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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Sociology with a Human Face, January 30, 2001
I've read other sociological works on inner city residents and was invariably disturbed by the soulless way in which the subjects were portrayed. No doubt, the authors of those works would defend their method as being objective and showing rigor. However, at some level, the objectivity becomes stultifying and numbing.Duneier cuts through all of this by portraying real people as human beings for whom he cares deeply. At the same time, he is able to pull back from the personal stories and draw conclusions that are intellectually sound. One feels a deep sense of pride in the men whose lives are profiled in Slim's Table and a lingering sense of regret that they seem to be a dying breed. This book is the rare work that appeals in equal parts to the intellect and the soul.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Dark skins and deep substance, March 5, 1997
By A Customer
This is not only insightful sociology; it's a warm and often funny exploration into the psyches of black men who have a keen sense of their "moral worth." Duneier has provided a most needed counterbalance to the preponderance of literature on black urban males which paints pictures of violence, desperation, and loss of civility. The patrons of Valois cafeteria are men who possess the virtues of compassion, loyalty, and personal integrity. True, they often speak as though the modern generation of black men has somehow passed them by; but they remain steadfast in keeping
their virtues alive and well around the coffee table. Reading this book, you almost get the feeling that you have spent some time (as Duneier did) "hanging out" with these guys; getting to learn their hopes and frustrations but first and foremost seeing that, beneath dark skins, are men of profound substance and character. Highly recommended for those who have allowed their fears of urban blacks to skew their judgment.
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5.0 out of 5 stars
sensitive, respectful, and credible, December 16, 2007
In Slim's Table, Mitchell Duneier describes and analyzes social interactions among a culturally diverse group, based on his observations and interviews conducted with regulars of the traditional cafeteria "Valois" in Chicago. The customers are mainly older black men of the lower working class living in the nearby ghetto, but also include members of the white population, younger age groups, and members of the middle-class. Duneier shows that his impression of the black men's identity differs greatly from the negative stereo-typical image, but he also admits that his findings are not representative and, therefore, cannot be generalized.
Duneier divided the book into four parts, starting with observations on the micro level and ending with considerations in more general terms on the macro level. Part One, "The Caring Community", focuses on the social and emotional relationships between the regulars of the "Valois" cafeteria. Illustrated by a variety of examples, the reader receives an insight into how the value system of the black lower working class is shaped by a strong sense of tolerance, friendship, responsibility, and respect for others and themselves. Subsequently, Duneier points out the black men's attributive roles and images, then compares them to his own findings.
After a description of the "Valois" cafeteria and its significance for the regulars, Part Two, "The Moral Community", deals with the standard of respectability expressed by members of the black lower working class about their own class and the black middle and upper classes. The discussion includes the thesis that not only the economically successful members of the black middle and upper classes can function as role models but that the morality of the lower working class can be considered exemplary for the black youth as well.
Part Three, "Membership in Society", focuses on the position of the African American population in a white society. Referring to the particular setting of the "Valois", it is reported that the interactions between black regulars and members of other social groups, especially white people, seem to be free of any racial prejudices. Although it is obvious that these positive interracial relations at "Valois" do not reflect reality outside, inside they help both blacks and whites achieve a source of mutual respect, leading to a better feeling about themselves.
Finally, in Part Four, "You're White, He' Black, I'm a Sociologist: Who's Innocent?", Duneier asks who can be held responsible for the long-lasting negative image of African American men of the lower class. In this context, he refers to the innocence that members of the white population feel and express about their negative depictions. Moreover, he criticizes the superficial manner in which journalists, as well as sociologists, investigate and oversimplify the black culture.
Mitchell Duneier sees his book at the beginning of a new tradition which will portray the African American people in an appropriate and truthful way. His sensitive, respectful, and credible representation of the black male regulars at "Valois" as an exemplary community suggests the necessity of redefining the identity of the black ghetto-specific masculinity.
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