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Slipstream


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Editorial Reviews

Product Description

Written, directed and starring Academy Award winner Anthony Hopkins (Best Actor in a Leading Role, The Silence of the Lambs, 1991), and featuring a top-notch cast, SLIPSTREAM is an exciting and inventive drama about life and death - - and everything in between. Aging screenwriter Felix Bonhoeffer (Hopkins) has lived his life in two states of existence: reality and his own interior world. While working on a murder mystery screenplay, Felix becomes baffled as his characters start appearing in his life, and his life starts slipping into his characters. Soon, he is thrown into a vortex where dreams, time and reality collide in an increasingly whirling slilpstream.

Amazon.com

For years, George Lucas has talked about going back to directing avant-garde films with limited commercial potential that would be bound to confound audiences. Venerable actor Sir Anthony Hopkins, 70, went ahead and did it with this daring, provocative dream-within-a-dream, movie-within-a-movie. Part David Lynch, part Pirandello, it throws viewers into the deep end of this "looking glass world" and "mad hatter's tea party." This much we know: Hopkins (who wrote, directed, and even composed the musical score) stars as a screenwriter, Felix Bonhoeffer. Most everything else is up for grabs. Slipstream unfolds in fractured fits and starts. Christian Slater and Jeffrey Tambor portray two actors in a wildly troubled movie ("the whole thing is going to hell in a hand basket" someone proclaims). John Turturro appears as a manic producer in a performance that makes his turn in Transformers look like a model of understatement. There is a Dolly Parton look-alike who introduces herself as "Dolly Parton Look-alike." Kevin McCarthy, star of Invasion of the Body Snatchers), turns up as a dottering incarnation of himself. There is an in-joke about "Hopkins" doing Hannibal 4. Fantasy and reality become interchangeable as Felix is visited by his characters ("You killed me in Scene 23," one protests. "I've got the script"). But that's only the beginning… or maybe the end, as the case may be. Slipstream is thrilling in a "what the what?" sort of way, and repeated viewings will reward adventurous viewers trying to plumb its secrets. --Donald Liebenson

Special Features

  • Audio Commentary with Director Anthony Hopkins
  • Dreaming Slipstream Making Of Featurette
  • Deleted Scenes

Product Details

  • Actors: Anthony Hopkins, Stella Arroyave, Christian Slater, John Turturro, Michael Clarke Duncan
  • Directors: Anthony Hopkins
  • Writers: Anthony Hopkins
  • Producers: Stella Arroyave, Betsy Danbury, Mike Crawford, Robert Katz
  • Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, NTSC, Subtitled, Widescreen
  • Language: English
  • Subtitles: English, French
  • Subtitles for the Hearing Impaired: English
  • Region: Region 1 encoding (US and Canada only)
    PLEASE NOTE:
    Some Region 1 DVDs may contain Regional Coding Enhancement (RCE). Some, but not all, of our international customers have had problems playing these enhanced discs on what are called "region-free" DVD players. For more information on RCE, click .
  • Aspect Ratio: 2.40:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Sony Pictures Home Entertainment
  • DVD Release Date: February 26, 2008
  • Run Time: 96 minutes
  • Average Customer Review: 2.4 out of 5 stars  See all reviews (39 customer reviews)
  • ASIN: B00116GEJI
  • Amazon Best Sellers Rank: #94,073 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Slipstream" on IMDb

Customer Reviews

2.4 out of 5 stars

Most Helpful Customer Reviews

19 of 24 people found the following review helpful By Amazon Customer on March 3, 2009
Format: DVD
Slipstream is a rare kind of movie. Read the other reviews (not the 1 stars) if you want to get a fairly inclusive overview. What makes Slipstream so special is that it is experienced by the left brain as utter nonsense, but the right brain can catch on. It is possible to "get" this film without being able to say what you got. Isn't that delightful! The scenes are an indecipherable kaleidoscope that gave me a headache on my left side (true); there is a rhythm, rather than logic and a relatedness, rather than linear unfolding. Perhaps this film is even brilliant. If you can bear to be in a state of not-knowing, this movie can work for you. If you enjoy not knowing, if you enjoy not having complete control over your experience, you may thrill at this film. Early on, you'll realize that the "plot" is too complex for it to all come together at the end. So don't wait for it. Instead, let yourself enjoy your bafflement.

