From Publishers Weekly
In Plowden's portraits of backwater America--decaying Main Street, general store, blacksmith, farmer--it is the photographer who ascribes significance to his subject through intense selective vision, technical near-perfection and a guaranteed popular response that can be appealed to again and again. Thus the pictures here wrongly may seem simply to have been left out of Plowden's 18 previous books ( Commonplace ) though many are of recent vintage. In a lengthy foreword, he lovingly ticks off a roster of self-reliant hometown people he has known, and nostalgically, almost petulantly, bemoans the now nearly complete surrender of bygone days of horse wagons and railroads to the superhighway's arid malls and condominiums. Plowden fans will be richly rewarded. BOMC dividend selection.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
In his 19th book on the American scene, Plowden (The End of an Era, Norton, 1992) has focused on what epitomizes small towns-before this endangered species disappears altogether. The well-produced images, arranged roughly by topic (e.g., schools, theaters, churches, home interiors, restaurants, stores, and grain elevators) and representing towns in many states (including Iowa, Kansas, West Virginia, New York, Minnesota, and Idaho), speak eloquently of small-town life. Even more so, they speak of change; by the time Plowden photographed these towns, most had been cut off from their rural heritages. Nevertheless, the photographs convey order, calm, and congeniality; the best of them evoke the work of Walker Evans, who, like Plowden, left scenes unaltered when he photographed them. For photography and U.S. social history collections.
Kathleen Collins, New York Transit Museum Archives, BrooklynCopyright 1994 Reed Business Information, Inc.