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Slave Songs of the United States [Hardcover]

William Francis Allen (Editor)
4.4 out of 5 stars  See all reviews (5 customer reviews)


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Book Description

June 1960
First published in 1867, Slave Songs of the United States represents the work of its three editors, all of whom collected and annotated these songs while working in the Sea Islands of South Carolina during the Civil War, and also of other collectors who transcribed songs sung by former slaves in other parts of the country. The transcriptions are preceded by an introduction written by William Francis Allen, the chief editor of the collection, who provides his own explanation of the origin of the songs and the circumstances under which they were sung. One critic has noted that, like the editors' introductions to slave narratives, Allen's introduction seeks to lend to slave expressions the honor of white authority and approval. Gathered during and after the Civil War, the songs, most of which are religious, reflect the time of slavery, and their collectors worried that they were beginning to disappear. Allen declares the editors' purpose to be to preserve, "while it is still possible… these relics of a state of society which has passed away."

A DOCSOUTH BOOK. This collaboration between UNC Press and the University of North Carolina at Chapel Hill Library brings selected classic works from the digital library of Documenting the American South back into print. DocSouth Books uses the latest digital technologies to make these works available as downloadable e-books or print-on-demand publications. DocSouth Books are unaltered from the original publication, providing affordable and easily accessible editions to a new generation of scholars, students, and general readers.
--This text refers to the Paperback edition.


Editorial Reviews

From the Back Cover

Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned.
--This text refers to the Paperback edition.

About the Author

William Francis Allen, the chief editor and author of the introduction to Slave Songs of the United States, was born in Massachusetts in 1830, studied at Harvard and in Europe, worked for the Freedmen's Aid Commission on St. Helena Island, South Carolina, during the Civil War, and after the war became chair of ancient languages at the University of Wisconsin at Madison. --This text refers to the Paperback edition.

Product Details

  • Hardcover
  • Publisher: Peter Smith Pub Inc (June 1960)
  • Language: English
  • ISBN-10: 0844614114
  • ISBN-13: 978-0844614113
  • Product Dimensions: 8.1 x 5.4 x 0.6 inches
  • Shipping Weight: 10.4 ounces
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #8,576,163 in Books (See Top 100 in Books)

 

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Average Customer Review
4.4 out of 5 stars (5 customer reviews)
 
 
 
 
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13 of 13 people found the following review helpful:
5.0 out of 5 stars A trove, March 22, 2007
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There are 136 songs in this book, most of which are no longer sung. They are simply amazing, musically and theologically. An example: "Come and Go With Me", collected in Augusta, GA, presents a major scale with a flat 6th and 7th, and the tune ends on the 4th. Unfortunately, the collectors, as went on for generations as standard procedure, did not acknowledge the names of any of their sources. The original "Michael Row the Boat Ashore" is in here; it is a rowing song from the sea islands, addressed to the archangel Michael as a prayer for safe passage; these lyrics are more striking than the familiar ones. Here are the complete lyrics to "Come and Go With Me", which is singular both in its scale and its notion that heaven is in the present, to be accepted rather than earned:

Ole Satan is a busy ole man
He roll stones in my way
Master Jesus is my bosom friend
He roll 'em out my way

Oh, come and go with me
Oh, come and go with me
Oh, come and go with me
A-walking in the heaven I roam

I did not come here myself my Lord
It was my Lord who brought me here
And I really do believe I'm a child of God
A-walking in the heaven I roam

Oh, come and go with me
Oh, come and go with me
Oh, come and go with me
A-walking in the heaven I roam

It was reported that the freed slaves did not want to remember their old songs. And we all have reasons for forgetting a painful past. But look at these songs; they are the heart and soul's truth of life. It is not too late to learn from these people. Put this music in your heart.

Water spring that never dry, Hallelu, Hallelu
The more we dig, the more it spring, Hallelujah!
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8 of 8 people found the following review helpful:
4.0 out of 5 stars yes, it is a classic & an essential resource, but this printing..., July 25, 2008
By 
D. Corl (Fukuoka Japan) - See all my reviews
(REAL NAME)   
No doubt about it, this is an essential book in the field of American music history, black music history, ethnomusicology, etc. However, one would do better to buy the 1995 Dover edition--the reprinting is much clearer and legible, and the paper stock is smoother. And the price is the same, plus you get a preface (undated) by Harold Courlander. Sorry, this Applegate printing is just not as good.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars An Exceptional Tool, December 12, 2005
By 
C. Lee "Charles E. Lee" (Baton Rouge, Louisiana) - See all my reviews
(REAL NAME)   
Those who love spirituals often find the origins of spirituals in general to be elusive, if not impossible to track with any degree of reliability. Though this collection of spirituals is quite limited in terms of being highly localized (versus attempting to comprehend all of the spirituals of all of the South), it covers many of the best-loved Negro spirituals. Published first in 1867, it provides perhaps the strongest link for the largest grouping of spirituals, contemporaneous (or nearly so) with the music it attempts to capture.

For those who love the Negro spiritual, this is a 'must have' for your collection.
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First Sentence:
1. My brudder sit-tin' on de tree of life, Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
gwine home, round the corn, slave songs, lonesome valley
Key Phrases - Capitalized Phrases (CAPs): (learn more)
North Carolina, Port Royal, Hilton Head, South Carolina, Good Lord, King Jesus
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