Campbell has created a gothic tale filled with dark overtones and overly dramatic characters who are balanced by fey Alice and her very modern friends in their search for love.
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Although she would be happier continuing her scientific research, Alice takes a job in the book department of a lesser London auction house so that she can look after her mother. The auction house is filled with an odd assortment of British characters who basically ignore Alice, except for Andrew, another academic expert who doesn't quite fit in. He truly sees Alice as a beautiful person, and tries to attract her on a social level and succeeds until she suddenly becomes even more withdrawn. All Andrew's hopes may come to nothing as he and Alice meet Edward Lynden, the owner of a rare Audubon folio. The dramatic Edward tries to sweep Alice off her feet and she seems amenable until she finds out that she has some serious competition. Campbell has created a gothic tale filled with dark overtones and overly dramatic characters who are balanced by fey Alice and her very modern friends in their search for love. Patty Engelmann
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
Excerpt. © Reprinted by permission. All rights reserved.
Chapter One
Toffs and Tarts
Alice Duclos walked down a street so grand it made her feel like a child lost in a cathedral. The buildings themselves seemed to peer disapprovingly at her, arching their eyebrows haughtily at the presence of such an unfamiliar creature. Wherever she looked there were shop windows bearing diamonds, rubies, emeralds. Other windows were draped with elegant, sinister furs, some, she saw with a shudder, still in possession of their foxy little faces and shining eyes. The poised and exquisite mannequins gazing out from the fashion boutiques made her feel drab, despite the new suit that had cost more than her total clothing bud- get for the preceding four years. Her mother, Kitty, had found the money somehow—not out of generosity, because that wasn’t Kitty’s way, but because of the shame she would have felt had Alice gone to work wearing her usual ill-matched collection of garments, loose where they should cling, pinching where they should drape.
The men and women in the street all seemed so tall, so important, so confident, shining with the radiance of the rich. They all knew precisely where they were going and what to do when they got there.
For the fiftieth time Alice cursed herself for allowing this to happen. Things had seemed so clear and straightforward at university. She knew what she wanted from life, and she knew how to achieve it. But then Kitty had become increasingly eccentric, impossible, ill. Alice’s dream of research, of islands, of science, had melted away, leaving only the need, for the time being at least, to look after Kitty, and that meant a job, a real job in the real world with real money.
She stubbed her toe on an uneven paving stone. “Drat!” she said, as she saw that she had forgotten to put on her new shoes. She was wearing a favorite old pair—brown, comfy, about as fashionable as cellulite. She blushed slightly, and blushed more because of the embarrassment of blushing in a place like this, a place where people didn’t blush. She put her head down, allowing her thick dark hair to fall over her face, and hurried on.
She didn’t notice the stares of the men that she passed, didn’t begin to discern the complexity of the response she was getting. First the quick glance, poised on the brink of dismissal. Then a longer look as they approached. And then, after they had passed, the pause, eyes wide in something like wonder, something like joy. She did not notice the carpenter, perched high on his scaffolding, who raised his fingers to his lips, preparing a purely conventional wolf whistle, only to leave them suspended there as though eating a slice of invisible cake.
She arrived. Seven steps up to a door high and wide enough to admit a knight on horseback. This was not just a new job for Alice; it was her first proper job, and the fear and excitement tingled like acid rain on her skin.
“Books,” she said, to the cruel-looking woman at reception. “The Books Department. I’ve come . . . I have a job.”
“How nice,” said the woman, a Snow Queen in exile, forced to earn her living. “Second floor. There’s a lift.”
“I know,” said Alice, and took the stairs.
Again she asked herself, as she trudged up a wide staircase designed, it seemed, for a Hollywood musical, what she was doing here. And for the first time another question rose into her consciousness, one linked to the first and yet more resonant: Who am I?
It was a question that was to be answered, at least in part, that very morning by Mr. Crumlish, whom Alice was destined never to call by his first name, Garnett.
