A Small Place (Turtleback School & Library Binding Edition) [School & Library Binding]

Jamaica Kincaid (Author)

Book Description

Publication Date: April 1, 2000 | ISBN-10: 0613998391 | ISBN-13: 978-0613998390

FOR USE IN SCHOOLS AND LIBRARIES ONLY.

Editorial Reviews

From Library Journal

Kincaid here examines the geography and history of Antigua, where she was raised. We first see the island through the eyes of the typical North American tourist, who aims to exchange his or her own "everydayness" for that of someone without the same privilege. But rather than interpret Antiguan experience for outsiders, Kincaid lays bare the limits of her own understanding. She asks us to grasp the crime of empire in a new way, stressing that it can be understood only from a post-colonial point of view: surveying 20 years of a corrupt "free" government, she finds the inheritance of colonialism to be a commercial and governmental enterprise that serves individual interests. Antiguans, she effectively demonstrates, are ordinary people saddled with an unthinkable but unbreachable past. Mollie Brodsky, Rutgers Univ., New Brunswick, N.J.
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review

"Ms. Kincaid writes with passion and conviction . . . [with] a poet's understanding of how politics and history, private and public events, overlap and blur."-- The New York Times

"A jeremiad of great clarity and force that one might have called torrential were the language not so finely controlled."--Salman Rushdie

"A rich and evocative prose that is also both urgent and poetic . . . Kincaid is a witness to what is happening in our West Indian back yards. And I trust her."--Los Angeles Times Book Review

"Kincaid continues to write with a unique, compelling voice that cannot be found anywhere else. Her small books are worth a pile of thicker--and hollower--ones."-- San Francisco Chronicle

"This is truth, beautifully and powerfully stated . . . In truly lyrical language that makes you read aloud, [Kincaid] takes you from the dizzying blue of the Caribbean to the sewage of hotels and clubs where black Antiguans are only allowed to work . . . Truth, wisdom, insight, outrage, and cutting wit."--The Atlanta Journal-Constitution

"Wonderful reading . . . Tells more about the Caribbean in 80 pages than all the guidebooks."--The Philadelphia Inquirer

--This text refers to the Paperback edition.

See all Editorial Reviews

Product Details

• School & Library Binding: 81 pages
• Publisher: Turtleback (April 1, 2000)
• Language: English
• ISBN-10: 0613998391
• ISBN-13: 978-0613998390
• Product Dimensions: 8.2 x 5.5 x 0.5 inches
• Shipping Weight: 8 ounces
• Average Customer Review: 3.7 out of 5 stars  See all reviews (41 customer reviews)
• Amazon Best Sellers Rank: #11,117,458 in Books (See Top 100 in Books)

More About the Author

Jamaica Kincaid's works include, Mr Potter, The Autobiography of My Mother, and My Brother, a memoir. She lives in Bennington, Vermont.

Customer Reviews

Most Helpful Customer Reviews

28 of 30 people found the following review helpful:

4.0 out of 5 stars A Caribbean jeremiad, April 9, 2003

By 

Michael J. Mazza - See all my reviews
(HALL OF FAME REVIEWER)    (COMMUNITY FORUM 04)    (REAL NAME)   

This review is from: A Small Place (Paperback)

"A Small Place," by Jamaica Kincaid, is a nonfiction prose piece about the Caribbean island of Antigua. The author bio at the beginning of the book notes that the author was born on Antigua. A lean 81 pages, this is nonetheless a powerful text.

Kincaid discusses British colonialism, the corruption of the Antiguan government, racism, and greed. It seems to me a key question raised by the book is whether post-colonial Antigua is worse than colonial Antigua. The book is very much haunted by the spectre of New World slavery.

This book is a dark, angry jeremiad. I think it works better when seen as an extended prose poem rather than as an essay. As the latter, it could be criticized as full of invalid generalizations and undocumented claims. But as a poetic/prophetic text, it is chillingly effective.

Ultimately, Kincaid's vision of the human condition is extremely negative But her haunting, almost hypnotic prose really held me. I recommend the book to anyone planning a trip to a poor country for their own pleasure.

16 of 19 people found the following review helpful:

5.0 out of 5 stars An island paradise, February 5, 2005

By 

The RAWSISTAZ Reviewers (RAWSISTAZ.com and BlackBookReviews.net) - See all my reviews

This review is from: A Small Place (Paperback)

Antigua, an awe-inspiring vacation spot for Europeans and North Americans, takes on a different aura when discussed by native Jamaica Kincaid. Ms. Kincaid describes how the Antiguans feel about the tourists who visit: ugly people. Ugly because they invaded, then brought slaves to work for them so they could become rich while ignoring the needs of those who made them wealthy. Ugly because of what they've done to the island and the people who live there. Jamaica talks about the corrupt government and the hand that North Americans, British, Syrians and Lebanese play in that corruption. She describes how England paved the roads the Queen of England would travel when she visited, but left everything else in poor condition. Ms. Kincaid also mentions the drug dealers that the government ignores and those who build ugly condos for the wealthy and rent business space to the government who should be building their own space.

