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I especially enjoyed the clever superimposition of the Grail legend on a tale of modern English professors pursuing a UNESCO endowed chair that entails no academic duties. Persse McGarrigle (Percival), the Irish innocent. Morris Zapp (Merlin), the canny but cynical sage. Morgana Fulvia (Morgan le Fay), the decadent, hypocritical Italian witch. They and the others are all here playing their time-honored rolls.
The coincidences come so thick and fast in this book that you very quickly get used to them. It is a good joke to make the entire world as small as academia, a place where you run into the same people again and again whether you want to or not.
It was a pleasure to read a book whose prose was devoid of trickery, over-cleverness and gimmicks. Here is a modern novel in a world increasingly full of post-modern works that are too often little more than cleverly constructed rooms full of mirrors. Lodge makes several funny, well-deserved swipes at post-modernism's negative effect on literary criticism.
Having been a literature student and known many academics, I have been constantly struck by the sense of recognition. Lodge writes with his profound knowledge in literature and and his insight in people in the field of literarute. The pretentiousness in that world is mercilessly satirized. And the holy canon is hilariously and wonderfully parodized.
So, I wasn't sure I wanted to read Small World, though I had been assured it was a better book. I am glad I finally overcame my resistance and read it, because it is a much better book; indeed I think it is a very good book.
Small World is also a satire on academia, and while all the jacket blurbs talk about how biting the satire is, I didn't find that to be the case. Lodge seemed much more in tune and sympathetic with his characters, even as he skewers their antics. Also, the attacks in this novel seem less personal and more on literary studies as a profession.
I actually think Lodge has much bigger ambitions in this novel than writing an academic satire. His goal, it seems to me, is to package the history of the novel into a story in the form of an academic satire. So instead of a relatively simple, satirical plot (as in Nice Work), Lodge gives us a multitude of interwoven plots. He has a standard comic plot, but he also has a thriller plot, several varieties of romantic plots, a few mistaken identity plots, a foundling plot, a reunion plot and probably several others I'm forgetting. As the characters move around the world, they move in and out of the various plots. Some of the great moments in the book are watching how the characters react and change as they move from the comic plot to the thriller plot to one of the romance plots.
Because Lodge is writing about Literature academics and has designed the novel to borrow from many different genres and eras, he gets to show off his extensive literary knowledge as well. The novel is littered with quotations (attributed and unattributed) and allusions (acknowledge and unacknowledged). I had fun trying to pick out these bits as I was reading, but you don't need to catch the allusions to enjoy the book. Overall, I highly recommend the book.