By leaving understanding entirely in our hands, the movie presents us with pure possibility. How often can we say that? Even though it was too violent for my taste, I felt exhilarated and inspired. What it left me with: Each of us is in a wildly individual, and often even significantly divergent, experience. What allows us to be related to another's experience is our ability to step out of our unique perspective and recognize the commonly held narrative in which we each have our own experience. I have no idea if the film delivered that or if my firing-furiously-at-novelty neurons invented it, but such is the wonder of this marvel, that I could be left with this delicious insight. What might you find?

The least of Slipstream's virtues are lighting, cinematography, editing that becomes a "character" and Hopkins' ability to get an excellent performance out of his actors. Bravo.
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8 of 10 people found the following review helpful By Jason Cangialosi on November 22, 2010
Format: DVD
The directorial and screenwriting debut of one of the world's greatest living actors is by no means an accessible film. While Anthony Hopkins stars in "Slipstream" as well, the thespian has stepped behind the camera to bring us a strangely imaginative cinematic experience.

The film itself makes no sense and is challenging, at times down right frustrating to watch. Though, "Slipstream" is one of those rare storytelling masterpieces about everything without meaning anything. Or perhaps a story about nothing that means everything.

Anthony Hopkins has drummed up what feels like decades of suppressed angst about filmmaking. His writing is full of the energy and guts of a young screenwriter, but with the wisdom of the most seasoned scribes. He has created a slice of cinema for the cinephile; overly rich in its flavors and densely packed with ingredients. If you're a connoisseur of the strange and admirer of Hopkins's demanding presence, like me you will eat it up till the last crumb falls indulgently from your gaping gaze.

You can read my full review here: [...]
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2 of 2 people found the following review helpful By Gary Peterson TOP 500 REVIEWER on June 3, 2012
Format: DVD
Last night's bargain-rack movie was "Slipstream," a film by Anthony Hopkins. I didn't care for it. It's hard to explain, but it was a movie about making a movie. Well, and it was one of these artsy movies that were shot all out of chronological order. Plus the filming was in the style of what I would call "playing with yourself." Little gaps and blips were present. Stops occurred here and there. Things changed color here and there. Parts of the film were in black and white. In my interpretation, most of this was just diddling around and had no bearing on the story. It was a film that only moviemakers could enjoy, and they might well get a kick out of it.

Parts were rather good. One part had two thugs take over a cafe and hold the employees as captives in a somewhat riveting scene, and then we find out that this was just part of the film they were shooting and everyone takes a break. Then one of the actors dies and there's a big scramble to decide what to do with saving the shots which have already been taken. Then there's the dreams about the film which are hard to tell from the film itself. One amusing episode has the writer asleep by his laptop and several people on the laptop screen watching him and commenting. Okay, it was somewhat clever and amusing here and there, but I just didn't get much out of the whole thing. Finally my mind just gave up on trying to piece it all together. I could try to watch it several more times to get it all sorted out, but it just isn't that interesting. Save your money, unless you're a film buff.

Gary Peterson
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11 of 15 people found the following review helpful By Hiram Gomez Pardo HALL OF FAME on May 12, 2008
Format: DVD
The febrile and fevered mind of a sly screenwriter - Felix Bonhoeffer - is constantly baffled and besieged by personages of the fiction of a play he's writing for the big screen and his tormented past, when these characters intermingle themselves, and appear blended with his memories of the past, acquiring such dimensions of trueness that become a horrid nightmare of undecipherable horror in his alienated mind.

This film made remind to Jorge Luis Borges, who wrote a forceful but descriptive brief tale about "The memory of Shakespeare" (a superb and relatively unknown tale) in which describes the sharp physical tensions into a creative mind in process, as final outcome of a well coveted ambition of any writer. In this sense the sleeping process may work out either liberator device or alienation mechanism. And that's why Hopkins, smartly makes reference to this cult movie "The invasion of the body snatchers", which is (at least to my mind) the most pyramidal science fiction picture ever made in the Fifties. That interesting portrait about alien organisms, that masked into pods are capable to reproduce with absolute fidelity a human being after he has slept.

So these brief interludes of the suspended conscious or the pores of the infiniteness acquire life, being absolutely to distinguish in this ambivalence state what is reality and what `s unreal, will take over the mind of Felix leading to the last frontier of unexplored and even wasteland territories of our memory's labyrinths, carving once more in relief, the demons of the reason produce monsters."

Along the history of cinema, there have been other films that have remarked this process of sudden breakthrough of the reality and the fiction.
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