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After the lavish Technicolor spectacle of The Red Shoes, British filmmakers Michael Powell and Emeric Pressburger retreated into the inward, shadowy recesses of this moody, crackling character study. Based on the acclaimed novel by Nigel Balchin, The Small Back Room details the professional and personal travails of troubled, alcoholic research scientist and military bomb-disposal expert Sammy Rice (David Farrar), who, while struggling with a complex relationship with secretary-girlfriend Susan (Kathleen Byron), is hired by the government to advise on a dangerous new German weapon. Frank and intimate, deftly mixing suspense and romance, The Small Back Room is an atmospheric, post World War II gem.
SPECIAL EDITION FEATURES:
New, restored high-definition digital transfer,
Audio commentary featuring film scholar Charles Barr,
New video interview with cinematographer Chris Challis,
Excerpts from Michael Powell's audio dictations for his autobiography.
PLUS: A new essay by film scholar Nick James.
In their career, the Archers--Michael Powell and Emeric Pressburger--made films both epic and intimate. The Small Back Room falls into the latter category. The interiors in this black-and-white picture, after a trio in Technicolor, are close and dimly lit, but rustic exteriors (including Stonehenge) and a surrealistic set piece add welcome flair. In 1943, Londoner Sammy Rice (David Farrar, quite good), a master at defusing incendiary devices, works for the Ministry of Defense. Whiskey helps to relieve the discomfort of a leg injury caused, presumably, by a mission gone wrong. As he tells girlfriend Susan (Kathleen Byron, softer than in Black Narcissus), who serves as secretary for the back-room boys, "It leaves me not caring whether it hurts or not." In order to decode Germanys new booby-trapped bomb, the military enlists his expertise, but Rice's drinking problem makes him a liability. Noir, suspense, and documentary-style realism converge to create a sympathetic portrait of one man's struggle with shame and inadequacy, providing a link between Brief Encounter and The Lost Weekend. As critic Raymond Durgnat suggests, it isnt "a 'story one follows', but a sensibility in which one bathes." This shadowy room may not be the best place to begin with the Archers, but it's a fine place with which to end. The Criterion Collection edition adds erudite commentary from author Charles Barr, an essay from Sight & Sound editor Nick James, an interview with cinematographer Chris Challis, and dictation excerpts from Powell's memoir, Million Dollar Movie. --Kathleen C. FennessySee all Editorial Reviews
So many great actors here: Handsome David Farrar (I know him best from "Black Narcissus"), Kathleen Byron, Jack Hawkins, Michael Gough, Renee Asherson. Read morePublished 23 months ago by Carolyn M. Weddell
Sure lots of people on both sides of the Atlantic admired the pluck of the under-armed, under-manned, under- led British in holding up Hitler's plans for a while to conquer all of... Read morePublished on December 20, 2012 by Alfred Johnson
About 20 years ago I taped this movie from TV (mea culpa) and quite liked it. Recently I paid hard cash for the Criterion version and was very pleasantly surprised. Read morePublished on January 10, 2012 by Malcolm Baird
Fantastik story from the second worldwide.
Technocally interesting with à stramhet german bonus trappen mine. Read more
I had seen this movie years and years ago and was excited to see it available on DVD. However, as in so many memories, this movie did not live up to expectations on... Read morePublished on July 8, 2011 by Charles Hall