Snobs [Hardcover]

Julian Fellowes (Author)

Book Description

Publication Date: April 5, 2004

SNOBS is the story of Edith Lavery, who earns a living answering the telephone in a Chelsea-based estate agents. She is the attractive only child of a comfortably-off accountant. When she attends Royal Ascot as a guest of friends, she meets bachelor Charles Broughton, who as Earl Broughton and heir to the Marquess of Uckfield, is a gossip-column favourite. He proposes, she accepts - and here is the crux of the story: is she really in love with Charles or with his title and all that goes with it? The story is narrated by a journeyman character actor who comfortably moves among the upper and middle classes, while observing their foibles. Superbly observed, the story includes a fabulous character in Charles's mother, Lady Uckfield, known as 'Googie', who wants for her son the daughter of a peer from the old, familiar world she knows and trusts. She perceives Edith to be a young woman on the make, and is vindicated when Edith, now Countess Broughton, falls for a blonde good-looking actor. Fellowes resolves his story with twists and turns aplenty. This is a tale worthy of a contemporary Jane Austen with a dash of Evelyn Waugh.

Editorial Reviews

From Publishers Weekly

Wodehouse gets a modern twist in this brilliantly acerbic tale of snobbery and marital tomfoolery in 1990s London. Our nameless protagonist, a jovial, perceptive sort of 30-something fellow hanging affably about the fringes of society, introduces his middle-class but sleek and beautiful friend Edith Lavery to the earnest but dull Lord Charles Broughton. Much to the dismay of "civilized" society, Charles falls in love and proposes to the social-climbing but largely indifferent Edith. Even after she is married, Edith is snubbed and humiliated at every turn (in the slyest, politest possible way, of course), until she moves out in a huff with her married lover, Simon Russell, an actor/ego-on-legs who is eating up the publicity that comes with being seen with a countess and eager for this entrée into society (he doesn't realize Edith has been cast into the societal dung heap). To Edith's consternation, the glittering world of theater turns out to be just as small-minded and dull as that of society, with the added disadvantage of it not involving much money. Gossipy and dishy, this debut by the Oscar-winning screenwriter of Gosford Park is a merciless and hilarious sendup of snobbery and social jealousy, revealing the pettiness and self-absorption of both the envious and the envied.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From The New Yorker

Fellowes, a late bloomer who wrote the script for "Gosford Park," again portrays the British upper class in his début novel. One Edith Lavery marries up, snagging the Earl of Broughton, a man who lives for his country estates and thanks his wife after each of their brief sexual encounters. Edith soon takes up with a handsome actor and runs for cover from her mother-in-law, the formidable Googie. The polite firefights that ensue are very readable, but their presentation is somewhat muddled. Fellowes, who, the dust jacket reveals, has a son named Peregrine and a dachshund named Fudge, may identify too closely with this social stratum. Although he convincingly portrays the habits of the entitled, they escape the skewering that the title leads us to expect. The result is a watered-down satire that eventually becomes an apologia for Edwardian England, where everyone knew his place and no one was tacky.
Copyright © 2005 The New Yorker --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Hardcover: 320 pages
• Publisher: Weidenfeld & Nicolson (April 5, 2004)
• Language: English
• ISBN-10: 0297848763
• ISBN-13: 978-0297848769
• Product Dimensions: 9.2 x 6.2 x 1.3 inches
• Shipping Weight: 1.3 pounds
• Average Customer Review: 4.1 out of 5 stars  See all reviews (69 customer reviews)
• Amazon Best Sellers Rank: #47,618 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

34 of 34 people found the following review helpful:

5.0 out of 5 stars Delicious, June 3, 2005

By 

Brett Benner (Los Angeles, CA USA) - See all my reviews
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This review is from: Snobs (Hardcover)

If EM Forster had a modern day equivalant, he would go by the name Julian Fellowes. An Oscar winner for his wonderful screenplay of 'Gosford Park' this satiric stab at the upper crust of British society is great fun, and a pleasure to read. The nameless narrator, a witty actor and wry observationist, befriends Edith Lavery, an attractive if slightly average woman itching to move from her ho- hum existance to the Royal lap of luxury. What follows is her steep ascent and almost as rapid descent, told through various dinners and social gatherings where the elite go to play, or at the very least be seen. The whole time reading I felt I had been steeped in a Merchant Ivory picture, or was sitting with the cast of 'Four Weddings and A Funeral' as their voices bobbed through my head. The story is very simple, serving as a backdrop to the larger strokes he paints about class and society, much like Alan Hollinghurst's 'The Line of Beauty'. The difference between the two is in tone, where Hollinghurst's is bleak, this is like a breath of fresh air.

