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Most Helpful Customer Reviews
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Deeply Modern and 80s,
By A Customer
This review is from: Slaves of New York (Paperback)
This book has had some trenmendous impacts on me that I never realized until one day when I thought of leg-waxing, I thought of "a tiny women yelling at me in Spanish and pouring hot wax on my legs..." Spend a day in uptown Manhattan with idiosyncratic artists in their most primitive desires and philosophies. This book is unbelievably true and sensitive.
3 of 3 people found the following review helpful:
3.0 out of 5 stars
I must be missing something,
By
This review is from: Slaves of New York (Paperback)
Maybe it's because I was born in the 80's and not partying then, or maybe I'm just too middle-class, but I thought this entire book was pretty mediocre. The characters were interesting, but usually I felt like the author was trying too hard to make them interesting. Janowitz fits in with the Bret Easton Ellis/Jay McInerney style of writing about what it's like to be incredibly spoiled and have no soul. The two aforementioned authors pull that off with a lot more style and ability than she does.I only read this book because I heard that the character of Stash is in Ellis' book American Psycho. Overall, I found myself interested in the stories and the characters, but most of the stories lacked a certain human aspect that the other two authors know how to provide. This is a good read if you're stuck in an airport all day with nothing else, otherwise I'd recommend getting something with more substance.
5 of 6 people found the following review helpful:
5.0 out of 5 stars
I read it over and over again,
By "meltingyellow" (Hawaii) - See all my reviews
This review is from: Slaves of New York (Paperback)
I've read this book so many times over that I've actually become sentimentally attached to it. Most of the enjoyment from it is reliving the time in which it's set, the 1980s, an interesting time in the way that the clothing was: at times conservative, other times colorful, overall intriguing, but there's still no way in hell you'd want to BE in it again.This book captures the lives of the wacky, egocentric NY artists who reflect their hated yuppie counterparts in that they're upwardly mobile, albeit nonconformistly, greedy and self-centered. But unlike yuppies, the artists of the Lower East Side present far more colorful stories and egos to capitalize on. Fortunately the book has Eleanor, the self-deprecating protagonist to whom we all endear. She keeps the book light-hearted and comical, as she is the offbeat among the offbeat, the miscast in the world of misfits. She is the self-conscious woman who clashes with, and makes uncomfortable, her fellow carefree artists. But she eventually finds her ground in the big city. We root for because she conquers the city the way we wish we could: by keeping intact our integrity, humility, and naivete, and not succumbing to the cynicism and selfishness of the "Me" generation.
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