Mr. Crumlish was then still part of the ill-defined stratum of middle managers within Books or, to use the full title, Books, Manuscripts, and Other Printed Matter. Books was the smallest department in Enderby’s, the fifth-biggest auction house in London, which is quite as unimpressive as it sounds. The office building, an ornate Florentine palazzo, complete with dirty windows and spluttering drains and a grand statue of its founder, the buccaneering Mungo Enderby (1772–1861) in half-armor, was the one relic of the glory days, back in the 1920s, when Enderby’s was briefly acknowledged as one of the Big Three. But then came the scandals: the famous fraud case, the fake Canaletto, the 1949 public indecency charge against Ashley Enderby. And so eventually the Americans had come, or rather the Americans who ran the business for the Japanese bank that bought, at bargain basement rates, 51 percent of Enderby’s. Ashley Enderby had died without issue, alone in Marrakech, befuddled with intoxicants, and the family share had gone to the Brooksbanks, obscurely related by marriage. The Brooksbanks, whose interests were principally rural, were content for the Americans and Japanese to make decisions while they drew off what they could in the form of profit and prestige. Only one Brooksbank, Parry, was still involved in any practical sense in running the company, and he only in the way that the froth is technically still part of the beer. But he was, at least, a link of sorts with the past.
It fell to Mr. Crumlish to show Alice “the ropes,” a phrase he used with such relish she assumed he felt it to be an expression of thrilling vulgarity.
“You see, if we leave aside dear dear Spammy over there”—at this point Crumlish toodled with his fingertips over to where Pamela, the office drudge, was arranging paper clips; in response Pam burst into gales of girlish laughter, which set off curious seismic events in the various pendulous and drooping zones of her body: a small tremor about her middle, a major quake in the jowls, a volcanic eruption of spittle at the lips, and a devastating bust tsunami—“everybody here is either a Toff or a Tart or a Swot. Oh. Are you allowed three eithers? I can’t remember. Anyway, I, of course, am a Toff. We don’t know very much, but the gentry do like one of their own to deal with. Not perhaps when it comes to going on a rummage; then they seem to prefer it if you act like staff, and you think yourself lucky if cook gives you a chipped mug in the kitchen. But when they bring in one of their gewgaws for a valuation, they appreciate the rich and heady aroma of old money.”
Alice was clearly supposed to be shocked by Mr. Crumlish’s performance. But she noticed that the people in the office, the twenty or so men and women arranged in clumps about the room, paid him no attention, despite the arch and actorly projection of his voice. She assumed they had heard it all before, perhaps received the same initiation themselves.
“Ophelia,” continued Mr. Crumlish, “is, as you can see, a Tart. Pretty, pretty, pretty.”
With each pretty, Mr. Crumlish twitched the hem of his pinstriped suit jacket, flashing the vivid lilac lining.
Alice glanced quickly in the direction that Mr. Crumlish had flicked his thin wrist and saw a young woman of astonishing, languorous beauty playing idly with her long black hair. She seemed to have nothing else to do. Alice instantly felt shabby. Her own long hair was cheaply cut, underconditioned, and prone to acts of reckless rebellion; her shoes were scuffed; the new suit now seemed so wrong.
“The Tarts,” continued Mr. Crumlish, breaking the spell that Ophelia’s beauty had cast over Alice, “tend not to know very much either, but they are easy on the eye, and it’s so much cheaper than getting the decorators in. Anyway, what else would they do with their History of Art degrees? The Swots, on the contrary, know everything; not everything about everything, but everything about something. Couldn’t do without the Swots. Could do without the smell.”
“The smell?” Alice was mystified.
“You know, the stale, composty, damp-tweed aroma, combined with the smell of a shirt worn for a second or even third day, mixed finally with the faint sweet tang of distressingly recent onanism. I present to you Mr. Cedric Clerihew.” He pronounced Cedric seed-rick, which Alice hadn’t heard before. She had no way of knowing if Crumlish was being amusing. Clerihew certainly wasn’t going to put her right. He was a small round person and, like many small round people, his age was difficult to estimate, but certainly above twenty and below forty. He was very neatly dressed, almost like a boy receiving his first Holy Communion. He smiled and sweated toward Alice, but Crumlish swept her on and away before he had the chance to speak to her or reach out with his little hands, the fingers of which looked a knuckle shorter than the usual complement.
“Poor boy,” said Crumlish, this time in a voice that only Alice could hear. “One day he might, by pure good fortune, stumble upon the right posterior, but until that happy time he licks in vain.”
Alice giggled too loudly, hiding her wide mouth behind her hand. A couple of faces turned, Ophelia’s among them. She performed what must have been a very deliberate up-and-down look of dismissal. Anyone who cared to glance toward Clerihew would have seen him staring intently at his desk, his face red, his mouth set hard. Mr. Crumlish, pleased with the response, moved Alice on through the large book-splattered room.
“But you, Alice, what are you? Not, obviously, one of the Tarts. I’m afraid your degree—what was it? Of course, zoology of all things— suggests that. Not to mention your commendable lack of vanity.”
