@#%&*! Smilers

Aimee Mann | Format: MP3 Download

Product Details

• Original Release Date: June 3, 2008
• Release Date: June 3, 2008
• Label: SuperEgo Records
• Copyright: 2008 SuperEgo
• Total Length: 45:47
• Genres:
• ASIN: B001A3CQ4Y
• Average Customer Review: 4.4 out of 5 stars  See all reviews (65 customer reviews)
• Amazon Best Sellers Rank: #39,210 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Customer Reviews

Most Helpful Customer Reviews

71 of 82 people found the following review helpful:

5.0 out of 5 stars Another Excellent Release from Aimee Mann, June 3, 2008

By 

TheTange "theTange" (Winston-Salem, NC United States) - See all my reviews

This review is from: @#%&*! Smilers (Special Edition) (Audio CD)

Couldn't disagree more with the couple of folks who say this is "more of the same" from Aimee Mann, and who have given the album 3 stars (and sounds like, from their reviews, they're just bitter over a few extra tracks used to promote the album on I-Tunes).

"More of the same" (Whatever, IWS, Bachelor #2, Lost In Space, The Forgotten Arm) would be enviable by any other singer/songwriter. Mann's been nominated for Grammy's, Golden Globe, Academy Award (Mr. Oscar), and has literally been on most year end top ten album lists with each of the releases already mentioned. I'll take more of the same from Mann any day of the week.

Smilers is indeed "more of the same" in terms of quality songwriting. There's not a throwaway track on Smilers (which consists of 13 tracks). The folks moaning about Itunes having 2 extra live tracks and 1 bonus studio track? If the rest of the album was so disappointing, then it's unusual that one would clamor for live versions of 2 songs they already have, and 1 "more of the same" studio track. Aimee's self-described bitter album was I'm With Stupid......maybe these fans are stuck in that period of her work <grin>.

Smilers opens with Freeway, a song that has a sound not unlike something the Cars (the band) would have written in the 70s. I can't recall another Aimee Mann solo album with anything that sounds remotely like the Cars - but there's a coupla tracks on Smilers, due to the use of moog synths as a replacement for the electric guitar (another first on an Aimee release, even counting til tuesday).

Smilers also marks the first time I can recall that Aimee has used a brass section, which she uses on a number of the songs here to great effect. If she's used brass in the past, none of the songs on Smilers brings any of her past songs to mind. Momentum (the b-side to That's Just What You Are and also on the Magnolia soundtrack) has a playfulness that I suppose one could compare, but still sounds nothing like these new songs.

There's also the use of strings on songs like Phoenix (a personal favorite) as well as It's Over (another favorite). Phoenix is another hallmark Mann composition that really captures the essence of what the character in the song is feeling. This is accomplished without an ounce of melodrama. Her vocals are equal parts regret, resignation, and relief. Listening to this track is like being in the back seat of the character's car and empathizing as if you're right there.

I could go over every song on the album but I won't. It's an excellent album.

I've been a fan of Mann's since I was 16 (1986) with the release of Welcome Home. For me, most of her albums alternate between surprising me with how much she's grown from, say, the previous release, OR, strike me as strong continuations/explorations of the types of songs she's known for - but they never feel like repeats. For me, Smilers is another jump forward and is easily a "five star" album.

11 of 11 people found the following review helpful:

5.0 out of 5 stars can a 55 year old man love new pop music?, December 7, 2008

By 

Philip J. Herman (NYC area) - See all my reviews
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This review is from: @#%&*! Smilers (Audio CD)

I cautiously took Aimee Mann's cd Bachelor No. 2 from my local library because I want to acquaint myself with current music. Usually I listen to bits and pieces and return the cd's with a shudder. Bachelor No. 2 was so infectious that I bought it; then I bought Smilers and Aimee mann's Christmas album. Thinking that I was being a little crazy, I went on Amazon and listened to samples of all her recordings. There are no bad songs. I haven't purchased music in twenty years. And making matters worse I am ( or was ) a Frank Zappa and Tom Waits fan. Aimee Mann's music is GOOD in it's own way. It's creative, catchy, infectious, moody, original... and she has her own SOUND. I detect whiffs of Carole King ( Tapestry, I am that old ), Fountains of Wayne, and Emmit Rhodes ( which is why some of her songs sound like the Beatles ). But the conglomeration of influences is distilled through a unique vessel... Aimee Mann. I hum her songs while I'm living my life.

13 of 17 people found the following review helpful:

5.0 out of 5 stars Some say it's a "return to form;" I say it's bloody brilliant as usual!, June 5, 2008

By 

Sean H. Campbell (East Tennessee) - See all my reviews
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This review is from: @#%&*! Smilers (Audio CD)

I admit: I've loved every last thing the wonderful and peerless Aimee Mann has done since 'Til Tuesday. There's little doubt in my mind that she's a melodic and lyric genius, even if we bandy about the term "genius" a little too loosely. It all seems to come so easy to her, and there's an intoxicating brilliance about her every move. Seeing her live is heavenly.

All that having been said, her new album is yet another treasure. You cannot but be wowed by the understated beauty of, let's say, "31 Today" or the stuck-in-your-head-and-you-don't-care quality of "Freeway." Buy without hesitation. The whole thing is delicious.