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Smoke (American Poets Continuum: 62) [Paperback]

Dorianne Laux (Author)
4.5 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

American Poets Continuum October 1, 2000
Dorianne Laux’s long-awaited third book of poetry follows her collection, What We Carry, a finalist for the 1994 National Book Critics Circle Award for Poetry. In Smoke, Laux revisits familiar themes of family, working class lives and the pleasures of the body in poetry that is vital and artfully crafted—poetry that "gets hard in the face of aloofness," in the words of one reviewer. In Smoke, as in her previous work, Laux weaves the warp and woof of ordinary lives into extraordinary and complex tapestries. In "The Shipfitter’s Wife," a woman recalls her husband’s homecoming at the end of his work day:

Then I’d open his clothes and take
the whole day inside me—the ship’s
gray sides, the miles of copper pipe,
the voice of the foreman clanging
off the hull’s silver ribs. Spark of lead
kissing metal. The clamp, the winch,
the white fire of the torch, the whistle,
and the long drive home.

And in the title poem, Laux muses on her own guilty pleasures:
Who would want to give it up, the coal
a cat’s eye in the dark room, no one there
but you and your smoke, the window
cracked to street sounds, the distant cries
of living things. Alone, you are almost
safe . . .


With her keen ear and attentive eye, Dorianne Laux offers us a universe with which we are familiar, but gives it to us fresh.

Dorianne Laux is the author of two previous collections of poetry from BOA Editions, Ltd., and is co-author, with Kim Addonizio, of The Poet’s Companion: A Guide to the Joys of Writing Poetry (W.W. Norton, 1997), chosen as an alternate selection by several bookclubs. A tenured professor in the creative writing program at the University of Oregon, Laux lives in Eugene, Oregon.

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Editorial Reviews

From Publishers Weekly

It is not surprising that each of Laux's and Addonizio's third collections of poems are being published in close proximity by the same house. In 1997 the pair coauthored The Poet's Companion: A Guide to the Pleasures of Writing Poetry (Norton); both have published two previous collections with BOA; both use candid and unsentimental personal history as a prime subject matter; and both have stronger work in earlier collections. Many of Addonizio's (Jimmy & Rita) straight-talk poems in Tell Me, dedicated to Laux, depict honest characters who are in the destructive, but often unrevealing, clutches of hard-drinking, doomed relationships, and all manner of problems that subsequently arise. Some of the poems raise the question of what happens when you risk emotional honesty and it doesn't work: in "The Divorcee and Gin," she writes, "God, I love/ what you do to me at night when we're alone,/ how you wait for me to take you into me/ until I'm so confused with you I can't/ stand up anymore." The situations are often compelling, and the performancelike language lends them an air of melodrama that many be intentional, but they don't really rise above the status of well-lineated memoir. The largely domestic and narrative poems of Laux's Smoke shift between internal and external landscapes in a manner that at moments recalls early Richard Hugo: "Somewhere/ a Dumpster is ratcheted open by the claws/ of a black machine. All down the block/ something inside you opens and shuts." Her strongest work here achieves a solid music by using direct address in poems such as "Books" and "The Shipfitter's Wife." Yet the plainspoken approach, aiming at understatement, often specifies too little, letting emotional nuance go unarticulated. While both poets may work in parallel registers, the effect of each is distinct. Unfortunately, many poems in both books do not quite locate the seemingly powerful places that generate the work. (Oct.)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Booklist

The poems of Laux's new collection are bound together by images of smoke and fire--tightly, but never so tightly as to seem restrained or constrained. Laux's expansive style opens up each poem, so that we move beyond its situation into a wilder, more extreme place. The most affecting of these remarkable poems are about a lover's death. "Someone I love is dying," one baldly begins, then discloses a world in which "everything is hideously symbolic" at a time when "all I've wanted is the blessing / of inattention . . . To eat a bowl of cereal and not imagine him, / drawn thin and pale, unable to swallow." Such flat-out, searing openness to life is Laux's trademark, and the poems of loss and grief in this book are desperately moving. But Laux does not leave us in a death-shadowed valley, for the final poems here throb with life, love, and, yes, fire. Patricia Monaghan
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 65 pages
  • Publisher: BOA Editions Ltd. (October 1, 2000)
  • Language: English
  • ISBN-10: 1880238861
  • ISBN-13: 978-1880238868
  • Product Dimensions: 9.1 x 6.1 x 0.2 inches
  • Shipping Weight: 4.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #498,993 in Books (See Top 100 in Books)

