26 of 31 people found the following review helpful:
4.0 out of 5 stars
Ezrin's Magic, May 10, 2000
This review is from: Smile (Audio CD)
Bob Ezrin, legendary producer for Pink Floyd, Alice Cooper, Kiss and Lou Reed among others, touches this album with a subtle production that suits the album's subdued sound and superb songwriting. Every song offers a chorus thick enough to sink your teeth into, with lonely piano or guitar accompaniments that just leap out of the songs and hook your ears. While every song showcases this group's writing talent, tracks like "Smile," "Ohio" and "I'm Gonna Make You Love Me" exhibit heavanly singing and background vocals that sound very much like the Traveling Wilbury's at times. The music is mature and atmospheric, the songwriting is hot, the vocals are always confident, and this is yet another great Jayhawks release. With the acsessible pop feel to this record, I cannot imagine it disappointing anyone, new fan or old.
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13 of 15 people found the following review helpful:
5.0 out of 5 stars
The Jayhawks Go Big Time, December 4, 2001
This review is from: Smile (Audio CD)
A significant departure from their earlier work, Smile offers a more produced and mainstream sound. Purists of their work might be disappointed and argue that they sold out their original sound. I disagree.
A worthy comparison might be looking at the growth of REM from the roots flavored rock of their earlier albums to the breakout hits Green and Out of Time. In my opinion, Smile makes this transition more successfully than REM by appealing to a new audience without giving up the intensity and creativity of their music.
"I'm Going To Make You Love Me" is a fun pop song that might lose its appeal over time but, other songs like the title track, "Somewhere In Ohio", and my personal favorite "Baby, Baby" are as energetic and spirited of tunes that the band has ever produced.
The slower, folksier, "What Led Me To This Town", "Break in The Clouds," and "Mr. Wilson" provide the perfect balance by showing the band and its most poignant.
A true follower of the Jayhawks will still see the underlying themes of their previous work. This album is far from a sell out, in fact it may be their best yet.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
What is wrong with you people, April 14, 2005
Who cares about production or selling out? I used too but not anymore. I've reached a point in my life where if the music is good, I'll listen to it. Not to say I listen to just any album, I'm still some what selective. Take this album for example. I love The Jayhawks early stuff, it's raw but their new stuff has merit too. You can feel a totally different band on Smile. A band that is trying to find it's place after Mark Olson left. That's not a bad thing, it fact it's great. We, the listener, get a chance to see a group of Artist evolve into a new creature. I wouldn't say The Jayhawks were trying to sell out or get radio play with this album, I think they were just trying something different. Be supportive and give this album a shot. Who says all of a bands albums have to sound the same? Not me.
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