Smoke Signals (Paperback)

~ (Author) "We HEAR the last few moments of an instrumental synthesized disco dance song and the first few words of a female disc jockey..." (more)
Key Phrases: jar piggy bank, flashback transition, yellow pickup, Young Victor, Young Thomas, Baby Thomas (more...)

Editorial Reviews

About the Author

Sherman Alexie is a Spokane/Coeur d'Alene Indian. He earned a 1994 Lila Wallace-Reader's Digest Writers' Award, was a citation winner for the PEN/Hemingway Award for the Best First Book of Fiction, and was named one of Granta's Best of the Young American Novelists. Alexie is the author of The Lone Ranger and Tonto Fistfight in Heaven , which served as the basis for a film that premiered at the 1998 Sundance Film Festival. His book Reservation Blues won him the Before Columbus Foundation's American Book Award. Alexie's several books of poetry include I Would Steal Horses, Old Shirts & New Skins, First Indian on the Moon , and The Summer of Black Widows.

Product Details

• Paperback: 192 pages
• Publisher: Hyperion; 1st edition (July 1, 1998)
• Language: English
• ISBN-10: 0786883928
• ISBN-13: 978-0786883929
• Product Dimensions: 8.9 x 5.9 x 0.6 inches
• Shipping Weight: 8 ounces (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars  See all reviews (10 customer reviews)
• Amazon.com Sales Rank: #119,580 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

17 of 19 people found the following review helpful:

5.0 out of 5 stars Is Victor sastisfied with the world., October 15, 1999

By A Customer

To me this book had an effect it showed a normal life style of an a native american instead of a regular drunk indian. This book does not hide anything it gives all expressive and shows lots of details of how the real world is.Not only is this book a reference for my class, but also a look back in my history. Victor has a mirror reflection in my life because of the way he was raised. With all the alcohol and verbal abuse it probably reflects on most peoples life, if not it will most definetly make a change in the future. Alexi is a very good writer and i hope to meet him, and i wish he can come out with another book like that.

7 of 7 people found the following review helpful:

5.0 out of 5 stars Inspirational and well-done; all young men should see, February 19, 1999

By	[e-mail] (San Diego, CA) - See all my reviews

Having seen this movie as a preview on another video, the subject was intriguing. The storyline was a breath of fresh air. The unfolding of the details of the common bond the two friends shared and the understanding of the father's behavior the son came to understand following his death was superbly done.

I found the constant talking of the one friend, although bordering on nerve-racking, was actually humorous in nature and the character was one to love. It was rather like Laurel & Hardy, straight and funny guy tactics, rarely seen today without one character overpowering the other.

I would highly recommend this to the younger set and young adult males who are having problems with relations with their fathers.

12 of 14 people found the following review helpful:

5.0 out of 5 stars Why I use this film to teach troubled teens, December 9, 2003

By	MattOKC (Oklahoma City, OK United States) - See all my reviews

I work as a psychotherapist with adolescents and young adults. I use "Smoke Signals" with them by assigning them to rent and view the movie, which is always enjoyable because it's witty, humorous, wise, and significant. The movie poses two essential questions: 1) If someone else has mistreated, hurt, abandoned, or disrespected you, is it possible to forgive them if they've NEVER asked forgiveness, never done anything to "put it right," never returned in atonement to undo the damage, and never begtun to deserve it? And 2) if it *is* possible--and it may not be--SHOULD you? Because if you do, doesn't that just make you a willing victim by letting them "get away" with what they did, and pretending the relationship is okay again?

Victor lives in the tension of this dilemma. As a 12-year-old youth, he witnessed the effects of alcohol on his family. His father vascillated between being loving and instantly "turning" to become hostile, violent, and humiliating to the young boy. Victor finds himself becoming more deeply embarrassed by his family's domestic abuse and alcohol use, even defiantly scolding his own father that his favorite Indian is "Nobody...nobody...nobody!"

Victor's mother awakens the next morning to see Victor angrily smashing his father's beer bottles on the back of his father's picup truck (the two things he believes his father loves more than him), and the epiphany stuns the mother, who insists on an immediate end to family drunkenness. Proving Victor's fears true, the father--forced to choose between alcohol and family--flees the family, and never returns. It is within that unchanged arrangement that his father dies, 8 years later, having never returned home.

Victor and his oddball companion Thomas make a side-splittingly funny journey south from Idaho to Phoenix together to make arrangements for the father's possessions, confronted by the racism, peculiarities, and hostilities of the non-Indian "outside" world. Thomas, having never seen the dark side of Victor's father, irritates Victor with incessant stories and tales about the dad's greatness.

Victor, having been so deeply wounded and sold-out by his father's abandonment, has become tough, fierce, aggressive...and lonely. "You can't trust anyone!" he scolds. "People will walk all over you!" His mistrust poisons his friendships, family, and feelings about his father. He's become just another tough guy, hardened by family violence and substance use.

In Phoenix, Victor finds an essential artifact of his father's life: a worn-out photo with "HOME" written sloppily on it. At once, Victor begins to realize that his father's fatal flaw was COWARDICE: the father could confess his sins to new companions a thousand miles from home, but could never return home and undo the damage he'd caused. And so his son has suffered for 8 years. Victor begins to realize that he himself is allowing his actions to damage others, and that it is cowardice, not manly independence, that controls his decision to remain distant and fierce.

Victor slowly begins to repent of his own abusive toughness, cutting his hair in symbolic repentance (traditional hair-cutting is done either in grief, or in repentence for shameful behavior). The process of discovery continues when Thomas angrily confronts Victor about Victor's own behavior: remaining cold and distant from his own mother, acting forceful and ruthless to others, etc.

Victor ends the film by freeing himself of his 8-year hostility toward his unforgiven father, and in that final act of forgiveness we find that the greatest benefit is for VICTOR, who becomes kinder, funnier, gentler, and more confident in his friendships. The significance of forgiveness, he learns, isn't to let someone else off the hook, but to let one's own self off the hook of the pain caused by another, rather than carrying that pain inside for years.

In the final scene, this release of aged anger is represented by the cathartic release of his father's ashes into a river, meaningfully shown in film montage as expanding in power from streams into torrents, much like the energy of either a person enraged or a person set free.

It is at the end of the film that we really begin to understand Thomas' original cryptic remark at the beginning, "Some children aren't really children at all. They're just pillars of flame that burn everything they touch. And some children are just pillars of ash, and they fall apart as soon as you touch them."

Not one single person yet who's watched this film at my urging has disliked it.