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  • Smetana: Piano Trio / Martinu: Piano Trio No.1 / Eben: Piano Trio
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Smetana: Piano Trio / Martinu: Piano Trio No.1 / Eben: Piano Trio Import


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Audio CD, Import, May 11, 2010
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$19.91
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Product Details


1. Piano Trio in G minor, JB 1:64 (Op. 15): Moderato assai
2. Piano Trio in G minor, JB 1:64 (Op. 15): Allegro, ma non agitato
3. Piano Trio in G minor, JB 1:64 (Op. 15): Finale: Presto
4. Piano Trio No. 1 ('Cinq pièces brèves'), H. 193: Allegro moderato
5. Piano Trio No. 1 ('Cinq pièces brèves'), H. 193: Adagio
6. Piano Trio No. 1 ('Cinq pièces brèves'), H. 193: Allegro
7. Piano Trio No. 1 ('Cinq pièces brèves'), H. 193: Allegro moderato
8. Piano Trio No. 1 ('Cinq pièces brèves'), H. 193: Allegro con brio
9. Piano Trio: Drammatico
10. Piano Trio: Andante con espressione
11. Piano Trio: Lento
12. Piano Trio: Agitato

Editorial Reviews

The Florestan Trio is one of Britain's best-loved chamber groups, and its many Hyperion recordings are routinely acclaimed as benchmark versions of the repertoire. The three works on this CD cover the complete span of what is usually thought of as the Czech school of composition. Smetana, regarded as the founding father, first showed the way to bring traditional dance and song into the mainstream of European composition, forging a national style. Eben, who died in 2007, was one of the most distinguished composers who carried this line to the present day. But, as these three contrasting pieces demonstrate, Czech composers were subject to very different kinds of influence at different times. Smetana's trio, an early work, shows more influence from the mainstream giants of the time - particularly Schumann and Liszt - than it does from any 'folk' elements. By the time Martinu wrote his first piano trio he was immersed in the exciting cosmopolitan culture of twentieth-century Paris. And Petr Eben took the neoclassicism of Martinu and his contemporaries, and developed his own individual approach to it.

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