From Publishers Weekly
In his third Inspector Salvo Montalbano mystery to be made available in the U.S., Camilleri (The Shape of Water) displays all the storytelling skills that have made him an international bestseller. When gunfire from a Tunisian patrol boat kills a worker on an Italian fishing trawler, the worldly Sicilian police inspector knows that this is just the type of situation his overly ambitious second-in-command, Mimi Augello, will want to exploit. Meanwhile, Montalbano has to look into the stabbing death of a retiree in the elevator of the victim's apartment building. While the trawler incident appears to resolve itself, the elevator slaying gets more complex by the minute. Soon Montalbano is searching for the retiree's beautiful housekeeper (and sometimes prostitute) and her son. It's only when he finds the boy (the snack thief of the title) that Montalbano learns the true nature of the case, its relation to the trawler shooting and the danger it poses. Although warned to keep his distance, Montalbano, who can't deny his investigative instincts any more than he can refuse a hardy portion of sardines a beccafico, proceeds headlong into the thick of government corruption with a risky plan to set things right. Montalbano, despite his curmudgeonly exterior, has a depth to him that charms. Readers are sure to savor this engrossing, Mafia-free Sicilian mystery.
Copyright 2003 Reed Business Information, Inc.
Copyright 2003 Reed Business Information, Inc.
From Booklist
In the third Inspector Montalbano mystery to appear in the U.S., the maverick Sicilian cop is once again convinced that the fix is in and determined to unfix it. This time Montalbano suspects a link between the stabbing of a businessman in an apartment-house elevator and the shooting of a crewman on a fishing boat. Connecting the two are an enterprising Tunisian prostitute, now vanished, and her young son, who has been surviving by stealing lunches from schoolchildren. Montalbano fits the pieces together gradually, taking time, as always, for plenty of leisurely lunches but eventually exposing a wide-ranging plot fuelled by high-level corruption. What makes this series so good is Camilleri's unsurpassed ability to mix hard-boiled terror with the comic frustrations of daily life. Montalbano is the southern Italian equivalent of Magdalen Nabb's Marshal Guarnaccia, also a Sicilian but stationed in Florence. Both men covet the quiet pleasures of food, drink, and female companionship, but neither is quite able to resist the compulsion to help others. In the tension between those two forces, the Italian crime novel thrives. Bill Ott
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
