From School Library Journal
PreSchool-Grade 2–A '50s-era blue Cadillac convertible, tail fins alight, floats by a sleepy child's bedroom window and invites him into its soft snuggly seats for a ride. Powered with dreams, the vehicle floats above the fog into the star- and moonlit night. It travels over the ocean where "the dolphins sing a sleepy song," other drowsy cars circling with it as it travels. Other riders sit back and relax or cavort on car hoods, and finally "all the eyes droop and all the heads nod, and everyone dreams the night away." Then it's back down to the child's bedroom window where he climbs into bed, "soft and warm all around." Surrounded by the soft blues, blacks, and violets of the night sky, the car and its entourage have ample space to ride across full spreads. Hurd's loose, broad strokes, executed in pastels and pastel pencils; the swirls of white clouds with their sleeping inhabitants; and the faces with undefined features all combine to create a dreamy atmosphere. A bedtime journey that will lull tired travelers into a cozy night's sleep.–
Marianne Saccardi, Norwalk Community College, CT Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Hardcover
edition.
PreS-K. Cleverly harnessing the soporific effects of evening car journeys, Hurd's newest book encourages children to imagine themselves aboard a magical Cadillac. After stopping at a whimsical service station to "fill up the tank with dreams," a 1950s convertible conveys a child to "Pajama Land," where cars drift and dance until their sleepy passengers nod off to sleep. The old-fashioned cars won't have much resonance for children, but nostalgic adults' enthusiasm for the old Checker cabs and classic woodies pictured will surely prove infectious. The text's present-tense, second-person voice ("The sleepy Cadillac stops by your window. Climb aboard.") involves listeners directly in the nighttime enchantment, and repeated rhythms and alliterative sounds mimic an engine's hypnotic hum. Hurd's smudged, glowing pastels are equally lulling, although his impressionistic style evokes mood more successfully than it produces clean compositions and distinct, appealing figures. Still, this is a rare, welcome end-of-day option for children who demand stories about things with wheels.
Jennifer MattsonCopyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
edition.