Slaves of New York (Bloomsbury Classic Reads) (Paperback)

by Tama Janowitz (Author) "After I became a prostitute, I had to deal with penises of every imaginable shape and size..." (more)
Key Phrases: Lord Simeon, Marley Mantello, East Village (more...)

Editorial Reviews

Amazon.com Review
In Tama Janowitz's story collection of mid-1980s manners, it's all about real estate. Her coterie of New York artists and grad students, junkies and collectors dwells in walk-ups and covets lofts. The occasional socialite wafts through, characterized tersely by statements of fact; for example, "Millie owned her own co-op." But, for the most part, these are the also-rans of Manhattan life, literally looking for a toehold in the city. The main character who emerges is shabby Eleanor, an appealing heroine who appears in several linked stories. A jewelry maker, she lives with an artist named Stash and a treasure-trove of insecurities. Much is made of the squalor of their apartment. In Eleanor, Janowitz finds a channel for her vulnerability--a nice counterpoint to her affectless prose, which attempts and occasionally achieves a deadpan humor.

Intertwined with the Eleanor stories are the unreliable first-person narratives of Marley Mantello. Marley, too, has serious real estate issues: "My apartment, the sublet from which I was being evicted, looked just as terrible as when I had gone out earlier--worse, even, for there was a foul reek of something fecund and feline, like the stench of old lion spoor upon the veldt."

The rest of the stories are brief thumbnails, which Janowitz calls "modern saints" and "case histories." Stabbing at experimentalism, they showcase her shortcomings--the lazy satire, the easy laugh. This author's prose seemed of-the-moment when it came out, and time has not been altogether kind. "I was startled to find him so far uptown, knowing how he usually refused to travel above Fourteenth Street, claiming it led to mental decay," says the narrator of "In and Out of the Cat Bag." This kind of observation may have seemed edgy in 1985, but has little staying power. At its best, Slaves effervesces a bittersweet nostalgia for a time when artists could still afford to live in Manhattan. --Claire Dederer --This text refers to the Paperback edition.

From Publishers Weekly
These seven stories feature Eleanor, a diffident young woman who gains entree to the arty milieu of lower Manhattan, which seems to combine elements of Oz and Never-Never-Land with Dante's Inferno. PW noted that the author's prose infuses the characters here with "quirky life."
Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 288 pages
• Publisher: Bloomsbury Publishing PLC (July 5, 2004)
• ISBN-10: 074757460X
• ISBN-13: 978-0747574606
• Product Dimensions: 6.9 x 4.3 x 0.9 inches
• Shipping Weight: 0.6 ounces
• Average Customer Review: 4.1 out of 5 stars See all reviews (12 customer reviews)
• Amazon.com Sales Rank: #1,425,245 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

3 of 3 people found the following review helpful:

4.0 out of 5 stars Deeply Modern and 80s, May 4, 2000

By A Customer

This review is from: Slaves of New York (Paperback)

This book has had some trenmendous impacts on me that I never realized until one day when I thought of leg-waxing, I thought of "a tiny women yelling at me in Spanish and pouring hot wax on my legs..." Spend a day in uptown Manhattan with idiosyncratic artists in their most primitive desires and philosophies. This book is unbelievably true and sensitive.

5 of 6 people found the following review helpful:

5.0 out of 5 stars I read it over and over again, November 29, 2001

By	"meltingyellow" (Hawaii) - See all my reviews

This review is from: Slaves of New York Rack (Paperback)

I've read this book so many times over that I've actually become sentimentally attached to it. Most of the enjoyment from it is reliving the time in which it's set, the 1980s, an interesting time in the way that the clothing was: at times conservative, other times colorful, overall intriguing, but there's still no way in hell you'd want to BE in it again.

This book captures the lives of the wacky, egocentric NY artists who reflect their hated yuppie counterparts in that they're upwardly mobile, albeit nonconformistly, greedy and self-centered. But unlike yuppies, the artists of the Lower East Side present far more colorful stories and egos to capitalize on.

Fortunately the book has Eleanor, the self-deprecating protagonist to whom we all endear. She keeps the book light-hearted and comical, as she is the offbeat among the offbeat, the miscast in the world of misfits. She is the self-conscious woman who clashes with, and makes uncomfortable, her fellow carefree artists. But she eventually finds her ground in the big city. We root for because she conquers the city the way we wish we could: by keeping intact our integrity, humility, and naivete, and not succumbing to the cynicism and selfishness of the "Me" generation.

2 of 3 people found the following review helpful:

5.0 out of 5 stars Artists may not noble, but they sure are entertaining., July 9, 2000

By	Maslow (New York, NY) - See all my reviews

This review is from: Slaves of New York (Paperback)

I enjoyed this book, and its own flawed view of the perceived nobility of the starving artist. It sort of romanticized the idea of living in Manhattan for me. I read this book while living in Miami, and I now live in Queens. So, I dare say, this book did have an impact on me. I recommend it for its "look back" at the pre-Dot.com mania now possessing New York. Is it foreboding that those with artistic ambitions are still trying to figure out how to pay the rent fifteen years after this book was written?