Sleepless

Peter Wolf | Format: Audio CD

Product Details

• Audio CD (September 10, 2002)
• Number of Discs: 1
• Label: Indieblu Music
• ASIN: B00006H6AB
• Also Available in: Audio CD  |  MP3 Download
• Average Customer Review: 4.6 out of 5 stars  See all reviews (41 customer reviews)
• Amazon Best Sellers Rank: #43,665 in Music (See Top 100 in Music)
  • #64 in Music > Indie Music > Rock > Classic Rock
  • #82 in Music > Indie Music > Pop > Pop Rock

Customer Reviews

Most Helpful Customer Reviews

15 of 15 people found the following review helpful:

4.0 out of 5 stars KEEPING IT SIMPLE, October 7, 2002

By 

Patrick Earley (Edmond, Oklahoma USA) - See all my reviews
(REAL NAME)   

This review is from: Sleepless (Audio CD)

Peter Wolf said that when he traveled to Nashville to visit with the legendary songwriter Harlan Howard (the man who wrote "I Fall To Pieces" and "Busted") he got a great little piece of advice. "Keep it simple, and tell the truth". Words that inspired Wolf to write the opening song "Growin Pain", and pretty much the theme for the rest of the album. A nice collection of simple country blues and r&b, and a great soulful voice by Wolf that's as good if not better than ever. Although I'm still hungry at times for that hard r&b, rock & roll jive talkin' singer I grew up with from the J. Geils band, I'm starting to get used to his more adult contemporary style approach that reminds me alot of the music that artists like Graham Parker and especially Van Morrison are making today. Wolf's songwriting has never been better. The beautiful "Five O'Clock Angel", his duet with Mick Jagger on the country blues tune "Nothin' But The Wheel", and the album closer "Sleepless" were standouts for me here. He also does another country blues song trading lines with Steve Earle on "Some Things You Don't Want To Know". And he even gets his old bandmate Magic Dick back on harp for Sonny Boy Williamson's "Too Close Together". On Otis Rush's "Homework", a reworking of an old J.Geils Band favorite, Wolf does a kind of gravel voiced spoken word ala Tom Waits version that is very different from the original. I'm still trying to get used to this one. But other than this song, Wolf has never sounded better. I think it's his best album since his wonderful "Long Line" record. The only sad thing about Peter Wolf's music is that so much of it is out of print. What's the deal with these record companies? C'mon, rerelease this stuff, and give us some some bonus tracks while your at it. This guy is too good not to be heard. Meanwhile get this while you can. If your a lover of well done r&b music like I am, you'll eat this stuff up.

11 of 11 people found the following review helpful:

5.0 out of 5 stars Yet another great album, September 19, 2002

By 

Michael Spratt (Adelaide, Australia) - See all my reviews

This review is from: Sleepless (Audio CD)

Well another surprise from the Woofah Goofah. Over thirty years later this guy is still pulling rabbits out of the hat. This is probably a shade better than the marvellous Fool's Parade. A collection of diverse gems, ballads like "Five O'Clock Angel"(my favourite)and "Alot of Good Ones Gone" are absolutely stunning. Rockers like "Never Like This Before" and "Too Close Together"(Keith Richards comes in handy) show that Wolf is still a hard driving man with heaps of energy. The album reaches the point of fascination on "Oh Marianne" where Peter blends rich Drifters doowop vocal arrangements with a driving Latin rock beat set against a sad story line. There are many highlights throughout this imaginative set. Share this album with people you know.If radio don't play it make it an underground smash. I've already played to two people who had never heard of Peter and they were genuinely impressed. Kudos to Wolf, co-producer Kenny White, Will Jennings and all of the musicians who worked on Peter's team. Hope the man tours.

10 of 10 people found the following review helpful:

5.0 out of 5 stars Boy cries "Wolf", November 21, 2002

By 

Larry White (AdultPop.com) - See all my reviews
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This review is from: Sleepless (Audio CD)

Like its predecessor "Fool's Parade", "Sleepless" is a marvelous compendium of `roots' music, cut from the same vintage cloth as that of the great R&B, R&R, and C&W legends to whom Wolf has always paid homage whether as fan, friend, valet, disc jockey, music archivist/historian, songwriter, singer, or performer. On these 2 most recent albums, the former lead singer of the J.Geils Band, with his most sympatico producer and band, has created works which, from our humbly slanted perspective, are as soulful and masterful as those of his role models. Each cut on "Sleepless" gleams from the very first listen and adds dimension with each successive one. The highlights are a laundry list: The impeccable ensemble playing by such stalwarts as Dylan band members Larry Campbell and Tony Garnier, drummer-extraordinaire Shawn Pelton and keyboard player (and the album's co-producer) Kenny White, et al.; Mick Jagger singing his bony [butt] off and letting it bleed all over what could be a lost Stones' track; Keith Richards' insouciant jamming with Wolf, White, and Wolf's former bandmate Magic Dick on an old Sonny Boy Williamson tune--the smiles on the player's faces palpable; Steve Earle providing an extra measure of authenticity to a lovely country waltz; the Spanish Harlem vibe of `Oh Marianne'; Wolf's lecherously waggish take on the Geils' nugget `Homework'; the haunting and ominous mood cast on `Run Silent, Run Deep'; and on and on and on. Wolf continues to broaden his vocal palette as he matures, moving easily from passionate to vulnerable to hopeful to cocky to playful to world-weary to poignant, as the situation calls for. The warm, natural, organic sound of this record (with props to engineer Rob Eaton) and the absence of gimmicks and new-fangled studio tricks further contribute to its timeless character. Rolling Stone Magazine has hailed this cd as an "Instant Classic". We suggest that, despite their current predilection for putting scantily-clad, talently-challenged, pubescent women on their covers (or because of it), you take their word for it. And ours, too.