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Filmmaker Susan Seidelman rocked the movie industry with this daring and quirky story of Wren (Susan Berman), a self-promoting Jersey girl desperate to break into the downtown Manhattan music scene. But with no money and no talent, she bounces between a nice guy artist (Brad Rinn) who lives in his van and an arrogant musician (Punk icon Richard Hell) who lives off of anyone who will let him.
SMITHEREENS which also marked the debut of Oscar®-nominated screenwriter Ron Nyswaner (PHILADELPHIA) and features a score by beloved cult band The Feelies remains a remarkable time capsule of the early 80s East Village scene and made history as the first American independent film invited to compete for the Golden Palm Award at the Cannes Film Festival.
EXTRAS INCLUDE: Audio Commentary with Co-Writer/Director Susan Seidelman Desperately Seeking Susan & Richard Interviews with Stars Susan Berman and Richard Hell Theatrical Trailers Poster & Still Gallery
Music by The Feelies
Official Selection 1982 Cannes Film Festival
First time ever on DVD
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Most Helpful Customer Reviews
17 of 17 people found the following review helpful:
5.0 out of 5 stars
Pain, longing, romance and dirt: Ah! exquisite nostalgia!,
By
This review is from: Smithereens [VHS] (VHS Tape)
Besides capturing the gritty reality of New York City and eighties punk nihilism (unlike Times Square, which makes NYC seem like the innocuous Disneyland it now sadly is), Smithereens captures both the intimacy and estrangement of the punk experience to the jangling beat of such notables as the Feelies, Richard Hell and the Voidoids, and Television. Susan Berman delivers a stellar performance as a vulnerable, [angry], terminal misfit/victim/enfant terrible ambiguously coveting celebrity status and the affections of Richard Hell, who also shines as a punk icon and sexy-but-worthless cad. Fun, edgy and disturbing, with a harrowing conclusion and a heartfelt sympathy for its desperate characters. Includes Kitty, my fave cameo, as a sultry, manic-depressive downtown Bardot. If you weren't there, this film will make you feel like you were.
8 of 8 people found the following review helpful:
4.0 out of 5 stars
Punky sleeper,
By D. Hartley (Seattle, WA USA) - See all my reviews
This review is from: Smithereens (DVD)
Long before "Party Monster" or "Slaves Of New York" explored the underbelly of the NYC downtown arts scene, there was "Smithereens". A young woman hustles her way through the early 80's NYC punk scene in an attempt to grab her "15 minutes" any way she can. Basically a more nihilist, East Coast version of the standard "Bumpkin Getting Off The Bus In Hollywood With Stars In Her Eyes" tale. This gritty little independent feature was the debut for then unknown director Susan Seidelman, who is perhaps best known these days for her involvement with "Sex In The City". Good performances from the mostly unknown cast. Music fans are sure to recognize Richard Hell (of the Voidoids, who penned the memorable punk anthem "Blank Generation") playing an arrogant,self-absorbed musician (wow what a stretch!) "Sex In The City" fans will get a hoot spotting the future 'Mr. Big', Chris Noth, in a (very) small part as a transvestite. "Smithereens" was undoubtedly a blueprint for Seidelman's next film, the much more slickly produced "Desperately Seeking Susan", which I would go so far as to call "Smithereens" with a higher budget! I am hoping that the release of this little "skinny tie era" gem means we will see "Ladies And Gentlemen, The Fabulous Stains" and "Starstruck" available on DVD sometime before they put us in the home?!
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Low Budget Masterpiece,
By thomas angelo zunich (long beach, ca USA) - See all my reviews
This review is from: Smithereens [VHS] (VHS Tape)
This film is a classic! It has a raw street like feel to it, and a sense of urgency and desperation that runs rampant throughout the film. Susan Berman plays a pathetic groupie-type set out to become famous. She will step on anyone's toes and stab anyone's back and burn all her bridges along the way in order to achieve this goal. She meets a boy along the way willing to help her and love her and shelter her even though he hasn't got a pot to pee in himself. But she is hell bent on getting her way and in turn becomes a mean, self absorbed street weasel. She pushes away the people who love her most and ends up walking down that dreadful path of self destruction. Amazing to watch the transformation nonetheless, all set to early-eighties street rhythms and a pinch of the punk scene thrown in for good measure.
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