As was perhaps intended, Alice took the statement that she lacked vanity as a hint that she ought to rectify the deficit.
“Nor, despite your name, which, between the two of us I don’t entirely believe, do you appear to be one of us—I mean a Toff. That only leaves the Swots. And, my dear Alice, you really are far too fragrant to be a Swot. I fear yo...
Toffs and Tarts
Alice Duclos walked down a street so grand it made her feel like a child lost in a cathedral. The buildings themselves seemed to peer disapprovingly at her, arching their eyebrows haughtily at the presence of such an unfamiliar creature. Wherever she looked there were shop windows bearing diamonds, rubies, emeralds. Other windows were draped with elegant, sinister furs, some, she saw with a shudder, still in possession of their foxy little faces and shining eyes. The poised and exquisite mannequins gazing out from the fashion boutiques made her feel drab, despite the new suit that had cost more than her total clothing bud- get for the preceding four years. Her mother, Kitty, had found the money somehow—not out of generosity, because that wasn’t Kitty’s way, but because of the shame she would have felt had Alice gone to work wearing her usual ill-matched collection of garments, loose where they should cling, pinching where they should drape.
The men and women in the street all seemed so tall, so important, so confident, shining with the radiance of the rich. They all knew precisely where they were going and what to do when they got there.
For the fiftieth time Alice cursed herself for allowing this to happen. Things had seemed so clear and straightforward at university. She knew what she wanted from life, and she knew how to achieve it. But then Kitty had become increasingly eccentric, impossible, ill. Alice’s dream of research, of islands, of science, had melted away, leaving only the need, for the time being at least, to look after Kitty, and that meant a job, a real job in the real world with real money.
She stubbed her toe on an uneven paving stone. “Drat!” she said, as she saw that she had forgotten to put on her new shoes. She was wearing a favorite old pair—brown, comfy, about as fashionable as cellulite. She blushed slightly, and blushed more because of the embarrassment of blushing in a place like this, a place where people didn’t blush. She put her head down, allowing her thick dark hair to fall over her face, and hurried on.
She didn’t notice the stares of the men that she passed, didn’t begin to discern the complexity of the response she was getting. First the quick glance, poised on the brink of dismissal. Then a longer look as they approached. And then, after they had passed, the pause, eyes wide in something like wonder, something like joy. She did not notice the carpenter, perched high on his scaffolding, who raised his fingers to his lips, preparing a purely conventional wolf whistle, only to leave them suspended there as though eating a slice of invisible cake.
She arrived. Seven steps up to a door high and wide enough to admit a knight on horseback. This was not just a new job for Alice; it was her first proper job, and the fear and excitement tingled like acid rain on her skin.
“Books,” she said, to the cruel-looking woman at reception. “The Books Department. I’ve come . . . I have a job.”
“How nice,” said the woman, a Snow Queen in exile, forced to earn her living. “Second floor. There’s a lift.”
“I know,” said Alice, and took the stairs.
Again she asked herself, as she trudged up a wide staircase designed, it seemed, for a Hollywood musical, what she was doing here. And for the first time another question rose into her consciousness, one linked to the first and yet more resonant: Who am I?
It was a question that was to be answered, at least in part, that very morning by Mr. Crumlish, whom Alice was destined never to call by his first name, Garnett.
Mr. Crumlish was then still part of the ill-defined stratum of middle managers within Books or, to use the full title, Books, Manuscripts, and Other Printed Matter. Books was the smallest department in Enderby’s, the fifth-biggest auction house in London, which is quite as unimpressive as it sounds. The office building, an ornate Florentine palazzo, complete with dirty windows and spluttering drains and a grand statue of its founder, the buccaneering Mungo Enderby (1772–1861) in half-armor, was the one relic of the glory days, back in the 1920s, when Enderby’s was briefly acknowledged as one of the Big Three. But then came the scandals: the famous fraud case, the fake Canaletto, the 1949 public indecency charge against Ashley Enderby. And so eventually the Americans had come, or rather the Americans who ran the business for the Japanese bank that bought, at bargain basement rates, 51 percent of Enderby’s. Ashley Enderby had died without issue, alone in Marrakech, befuddled with intoxicants, and the family share had gone to the Brooksbanks, obscurely related by marriage. The Brooksbanks, whose interests were principally rural, were content for the Americans and Japanese to make decisions while they drew off what they could in the form of profit and prestige. Only one Brooksbank, Parry, was still involved in any practical sense in running the company, and he only in the way that the froth is technically still part of the beer. But he was, at least, a link of sorts with the past.