54 of 61 people found the following review helpful:

5.0 out of 5 stars A FROTHY, FUNNY LOOK AT ENGLAND'S ARISTOCRACY, February 14, 2005

By 

Gail Cooke (TX, USA) - See all my reviews
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This review is from: Snobs (Hardcover)

It's a hoot. "Snobs" is a frothy, funny, in the cross-hairs look at life among the distant, devious, and sometimes demented British upper classes. Dare you to read a page or two and put it down. Impossible!

However, this rib-tickling romp is what we've come to expect from the Academy Award-winning author of Gosford Park. What else from the man whose son is named Peregrine and his dachshund Fudge? Fellowes well knows the pretentiousness of the privileged but describes it with such warmth and wit that readers, rather than feeling antipathy toward the titled, simply come to look upon these folks as a tad daft and highly amusing. There doesn't seem to be a malicious word in this author's vocabulary - only merriment.

A jovial, easy-going sort, the narrator is an actor who knows the right people, although he was not born to be one of them. He's about 30 years of ago with a bright outlook on life and a good friend, the young, beautiful, clear complexioned Edith Lavery. "She was a type, albeit a superior example of it: the English blonde with large eyes and nice manners."

As the story opens Edith is employed, rather unhappily so. Her future, she believes, rests in finding a wealthy husband. She's learned her lesson well from her mother, Stella, who was once a debutante but did not marry well. Stella yearns, longs, and dreams of the day when somehow she will gain entry into the upper echelons of London society. What will open these gilded doors for her? Daughter Edith.

As luck or fate would have it, Edith does find a wealthy husband. He's not only rich but he's Lord Charles Broughton. His ancestral home is Broughton Hall, a portion of which is now open to paying guests. Much to the distress of his overbearing mama Charles proposes to Edith, they marry, and he brings her to live in the hallowed Hall. Barely eight months into their marriage Edith sees Charles as perhaps more frog than Prince Charming. She finds his friends supercilious and small-minded, his mother a harridan, and her duties as the wife of a future Earl endlessly boring. He is rather dull, plodding, and lacking in imagination. But, he adores her and she now has every luxury of which she dreamed.

We read, "She was...sufficiently honourable about the Faustian pact she had made to wish to keep it." That was before she met Simon Russell, an ego driven actor who was"astonishingly good-looking, but in truth the trailer was better than the feature."

Simon believes a liaison with Edith will better his career considering all the publicity such an affair would engender, so he sets about winning her. She's hardly a challenge. Before long the two run off together, breaking Charles's heart and setting forked tongues wagging.

What Simon did not realize was that Edith's currency would be worthless once she left Charles, and what Edith did not realize was that Simon's theatre friends would be quite as stand-offish and exclusive as the upper class had been. The already married Simon who believes that "moral laws are designed for for lesser mortals" is blessed with almost total self-absorption, and goes his merry way. On the other hand, Edith, sharing a small flat with Simon, finds that Broughton Hall did have great advantages, after all. She is miserable once again.

What is she to do and how can she go about doing it?

"Snobs" is a smile provoking, stylish story - don't miss it.

- Gail Cooke

19 of 19 people found the following review helpful:

4.0 out of 5 stars Good, witty, and fun read, March 2, 2005

By 

Gregory Baird (New York, NY) - See all my reviews
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This review is from: Snobs (Hardcover)

As a big fan of Gosford Park I was absolutely thrilled when I heard that its award-winning screenwriter had released a novel. And what joy! 'Snobs' has all of the wit, honesty, and intrigue of Gosford Park without feeling at all like a retread. It is about Edith, a socially ambitious woman who marries into wealth and privilege; however, once she has achieved her dream she becomes restless and hopelessly bored with the life she has chosen. Her life spins into scandal and, possibly, redemption as Fellowes uncovers just how shallow our ambitions can be. The true success of 'Snobs' is that it doesn't feel critical of human nature, just honest. Fellowes' prose is a joy to read, being both light and humorous. I would highly recommend this book.