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15 of 17 people found the following review helpful:
5.0 out of 5 stars
Awesome collection, March 5, 2005
This review is from: Slouching Toward Nirvana: New Poems (Hardcover)
I keep coming back to Buk after intervals - this collection is packed with gems - scathing attacks on humanity and its parade of fools. Lonely, introspective poems that reveal the vast emptiness of the universe and the soul. I have a few volumes of Buk's stuff and can't afford to buy them all but when I flipped through the pages of Slouching ... I had to have it. You will not be disappointed if you are a fan of poems by Trakl, Rilke, Holderlin etc... Bukowski is one of the giants.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars
Slouching Toward Greatness, October 4, 2005
This review is from: Slouching Toward Nirvana: New Poems (Hardcover)
This latest volume of Charles Bukowski's poetry was published posthumously and edited by John Martin. Almost all the poems are highly personal and often told through the voice of a first person narrator who is obviously Bukowski himself. He is nothing if not opinionated. He listens to Sibelius, Wagner and Brahms, reads Auden, Dostoevsky and Hamsun, does not care for visitors, ("sometimes I simply ask them to leave/and they do") abhors poetry readings and signings ("this is the ultimate sellout, Jack.") as well as most academic poets or academics of any kind. He doesn't care for Hemingway, ("he knew that what he was/killing was already/dead.") likes his cats, ("I think cats are better than we are") alcohol and women-- although he admits that he is not always successful in his affairs-- and detests reviewers, describing them as "a dink moralist, a failed young writer or most likely just nothing at all." (I suppose I know what he would have to say about nothing Amazon reviewers.) He thinks about death but isn't obsesssed by it. ("death doesn't always come running.") After all, he is now past 70 and has beat the odds of not living a long life ("because Death after all these years/walks around in the room with me now and speaks softly"). He doesn't want a eulogy when he departs this world. "it would be nice/if one of my x-ladies was there/wearing too much makeup. . . and a tight green dress. . ." He is crazy about horse races, spends a lot of time and money attending them, and hates most movies, particularly those that win awards. ("Academy Award?", page 86.)
Two or three character sketches of Richard Corey types are included here-- a Harry Keel person, "admired and feared" in school who years later turns up as a down-and-out salesman and Dale Thorpe ("golden boy"), envied from afar in high school but who has since disappeared-- and a moving poem about a kid who, after the bullies beat him up daily at school, must endure the wrath of his mother because his clothes are ruined ("clothes cost money").
As do all good poets, Mr. Bukowski achieves much with little-- often with biting humor: "is what's good for the goose sometimes only good for the/goose?" he asks. And he beautifully contrasts youth and old age in "beach boys."
I watch the young boys on their surfboards
slim strong bodies gliding
some of them will end up in the madhouse
some of them will gain 80 pounds
some of them will commit suicide
most of them will eventually stop coming to the
beach.
The poet, who says we are all "museums of fear," eloquently describes his feelings in "with his awful teeth," describing "this dog Sadness," who is a "persistent mongrel."
There are literally dozens of similar passages in this collection that you will return to again and again.
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1 of 1 people found the following review helpful:
3.0 out of 5 stars
Can't Beat the Buk, June 28, 2008
For a guy who's been dead since 1994, Charles Bukowski is an amazingly prolific sort. This is the 13th posthumous work to come from the Buk since his death and it's subtitled "new poems."
The Buk never claimed to be the best person, the best lover, the best writer, the best anything; although I'm sure that at different times and with plenty of beer in him he put forward some extravagant claims of other kinds. I love him, and many, many regular people who feel similarly do so because, I think, he was honest, unsentimental and a great lover of humanity in his poems--even when he is castigating humanity for its ugliness. It's precisely this breadth, which I would call Whitmanesque in its strange multiplicity, that continues to amaze.
These are far from his best poems, but there are some gems in here. Bukowski was the kind of poet of which there were and are few to none--a populist who wanted to be left alone, a lonely man who wasn't alone, a craftsman of the finest stamp, somebody who, like Hemingway, got the true words down on paper and knew how to leave it there. There are poems here about the usual Buk concerns: Women, drinking, the track, love, impending death, other writers, fame, bars, working horrible jobs, starving, starving, drinking and writing in boardinghouses; his close and unforgiving (yet deeply sympathetic) portraits of other people trying to push the dharma wheel a few inches forward, usually failing.
I won't attempt to do any lit crit pronouncements on this book. It's something to read alone and laugh with, to read openly with other people, to cherish, to keep the fire alive. There's an existential commitment to meaning here, the meaning one places on one's own actions, decisions, follies, joys, tears, life and death. We were fortunate to have him and now fortunate to have all these volumes to keep us warm.
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