It fell to Mr. Crumlish to show Alice “the ropes,” a phrase he used with such relish she assumed he felt it to be an expression of thrilling vulgarity.
“You see, if we leave aside dear dear Spammy over there”—at this point Crumlish toodled with his fingertips over to where Pamela, the office drudge, was arranging paper clips; in response Pam burst into gales of girlish laughter, which set off curious seismic events in the various pendulous and drooping zones of her body: a small tremor about her middle, a major quake in the jowls, a volcanic eruption of spittle at the lips, and a devastating bust tsunami—“everybody here is either a Toff or a Tart or a Swot. Oh. Are you allowed three eithers? I can’t remember. Anyway, I, of course, am a Toff. We don’t know very much, but the gentry do like one of their own to deal with. Not perhaps when it comes to going on a rummage; then they seem to prefer it if you act like staff, and you think yourself lucky if cook gives you a chipped mug in the kitchen. But when they bring in one of their gewgaws for a valuation, they appreciate the rich and heady aroma of old money.”
Alice was clearly supposed to be shocked by Mr. Crumlish’s performance. But she noticed that the people in the office, the twenty or so men and women arranged in clumps about the room, paid him no attention, despite the arch and actorly projection of his voice. She assumed they had heard it all before, perhaps received the same initiation themselves.
“Ophelia,” continued Mr. Crumlish, “is, as you can see, a Tart. Pretty, pretty, pretty.”
With each pretty, Mr. Crumlish twitched the hem of his pinstriped suit jacket, flashing the vivid lilac lining.
Alice glanced quickly in the direction that Mr. Crumlish had flicked his thin wrist and saw a young woman of astonishing, languorous beauty playing idly with her long black hair. She seemed to have nothing else to do. Alice instantly felt shabby. Her own long hair was cheaply cut, underconditioned, and prone to acts of reckless rebellion; her shoes were scuffed; the new suit now seemed so wrong.
“The Tarts,” continued Mr. Crumlish, breaking the spell that Ophelia’s beauty had cast over Alice, “tend not to know very much either, but they are easy on the eye, and it’s so much cheaper than getting the decorators in. Anyway, what else would they do with their History of Art degrees? The Swots, on the contrary, know everything; not everything about everything, but everything about something. Couldn’t do without the Swots. Could do without the smell.”
“The smell?” Alice was mystified.
“You know, the stale, composty, damp-tweed aroma, combined with the smell of a shirt worn for a second or even third day, mixed finally with the faint sweet tang of distressingly recent onanism. I present to you Mr. Cedric Clerihew.” He pronounced Cedric seed-rick, which Alice hadn’t heard before. She had no way of knowing if Crumlish was being amusing. Clerihew certainly wasn’t going to put her right. He was a small round person and, like many small round people, his age was difficult to estimate, but certainly above twenty and below forty. He was very neatly dressed, almost like a boy receiving his first Holy Communion. He smiled and sweated toward Alice, but Crumlish swept her on and away before he had the chance to speak to her or reach out with his little hands, the fingers of which looked a knuckle shorter than the usual complement.
“Poor boy,” said Crumlish, this time in a voice that only Alice could hear. “One day he might, by pure good fortune, stumble upon the right posterior, but until that happy time he licks in vain.”
Alice giggled too loudly, hiding her wide mouth behind her hand. A couple of faces turned, Ophelia’s among them. She performed what must have been a very deliberate up-and-down look of dismissal. Anyone who cared to glance toward Clerihew would have seen him staring intently at his desk, his face red, his mouth set hard. Mr. Crumlish, pleased with the response, moved Alice on through the large book-splattered room.
“But you, Alice, what are you? Not, obviously, one of the Tarts. I’m afraid your degree—what was it? Of course, zoology of all things— suggests that. Not to mention your commendable lack of vanity.”
As was perhaps intended, Alice took the statement that she lacked vanity as a hint that she ought to rectify the deficit.
“Nor, despite your name, which, between the two of us I don’t entirely believe, do you appear to be one of us—I mean a Toff. That only leaves the Swots. And, my dear Alice, you really are far too fragrant to be a Swot. I fear yo...
