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Skylarking [Limited Edition, Original recording reissued, Original recording remastered, Import]

XTCAudio CD
5.0 out of 5 stars  See all reviews (1 customer review)


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XTC hailed from Swindon to cultivate a legacy of highly original British pop born from their early punk/new wave roots in the late 70s. Their angular yet melodic songs, lead by distinctive jagged riffs boasted the catchiest of pop sensibilities which was then injected with an edginess by the darker overtones of astute and often political lyrics. Throughout their career, from the jerky earlier ... Read more in Amazon's XTC Store

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Product Details

  • Audio CD (September 11, 2002)
  • Original Release Date: 1986
  • Number of Discs: 1
  • Format: Limited Edition, Original recording reissued, Original recording remastered, Import
  • Label: Msi Music/Super D
  • ASIN: B00005V8AB
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,831,259 in Music (See Top 100 in Music)

1. Summer's Cauldron
2. Grass
3. The Meeting Place
4. That's Really Super, Supergirl
5. Ballet for a Rainy Day
6. 1000 Umbrellas
7. Season Cycle
8. Earn Enough for Us
9. Big Day
10. Another Satellite
11. Mermaid Smiled
12. The Man Who Sailed Around His Soul
13. Dying
14. Sacrificial Bonfire
15. Dear God

Customer Reviews

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Most Helpful Customer Reviews
5.0 out of 5 stars One of XTC's finest moments December 23, 2006
Format:Audio CD
XTC is a love them or hate them type of band. I've found very few folks that fall between these extremes. Skylarking is an album that almost everyone in the latter camp likes and for good reason; it's a stunning song cycle that recalls the greatness of the Beach Boys, Kinks and Beatles best recordings without apeing them.

This edition returns the album to the glory it deserves; the sound quality is comparable to the MFS gold disc and the packaging is terrific. Ian Cooper should be commended for his work here--he manages to turn his craft into a fine art. Thankfully, Cooper returned to the original configuration of the album (Skylarking was resequenced for the US market when Dear God became a alternative hit. Sadly one of Andy Partridge's finest songs Mermaid Smiled was dropped in the process)and added Dear God as a bonus track. While the import version was like this in many countries, there wasn't a consistency to the album. It reminded me of the way the Beatles, Stones and Kinks albums were reconfigured for the US market; while doing so helped market more commerical product it slighted the original works. The same is certainly true here as well.

The band has struggled over the years to come up with an album as consistent (Nonsvch and Apple Venus Volume 1 come darn close) as this work. Despite the unpleasant time the band had working with Todd Rundgren, their collaboration resulted in the best collaboration between producer and performer since the days of George Martin and The Beatles.

My only disappointment is in the fact that Virgin chose not to include the demos that were released as b sides.
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