening songs illustrate the band's hit-and-miss approach with "Meet the Beatle" and "Beached Boy." The first of these is a jangle-fuzz letter to "Mister Harrison" from an overzealous fan (Bathgate himself). It's goofy fun that wraps itself up under three minutes. The Casiotone percussion, piano and backwards guitars make the point perfectly clear that sweet simplicity will never go out of style. However, "Beached Boy" is a strained affair. Whether it's supposed to be a joke or not, one can't be sure; either way, it's a tough listen. Chris Knox's parched voice is stretched thin over some uninspired bass, loops and piano. Unfortunately, this is one vessel that should have been scuttled long before it reached the shore. In the end, the idea of opening the record with two songs paying homage to their influences was much better than its execution.
Thankfully, this is the largest misstep on the album. Most everything else retains the adolescent charm and garage-fidelity that the Tall Dwarfs are known for. Highlights include the sarcastic crunch of "Deodorant," the pretty pop of "Room to Breathe" and the Beefheart inspired "You Want Me Shimmy.
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3.0 out of 5 stars 2 great songs amidst the fluff & dandruff October 26, 2005
Format:Audio CD
This is the first Tall Dwarfs release I heard, even though I had known of them for decades. Their music is not easily found abroad, and if I had let my impressions of this album dominate, I wouldn't have trawled back into their back catalogue, where considerably more appealing efforts awaited. This album, frankly, has the standout track "Baby It's Over" and, only a bit less attention-grabbing, "The Beautiful Invader." Yes, and the first track, "Meet the Beatle," is worth a listen. While much of Chris Knox's work with Alec Bathgate as TD and on his own as a one-man solo singer/musician/songwriter/studio wizard has taken after the Lennon & McCartney tradition, this album--as the first song alerts us, seems more George Harrisonish. No sitars, unfortunately, but it's more melancholy and a bit more downbeat rather than anguished (John) or effusive (Paul).

It's not bad, but not great for the most part. Tall Dwarfs and Knox's records are notoriously hard to distinguish, given their remarkably consistent quality, but this one does show weariness. The band takes the International Tall Dwarfs concept from the CD "Stumpy" and expands it with "all-star" American indie critical faves, mainly from the Merge label. This fits, as Elf Power would be nowhere without this influence. These songs prove irritating as well as interesting: a mixed bag same as the unevenly paced album by the two Dwarves proper.

As I said, it's worth it for completists, but I'd start earlier in their catalogue first, if you're a newcomer. Too many of the tunes chug along acceptably, but the heights these Tall Dwarfs have previously reached are far less scaled this time around.
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