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Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
5.0 out of 5 stars
So nice I bought it twice,
By Mass Consumer of Fiction in Arizona "tempeazr... (Tempe, AZ United States) - See all my reviews
This review is from: Slave to Love: A Novel (Paperback)
Well, I must have known I'd love this book because I accidentally bought it twice (under the British title and the US title!) While I'm not sure that it's good enough to pay full fare twice, it's surely worth buying once! It's so hard to convey how special this book is. Rebecca Campbell has a truly quirky style, a real gift in a world of solid-but-conventional authors or (more likely) mediocre writers who write to a formula. There are a handful of wonderful and creative - but not bizarre - authors, and she's quickly joining their ranks. The story is, on the surface, about Alice, a science books expert at a minor (but trying!) auction house in London. But the story is as much about those in Alice's life as it is about her - including the Dead Boy. (Literally, a boy she saw killed in a pedestrian/car accident, whom she falls in love with.) Campbell takes a story line that could either be preposterous or weighty and makes it a page turner. There's lots of humor, but there's a deep undercurrent as well. My only complaint (and I'm sure that's more a sign of my age, not the author's talent) is that the language is "rough" (profanity) in spots (including a passage that is devoted to my least favorite word in the English language). Yet the writing is never rough, her gift with dialog is superb and this book is not to be missed by the fans of contemporary fiction. (Note, this is not a book for chicks only - it's really a wonderful novel for anyone.)
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Wonderful and witty,
By MTK (Chicago) - See all my reviews
This review is from: Slave to Love: A Novel (Paperback)
I loved this book. It's marketed and packaged to look like a chick lit book but it was so much deeper and wittier than any other chick lit book I've read out there. It was a pleasure to have to pay attention to every word on the page lest I miss the humorous descriptions, insults and thoughts the characters throw at each other. This is so far above the "Devil Wears Prada" and "Nanny Diaries" genre.
The plot follows Alice, a lovely, somewhat lost intellectual working at an auction house. There's Andrew, another intellectual who loves her, Lynden, the landed gentry who wants to auction his copy of Audubon's work, who also loves her. So a little love triangle there, which are always fun. Oh, and the Dead Boy, whose love is or is not a figment of Alice's imagination, and is something she needs to work through in the book. Alice and Andrew share a work space so we get to meet the various losers and schemers in the auction house, as well as sharing loyal friends Odette and Leo. I think this would make a great, fun movie. If you want a really really interesting, funny, entertaining and satisfying book, I heartily recommend Slave to Love. I'll miss Alice and Andrew now that the book is over.
3 of 3 people found the following review helpful:
5.0 out of 5 stars
weird and wonderful,
By Eva Citrine "Eva" (Florida) - See all my reviews
This review is from: Slave to Love: A Novel (Paperback)
This is such a strange book. I was expecting something fun from the cover, and there is quite a lot of fun along the way, but this is actually something darker and more mysterious than the usual brit chick lit. It's about a girl who works for an auction house, and there's all the usual office romance stuff, but then she sees something terrible happen and she turns kind of loopy, and the novel changes tone. There's a heartrending scene set in Bosnia, and what reads like a Jane Austen pastiche of romantic fiction and about twelve other strands and styles. it ought to be a mess, and in some ways it is, but yet it somehow unites everything into what i think just might be a masterpiece. Sorry if this is incoherent, but this book has done something very peculiar to my head. Overall I loved it. Loved it to death.
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First Sentence:
ALICE DUCLOS walked down a street so grand it made her feel like a child lost in a cathedral. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
dead boy Key Phrases - Capitalized Phrases (CAPs): (learn more)
Cave of Ice, Grace Harbour, Peter Conradian, Johnny Twogood, Alice Duclos, Edward Lynden, Country Pleasures, Garnett Crumlish, Madeleine Illkempt, Miss Duclos, Odette Bach, Parry Brooksbank, Bond Street, Saint Sebastian New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | First Pages | Back Cover | Surprise Me!
ALICE DUCLOS walked down a street so grand it made her feel like a child lost in a cathedral. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
dead boy Key Phrases - Capitalized Phrases (CAPs): (learn more)
Cave of Ice, Grace Harbour, Peter Conradian, Johnny Twogood, Alice Duclos, Edward Lynden, Country Pleasures, Garnett Crumlish, Madeleine Illkempt, Miss Duclos, Odette Bach, Parry Brooksbank, Bond Street, Saint Sebastian New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | First Pages | Back Cover | Surprise Me!
Citations (learn more)
This book cites 3
books:
- Birds of America by John James Audubon on 4 pages
- Slave to Fashion: A Novel by Rebecca Campbell in Front Matter, and Back Matter
- Tristan and Isolde: English National Opera Guide 6 (English National Opera Guides) by Richard Wagner on page 59
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