Skylarking [ORIGINAL RECORDING REISSUED] [ORIGINAL RECORDING REMASTERED]

XTC

Product Details

• Audio CD (May 14, 2002)
• Original Release Date: 1986
• Number of Discs: 1
• Format: Original recording reissued, Original recording remastered
• Label: Caroline
• ASIN: B00005ATHO
• In-Print Editions: MP3 Download
• Average Customer Review: 4.7 out of 5 stars  See all reviews (70 customer reviews)
• Amazon.com Sales Rank: #12,847 in Music (See Bestsellers in Music)

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Editorial Reviews

Amazon.com

XTC's frothy, Beatle-esque concept album about birth, death, and the passing of the seasons is hardly soft-headed: its melodic inventiveness and lush orchestrations supports bitterness ("That's Really Super, Supergirl"), displacement ("The Man Who Sailed Around His Soul"), and agnostic tirade ("Dear God") as often as it does the pleasures of sun and shower. The greatest achievement of XTC's post-Drums and Wires career, Skylarking is a must-have for the first days of spring. This deluxe, remastered version of the album contains a bonus track, "Mermaid Smiled." --Rickey Wright

Product Description

24-bit remastered reissue of 1986 album. Including the bonus track 'Dear God'.

Customer Reviews

Most Helpful Customer Reviews

6 of 6 people found the following review helpful:

5.0 out of 5 stars XTC's Best with a 'little' help from Rundgren, May 4, 2004

By	Christopher Minjoot (Singapore) - See all my reviews (REAL NAME)

This must be a classic album, otherwise why would I possess five versions of it on CD? There's the original UK and US presses, the Gold Ultradisc CD, the Japanese paper sleeve edition (remastered) and this latest remastered edition.

The original album as it appeared back in 1986 (it sure doesn't sound like an 80s album) does not include Dear God which was actually a B-side to the Grass single. Dear God became a college radio hit in the U.S. and that resulted in it being included in the U.S. album at the expense of Mermaid Smiled. The initial UK and US CD releases reflect this difference, with the Gold Ultradisc following the latter's track listing. It is only after remastering, that the latest releases (Japanese paper sleeve and this one) contain both songs with Dear God being tagged on at the end (the Japanese paper sleeve edition does not list the track). Sequence-wise, I prefer the latest incarnation as it offers the best of both worlds and generally sound better after the remastering (the Gold CD stills sounds superior but lacks Mermaid Smiled).

XTC play quirky and intelligent pop with shades of Squeeze and the Beatles. Early XTC sounded a little different, having more punk and new wave elements in them. The best albums pre-Skylarking include Black Sea and Drums & Wires. Notable post-Skylarking releases include Oranges & Lemons and their last studio album Wasp Star (Apple Venus Vol. 2). Skylarking stands out from all their other albums in that it follows a concept - pastoral meditation on the cycle of life and death. It is quite likely that this is down largely to Todd Rundgren's production and vision. If you study his other work (including his own albums) as well as other artistes he has produced (prime example being Hall & Oates' War Babies), you will see that unity and flow are the twin pillars of his production technique. This however should not detract from the writing skills of Partridge and Moulding, which turn up many gems here including Grass, Ballet For A Rainy Day and Dear God. Of course, there was the inevitable clash of egos between Partridge and Rundgren (an example being Partridge's annoyance that Rundgren chose almost, if not all of Moulding's offerings for the album - other XTC albums feature about 3 songs from Moulding; Skylarking has 5).

Reluctant concept album? XTC's Sgt. Pepper? Whatever the label, this is one fine album that has to be listened to from start to finish and then back again. It is another one of those 'cyclical' albums that deserve a wider audience, much like Love's Forever Changes and The Byrd's Notorious Byrd Brothers.

6 of 6 people found the following review helpful:

5.0 out of 5 stars "Skylarking": The Holy Grail of Pop Music, May 24, 2002

By	Gavin B. (St. Louis MO) - See all my reviews

XTC has always forged an idosyncratic career path which has delighted their fans and left others puzzled. There is a perception that the band is essentially a studio creation of a group of gifted reclusive musicians who refuse to tour because they can't cut it as a live band. In the early 90s I saw Aimee Mann coax the nortoriously stage phobic Andy Partridge out to play a few songs and he turned out to be a riveting performer as he blazed through a half a dozen XTC songs and blew the roof off the joint. Still XTC refuses to tour in support of their releases and leaving them with a hand full of devotees who count their XTC albums among their most precious possessions. "Skylarking" is the Holy Grail of lost treasures of 1980s music. I've heard a lot of comparisons to "Sgt. Peppers", but folks, this is better than the Beatles tour de force. "Skylarking" is as close to high art as pop music will ever get.

"Skylarking" is a song cycle which depicts a young man's rite of passage through the seasons of love into heartbreak and eventually disillusionment. Todd Rundgren is the cement that keeps "Skylarking" from imploding under the weight of it's big ideas. Todd's studio brilliance begs the question of why he was never able to jump start his own career. The remastering has added even more clarity to what was a "crisp as an autumn morning" original master. Todd's separtion of the vocal tracking rivals some of Brian Wilson's most inspired harmony mixes of the "Pet Sounds/Smiley Smile" era. There are charming locaction sounds like chirping crickets and singing birds that capture the esessence of XTC's eccentric pantheistic vision. If you are reading this review, you are probably among the converted. If there was any justice in this world, "Skylarking" would be grounds enough for XTC to be inducted into the Rock and Roll Hall of Fame. I have a feeling Andy and Colin could care less, but I do.

17 of 22 people found the following review helpful:

5.0 out of 5 stars One of the great albums of our time!, March 12, 2005

By	M J Heilbron Jr. "Dr. Mo" (Long Beach, CA United States) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

This, simply put, is a masterpiece. It is an album that feels like a single, organic whole, yet each song is a vital, essential piece. Start to finish, the songs one after another are a delight; continually surprising...
...and they haven't aged a millisecond. This thing sounds as great as it did almost 20 years ago!
I used the word "organic" intentionally, as there's sort of a thematic link between many of the songs...lyrical as well as in tone.
Acoustic instruments blended with synthetic insect noises and real (?) bird chirping lead one song into another.
Song titles include "Summer's Cauldron", "Season Cycle", "Ballet for a Rainy Day", "1000 Umbrellas".
XTC's sense of humor pops up here and there, especially with the giggle, "That's Really Super, Supergirl",
Midway through the album, the single "Earn Enough For Us" just explodes from your speakers/headphones. It's a great, simple song, and shows off the band's ability to go loud and uptempo.
"The Man Who Sailed Around His Soul" is a finger-snapping jaunty tune that reminds me of the album Joe Jackson did AFTER his breakthrough, "Night and Day", called "Body and Soul". I recommend searching that one out if you particularly enjoy this song.
The album closer has to go on the list of the most dramatic and exhilarating pop songs ever. Not shying away from controversy, "Dear God" begins as a child "reads" a letter to God, questioning his presence.
Then Andy Partridge comes in, and he performs the song as if it's a dramatic scene in a stage play. Listen to his rage and frustration build through the verses, the band creating this ever-increasing wall of sound behind him, to the point where you can barely stand to listen...you feel despair, loss of hope, everything...
...until the shattering climax.
And to those who may be offended...you haven't listened to it yet. You won't be offended if you check it out. He may be explaining his doubt about God, but he's speaking directly to Him, isn't he?
I'm not religious at all, and I still think this is one of the more spectacular singles ever recorded...and a tremendous finale to one of the great albums of our time.