More About the Author

Dorianne Laux's most recent collections are Facts about the Moon, recipient of the Oregon Book Award and The Book of Men (W.W. Norton). Laux is also author of Awake, What We Carry, and Smoke from BOA Editions, as well as Superman: The Chapbook and Dark Charms, both from Red Dragonfly Press. She co-edited The Poet's Companion: A Guide to the Pleasures of Writing Poetry (W.W. Norton). Recipient of many national grants and awards for her poetry, Laux teaches in the MFA Program at North Carolina State University and is founding faculty of Pacific University's Low Residency MFA Program in Oregon.

 

Customer Reviews

4 Reviews
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Average Customer Review
4.5 out of 5 stars (4 customer reviews)
 
 
 
 
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6 of 6 people found the following review helpful:
5.0 out of 5 stars awake, with feeling, January 3, 2001
This review is from: Smoke (American Poets Continuum: 62) (Paperback)
i was drawn to this book mainly because i have read laux's work before in anthologies. i loved the poems in this book because she writes poignantly about the everyday things in life and she takes on taboo subjects like sex and death and domestic violence and give them dignity. i am definately going to check out other works by her
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4 of 4 people found the following review helpful:
4.0 out of 5 stars Excellent., June 7, 2005
This review is from: Smoke (American Poets Continuum: 62) (Paperback)
Dorianne Laux, Smoke (BOA Editions, 2000)

My last encounter with Dorianne Laux was almost twenty years ago, in an anthology called Three West Coast Women (Five Fingers Press, 1987). I picked it up in college, and decided after reading it that I wanted to check out more work by Dorianne Laux. Why it took me close to two decades I've no idea, but I finally have.

Smoke is a very, very good book. Laux is one of those poets who uses understatement, and uses it well, preferring to let the poem do the talking:

"When I arrive at the tollgate I have to make
myself stop thinking as I dig in my pockets
for the last of my coins, turn to the attendant,
indifferent in his blue smock, his white hair
curling like smoke around his weathered neck,
and say, Thank you, like an idiot, and drive
into the blinding midday light."
(--"Abschied Symphony")

This is definitely one to check out. ****
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3 of 3 people found the following review helpful:
4.0 out of 5 stars raw emotion, May 20, 2003
This review is from: Smoke (American Poets Continuum: 62) (Paperback)
Dorianne Laux is a wonderful poet. I associate her with Kim Addonzio because of there manual on poetry the wrote together, The Poet's Companion, because they are friends, and because their work has a similar feel (though Laux doesn't write in meter and rhyme like Kim does sometimes). There is this raw emotion, but not just flopped on the page like so much bad poetry. In reading this collection, you see what a craftsman Laux is. Her poems feel raw, they feel spontaneous, but they are finely tuned pieces of art.

The book is divided into two sections, Smoke and Fire. The first section, Smoke, is the stronger section, with poems like "Ray at 14", "Prayer" "How It Will Happen, When" and others. The poems here feel like smoke when you read them. They touch you lightly, but powerfully, bringing forth all these images, sounds, smells, feelings. Like smoke, they sneak up on you, and then hurt you.

"What could be more sacred than her eyes,
fierce and complicated as the truth. Your life
rising behind them. Your name on her lips."
--Prayer

"Death comes to me again, a girl in a cotton slip"
--Death comes to me again, a girl

The second section doesn't differ much. The poems don't come raging at you like fire. No burning here. They are much more like smoke, but it does contain some great work, and has "The Shipfitter's Wife," a beautiful poem that was selected for the Best American Poetry 1999 by Robert Bly. I'm just surprised more of her work hasn't appeared there.

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