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With
Small Vices, based on the book by Robert E. Parker, Joe Mantegna may have a franchise in the making as legendary private eye Spenser. To borrow a line from
Casablanca, this looks like the beginning of a beautiful friendship.
The cops, wise guys, and hustlers Mantegna has portrayed in David Mamet's films and plays have prepared him well for stepping into the shoes of this crime fiction icon. Spenser is a literate, well-spoken private eye who, as one acquaintance notes here, "can't be frightened, bribed, or seduced." Nor intimidated, as we witness in his handling of three lowlifes who attempt to warn him off a case. Spenser is investigating whether Ellis Alves, a young black man who was convicted of murdering a white honors student, was framed. The case itself is not especially compelling (nor is Spenser's relationship with psychologist Susan Silverman, portrayed by Marcia Gay Harden). The fun is watching Spenser stand up to a corrupt cop who threatens, "You go down that road, pal, you're going to get a lot of people angry at you... including me." But in classic, hard-boiled tradition, Spenser will not be swayed, which leads to his near-fatal shooting (that never happened to Robert Urich). Luckily, he has friends in low places, including his partner, Hawk (Shiek Mahmud-Bey, a little more animated than the glowering Avery Brooks on the television series), a self-described "thug," as well as some wise guys who help track down Spencer's would-be assassin.
Freed from the constraints of network television, Small Vices indulges in some mild profanity, sexual situations, and nudity that give this production some added pulp panache. --Donald Liebenson