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7 of 7 people found the following review helpful:
5.0 out of 5 stars
The reluctant director, December 28, 2000
In times past the function of biographies was generally to elevate their subjects to noble heights and focus on the individuals accomplishments. In modern times the function of biographies often seems to be to tear down their subjects, ruthlessly exposing every flaw and possible past transgression of the person under examination. This biography of film director/producer George Lucas is an evenhanded look at his life and work, even if some of the conclusions it's author arrives at are necessarily personal rather than certifiably factual in nature. The book is peppered with many quotes from Lucas himself as well as Spielberg, Coppola, Milius and others which lends it a feeling of legitimacy which I believe is probably lacking from other, less sympathetic biographies. Lucas himself is quite forthcoming about his feelings on his own work and what he sees as his limitations as a director. His comments on Hollywood were amusing if understandably bitter, especially for someone who has worked there in the past. If one omits his earliest film shorts such as the student version of THX 1138 and the documentary Filmmaker, Lucas has only directed three films in his career, THX 1138, American Grafitti and Star Wars. His function since that last mega-smash has primarily been as producer and head of the state-of-the-art Skywalker Ranch production facilities up in scenic Northern California. He has also helped finance a number of less "mainstream" works such as Kurosawa's Kagemusha. It's unfortunately probably true that Lucas has never been taken seriously by many critics ever since Star Wars because that film was so consciously intended as a "kids movie". Despite the fact that it was embraced by popular culture around the world due to its quality and mythic resonance it does tend to overwhelm his early, more adult-oriented films. Lucas himself is quite skeptical of some of the intellectual critical analysis that has been produced on what was intended to be an innocent hommage to 30's style action movie serials and not a "think piece". It's also surprising that so many people continue to consider the Star Wars films science-fiction when they really fall much more into the fantasy genre despite all the high-tech trappings. Of course this book includes reams of trivia on the films, from the origin of all of the characters names in Star Wars to the details behind preview screenings and loads of very funny anecdotes that could only have been provided by an industry as crazy and high-stakes as Hollywood. Mostly however this is the story of a man from modest origins who managed to beat Hollywood at it's own game and achieve financial independence from "the system" through a combination of very savvy business choices, luck and a personal vision that happened to coincide with what a large number of the paying public wanted to see on screen. This review refers to the original 1983 hardcover release of this book.
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9 of 10 people found the following review helpful:
3.0 out of 5 stars
Well written, bot not accurate..., May 20, 2005
An extremely well written book but I find some of the information within to not be entirely true. I have researched Lucas' achievements for nearly the last 20 years and Skywalking paints him to be egomaniacal, something that Lucas is far from.
To add, Lucas pulled his support for the book due to that very issue. Pollock is no doubt a talented writer, and there is some very good info within, but the author should go get a position at The Enquirer if he wants to spread gossip, which is just what he does in the updated version of the book, after Lucas expressed his concerns. Pollock takes several cheap shots at Lucas in a new chapter, unwarranted snips that are obviously meant as retaliation by Pollock. He gives Lucas an unwarranted suckerpunch by mentioning the obviously painful divorce from his wife Marcia. This is a real low blow that you would not suspect from a man of Pollock's stature in the industry.
Moreover, Pollock also mentions that Lucas is sue-happy, threatening to sue anyone who attempts to even mention his Star Wars franchise. This is simply not true. I myself wrote a book about the Star Wars films, and I was in contact on two different occasions with Lucasfilm representatives. Never once did they try to hinder my efforts or threaten me. In fact, they were even encouraging and thankful and always remained professional and courteous.
To add more negativity, Pollock paints incorrect images in his book. He makes it sound as if Harrison Ford considers Lucas to be like a plantation owner. "Master George," so Pollock would like readers to think. This could not be further from the truth. Harrison highly regards Lucas as one of his most admired filmmakers and friends. Ford has said in many interviews that the success of his career came largely from his association with Star Wars. Ford also only signed on to do three Indiana Jones pictures because Lucas was involved. Harrison stated in an interview that he signed on because he "knew the character and abilities of the filmmakers (Lucas/Spielberg) involved." Also, Ford stated in front of millions of viewers at the AFI Lucas award ceremony "I love you man." Doesn't sound to me like Harrison dislikes Lucas.
Furthermore, Pollock states that Lucas is like a hermit, hiding inside the walls of his ranch and secluding himself from the world. However, in another paragraph, Pollock mentions how Lucas must meet and greet over a hundred people a day, per Lucasfilm's daily operations. If I had to do that I'd want to be left alone for some quiet time, too.
Pollock then includes comments by movie critics who feel that Lucas has ruined big budget action films by inspiring other filmmakers to direct "all action" and "no story" films, leaving the movie-goers of today with lackluster action and sci-fi films. This is the biggest error of all. Lucas made Star Wars, a film that touched viewers across the globe -- because of its story and likeable characters -- and brought in the biggest fan explosion that Hollywood has ever seen. Lucas made a good movie that, at the time, was cutting edge and risky. If filmmakers of today can't match Lucas' ability to make a good film, like Star Wars, how can that be blamed on Lucas? Lucas made a good film and it struck a chord then as it does now. Blaming Lucas for ruining films of today is like going to an eatery on the north side of town, getting served a crappy meal, but instead of getting angry with the person who served your meal, you go to another eatery on the south side of town, who had nothing to do with your meal, and blame them. Ridiculous.
Sounds like Pollock is just jealous. He has an impressive career in the film industry, but he'll never match the iconic status that Lucas has achieved. Really, when you say Dale Pollock who perks up? When you say George Lucas people know what he's done. And this book just makes Pollock seem bitter. Pollock set out to write a controversial book about Lucas, and that's just what he did. Now Pollock bashes Lucas in interviews and has become the mascot for all Lucas-haters. What a shame.
Lucas' reputation as an integral man abounds with those who know him and have seen his efforts. It is a shame that this book doesn't focus on the positives.
A good book but be cautious of what you read...some of it is not true.
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5 of 5 people found the following review helpful:
3.0 out of 5 stars
Interesting, but there is... a ... better... Skywalker..., November 14, 2005
I read the older edition and loved it, but the "revised" edition is lacking. I believe that the more accurate, and far more interesting tale is spun in the recent book Droidmaker: George Lucas and the Digital Revolution. That book has a technical edge that Skywalking does not (both good and bad news, I suppose), Droidmaker smacks of deeper truths and less sensationalistic noise. Skywalking covers Lucas' youth very well, and stories of the production of his early films, but I don't think it's really that good a book. I suppose it's a must-have for the fan, but take that with a grain of salt. There are better and more current books now available -- in particular, Hearn's Cinema of George Lucas and Rubin's Droidmaker.
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