In a very few pages, Jamaica Kincaid says what a lot of former slaves would like to say but are perhaps too politically correct to utter. She does the job for us. Ms. Kincaid does not mince her words when it comes to what the British Empire did to the people of Antigua and the world for that matter. Frequently, I found myself wanting to stand up and cheer as I read her words of disgust and anger. While Ms. Kincaid is specifically speaking of Antigua, her words describe the slave trade and the destruction and poverty left in the wake of it no matter what country. It is well worth reading - more than once.

Reviewed by alice Holman

of The RAWSISTAZ™ Reviewers

12 of 15 people found the following review helpful:

3.0 out of 5 stars Fascinating use of tense and voice, February 16, 2003

By 

John Hartnett - See all my reviews
(REAL NAME)   

This review is from: A Small Place (Paperback)

Like other reviewer, I was little put off by Kincaid's politics.

But the first thing that struck me about this book was the tense and voice. Second person (?you do this, you do that.....?) isn?t very common in literature, so when I see it, it has an immediate effect on me. Now, in one sense, I admire the choice of this tense. It allows the narrator to talk directly to the reader, informing him or her. It also gives the narrator some freedom to literally paint a scene in the reader?s mind. Instead of going to all the trouble to create the hundreds of details necessary to allow the reader to place himself or herself in Antigua, Kincaid can accomplish this in one sentence. Granted, she goes on to provide the details (she points out the cars, the roads, the hospital, the beach, the sun, etc.) but as she does this she has some additional room with this tense to comment on these details and actually point out their significance.

Using this tense also lets Kincaid convey her opinion of the typical tourist who comes to Antigua. Using the second person present tense makes the book flow more like a conversation, and as such, allows me to imagine one particular narrator, a very specific person who is telling me this story and painting these pictures in my mind, filling in the details and their significance as we go along. And if I am not a middle class or upper middle class white American who travels to other countries, this works very well. If I am not a middle or upper class Briton, this also works. But if I am, as are many of the people who buy and read contemporary literature, this would put me out a bit. In fact, it would pretty well alienate me to this narrator. Kincaid?s narrator pretty clearly says she wishes the tourists would stay home, she despises the English, she disdains the concepts of democracy and capitalism, and doesn?t think much of the people who do. Now on the one hand, using this tense and voice makes the narrator very real, very tangible as a character. We hear the narrator?s opinions on almost everything, so the voice becomes distinctive and individual. On the other hand, what this narrator says can be very challenging to some readers. Kincaid has obviously made some choices about what she has to say and how she sees her readership.

Starting in second person, the narrator focuses on building the scene in the reader?s mind, helping the reader see himself or herself in Antigua. The first sense we get of the narrator is from the asides (?Or worse, European?). The first time the narrator identifies herself is on pg. 10 (?of the people like me...?). I think this relates to the gradual change in voice that becomes evident at the beginning of chapter 2.

At the beginning of chapter 2 (after the illustration) the voice changes from a heavy second person to a slightly more traditional first person. Kincaid starts the chapter with ?The Antigua I knew....? and goes on to stay more focused on the first person voice. For me, this reinforced the conversational aspect of the book, the give and take as the focus moves from one speaker to the other. Even though it is always Kincaid?s narrator talking, the first chapter?s emphasis on the reader (you, you, you) is followed by the second chapter?s emphasis on the narrator (I, I, I). This more closely approximates the rhythm of a real conversation and keeps the essay relaxed and moving forward for me.

Small Place Section Stands Out Because of Voice Change Again

On page 52, the narrator changes voice again. In this section, the narrator stops talking primarily about herself and the reader and speaks in a more essayistic voice about Antigua as a whole. ?In a small place, people cultivate small events.? For me, this served to draw attention to this section. Not only because the voice changed, but also because the meaning of the book?s title is revealed in this section. The effect on me as reader is to keep my attention. The general feeling I come away with is an essay that starts with me, moves to the narrator, then moves to Antigua in general.

Last Section Entirely Third Person

The final change in voice occurs in the last section. The last chapter is totally in third person. The narrator has completely dropped the reader (you, you, you) and herself (I, I, I) and begins to speak in straightforward, third person omniscient point of view about Antigua. She even drops into the essayists questions (?What might it do to people...?) in this section. Ending the book in this voice, to me, lent credibility. If she had stayed in the first or second person voice all the way to the end, I might have more easily dismissed the book as biased or too personal. But slowly moving across the voice spectrum, ending in traditional third person, lends an aura of objectivity to the end.

All in all this was a fascinating change ue of tense and voice to tell a compelling story.