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55 of 59 people found the following review helpful:
5.0 out of 5 stars
Savory melange of style and substance, April 22, 1999
I should point out first that (a) I've been Neil's friend for many years, and therefore not without bias, and (b) some of these stories I've read several times before. However, due to various health problems, I have been spending a lot of time in a series of doctor's waiting rooms for months now, and Smoke and Mirrors has been my book of choice for resisting lure of six month old issues of Field and Stream. I have read it from start to finish, resisting the strong temptation to flip forward to the stories I hadn't read, savoring each offering as I would a course in a lavish meal (and considering I'm on a diabetic's diet that's more savoring than I'm allowed in the traditional sense). It's been an unalloyed pleasure. And yesterday, while waiting for my endcrinologist to check me over, I finished the last story. I rationed myself on this book, but you don't have to. If you only know Gaiman from Neverwhere or his Sandman comics, this is a chance to see the full range of his writing chops, which are formidable. I defy anyone to find me a better story this side of Nathaniel West about the mythical land of Hollywood than "The Goldfish Pool and Other Stories." I cannot think of a more bizarre marriage than the melding of epic poetry and bikini bimbos that is Baywolf. I heard the ghost of Peter Cook at my ear in "Shoggoth's Old Peculiar." I took inordinate pleasure in reading "Snow, Glass, Apples" aloud to a group of my son's friends, and watching them laugh uneasily. There is a wealth of fine storytelling here, a veritable trove of style and substance, passion and pastiche, wit and bite and vision and venom. The art of the short story is in excellent hands.
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29 of 31 people found the following review helpful:
5.0 out of 5 stars
No illusions: Neil Gaiman is a genius, February 9, 1999
By A Customer
People tend to get snide when you mention Neil Gaiman used to write comic books. Infidels. If your friends mock you and your fascination with the worlds Gaiman creates, just give them a copy of this book and tell them to shut up. It's the best introduction I can think of to everything Neil. Some stories are undoubtedly stronger and more inspired than others, but the collection on the whole is astoundingly good, and makes Stephen King look pathetic, though it's hard to compare the two. Gaiman doesn't write horror stories, he writes magical ones -- stories that wrap you up in what your parents told you for years was impossible or unreal. "Snow, Glass, Apples" -- this is not your grandmother's Snow White, and Gaiman himself states that he hopes the reader will not read the original faery tale the same way ever again. He succeeds. This story is worth the price of the book alone. "Chivalry" -- a brilliant, extremely funny look into the mind of an elderly woman who's found the Holy Grail in a secondhand store and think it's just a fabulous mantel pice, never mind that Arthurian knight who keep bothering her for it. I made my dad read this one. "Nicholas Was..." -- ever wonder how Christmas in the Gaiman household is? Dark, haunting, and achingly beautiful. Possibly my favorite, despite its (sadly) short length. "The Goldfish Pool and Other Stories" -- the longest, and one of the best hands down, stories in this book. Neil takes the big hypodermic needle of writing and instead of sucking the life right out of what could have been a boring story, injects it with a subtle shadow and oodles of glitter. Very touching. "The Sweeper of Dreams" -- one word: <swoon> There's not only stories, but poetry as well, and if I could go door to door and beg people to buy and read this book, I would. Not everyone appreciates Gaiman's mission of reintroducing magic into our world, but I, for one, plan on doing every little bit I can do to help. Smoke and mirrors and illusions...
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15 of 16 people found the following review helpful:
5.0 out of 5 stars
Gaiman-the new master of the short story, June 26, 2001
Every now and then a reviewer uses the words "every now and then" to start a review. It usually is followed by a glimmering review of a very artsy, very bad book. With this book, though, it is completely appropriate. It is appropriate to say that every now and then a story collection comes along that will, in the end, change the way we read short stories. The last time this happened was, perhaps, King's "Night Shift." Before that, pick any Ray Bradbury collection. But Gaiman's collection is both and more put into one. "Smoke and Mirrors" is absolute masterpiece and seems like it would satisfy almost any avid reader's tastes. There is the humor, social commentary, poetry of all kinds and even a few examples of remarkably tasteful erotica included in this timeless collection. The dark side of the reader is revealed in a reassuring and, at the same time, frightening way. Reading Gaiman is not mere recreation, it is experience. This reviewer did not take long to complete these pages, despite a relatively busy work schedule. When it was over, it leaves disappointment that stems from the fact that the book was over, finished. Yet it is a fulfilling, and wonderful experience. It is not bogged down by "trying to make a point," despite the points it does make on the reader. It is simply telling a story, and the reader takes it as he or she wishes. This, in the end, is the essence of writing, and Gaiman has mastered it perfectly. The stories are diverse; humor and dark, poetry and prose. However, no matter which story you read one thing remains constant: Gaiman's superb ability in the art of storytelling. Writing short stories is an art of the most refined form, and Gaiman has done more than lead the art form or change the art form. He has transcended it and made it his own. Every now and then a story collection comes along that will, in the end, change literature. Here and now, that collection is "Smoke and Mirrors."
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