Snow White, Blood Red [Mass Market Paperback]

Ellen Datlow (Author), Terri Windling (Author)

Book Description

Release date: December 1, 1993

"Once upon a time, fairy tales
were for children . . . But no longer."

You hold in your hands a volume of wonders -- magical tales of trolls and ogres, of bewitched princesses and kingdoms accursed, penned by some of the most acclaimed fantasists of our day. But these are not bedtime stories designed to usher an innocent child gently into a realm of dreams. These are stories that bite -- lush and erotic, often dark and disturbing mystical journeys through a phantasmagoric landscape of distinctly adult sensibilities . . . where there is no such thing as "happily ever after."

Editorial Reviews

From Publishers Weekly

The dark and shadowed aspects of well-known folk stories and fairy tales are explored in updated retellings by such writers as Gahan Wilson, Tanith Lee, Jane Yolen and Leonard Rysdyk in this anthology by the team that also compiles The Year's Best Fantasy and Horror volumes. In Esther M. Freisner's "Puss," one of the finest contributions, an ancient being dons boots with his feline guise to discharge a blood debt to a hated and brutal master. Patricia A. McKillip's "The Snow Queen" tells of a young woman who finds her real identity while her bored husband and their sophisticated friends nearly lose their souls to the eponymous enchantress. In a lighter vein, Caroline Stevermer and Ryan Edmonds write about an irritated stepmother who turns a baseball-mad family of boys into "The Springfield Swans." Blanche, a witch's daughter raised in isolation in Susan Wade's "Like a Red, Red Rose," finds tragedy when she reaches out for love. In "I Shall Do Thee Mischief in the Woods," Kathe Koja shows what Little Red Riding Hood really was doing on her way to her grandmother's. Some of these tales are enchanting; some are horrifying; most, like the originals, offer insight into human nature.
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

About the Author

Ellen Datlow was the fiction editor at Omnimagazine for seventeen years. She is now editor of thewebzine Event Horizon She has edited numerous successful anthologies, including Blood Is Not Enough, Little Deaths, Off Limits, Twists of the Tale, and Vanishing Acts. With Terri Windling she has edited the popular anthology series The Year's Best Fantasy and Horror for thirteen years. A multiple World Fantasy Award-winner, she lives in New York City.

Product Details

• Mass Market Paperback: 432 pages
• Publisher: Eos (December 1, 1993)
• Language: English
• ISBN-10: 0380718758
• ISBN-13: 978-0380718757
• Product Dimensions: 6.7 x 4.2 x 1.3 inches
• Shipping Weight: 8 ounces
• Average Customer Review: 3.6 out of 5 stars  See all reviews (27 customer reviews)
• Amazon Best Sellers Rank: #926,536 in Books (See Top 100 in Books)

Most Helpful Customer Reviews

44 of 49 people found the following review helpful

2.0 out of 5 stars Don't worry, they get better from here February 5, 2002

By Kelly (Fantasy Literature) TOP 1000 REVIEWERVINE™ VOICE

Format:Mass Market Paperback

_Snow White, Blood Red_ was the first of Datlow and Windling's adult fairy tale anthologies, and I think that's part of the problem with it. The authors of the short stories herein were just beginning to try the fairy tale form, and a lot of them weren't quite sure what to do with it. "Hmmm," I can almost hear them saying, "they want me to adapt fairy tales for big folks? Well, a liberal helping of sex and gore should do it!"

Most of the stories in this collection are filled with visceral violence, and nauseated me. There is also a lot of sex. Now, normally I don't mind sex in books. But this isn't erotic sex, it tends to be twisted and sadistic sex and/or rape. It doesn't feel "sexy" at all; it just seems to be a further extension of the violence. Most of the stories don't bother being subtle or evocative when they can be gross and shocking instead.

A few exceptions: (1) The wonderful "The Moon is Drowning While I Sleep", by Charles de Lint, about a young woman having a serial dream where she has to rescue the Moon from some nasty faeries, while her waking self doesn't know whether to take these nightly adventures seriously. (2) "Like a Red, Red Rose", which does have some blood, but is also a compelling Gothic story that reminds me of Hawthorne somehow. The heroine is a witch's daughter unaware of a family curse. (3) "The Princess in the Tower", a comedic Rapunzel variation set in Italy.

I think the de Lint story is the only one that will truly stay with me, and while it's very good, it's not worth buying SWBR. De Lint has several short story collections out--I don't remember which one "The Moon..." is in, but it shouldn't be hard to find. Other than that, this book is ultimately forgettable, not nearly as good as later volumes in the series.

89 of 104 people found the following review helpful

2.0 out of 5 stars I beg to differ. September 9, 2001

By Ilana Teitelbaum

Format:Mass Market Paperback

Let me start with some background info: I grew up on fairy tales, and later dove into the marvelous and complex world of adult fantasy. To me, the idea of rediscovering the raw and archetypal power of fairy tales is a brilliant one, and for this Terri Windling and Ellen Datlow are to be commended. With all their vast potential, fairy tales are too often relegated to the nursery and sanitized to destruction.

But there is a difference between exploring the potential fairy tales possess to touch adults and simply changing the rating on the cover, and unfortunately the latter is all that these editors have succeeded in doing. So the fairy tales are no longer rated G, instead they are rated R (and in some cases, X) for graphic sex and violence. The stories in themselves, rather than exploring deeper into the nature of myth, simply take old stories and add sex scenes. In fact there seems to be an obsession, all through this volume, with sex in general, and the more graphic the better. Blood and guts comes in for a close second.

Now there is nothing wrong with graphic sex and violence insofar as it adds to the story. However, the goal of these writers seems to be to simply give the fairy tales a *superficial* sense of the adult without exploring the deeper, uncharted waters. So a version of "Rapunzel," for example, will go into great detail at the beginning while the witch explains exactly how her father used to rape her. The explicit detail is completely gratuitous, and the storyline itself is a banal rewrite of the original. So we get to see Rapunzel have sex with the prince. How deep and interesting. To think, all these years and I had no idea what they did...

Then there's "Snowdrop" by Tanith Lee, a totally pointless story which seems little more than a spiffed-up Snow White with a lesbian sex scene to make things more "adult." Such a preoccupation with graphic, pointless sex is not adult; it is adolescent. The end result is that this anthology performs the rather dubious task of removing fairy tales from the nursery and putting them in the adult novelty store instead.

Naturally, my complaint would not apply if these were good stories, but they seem to have been picked solely by dint of their sex and blood. Who needs it?

The extra star is for Patricia A. McKillip's "The Snow Queen," which is subtle, beautiful, and erotic rather than crudely sexual. I am sorely tempted to photocopy it and give away the rest.

If you are actually one of those people who sees adult fairy tales as having far more to do with changing the rating from G to X, I would recommend "Beauty" and "The Door in the Hedge" by Robin McKinley. Alas, there are not too many out there, but hopefully if this anthology has done anything, it has perhaps created a new genre.

48 of 58 people found the following review helpful

3.0 out of 5 stars Empty Entertainment October 20, 2001

By Paul McGrath

Format:Mass Market Paperback

Even as children, I think, in the back of our minds we always knew that the fairy-tales we read were a little darker than we were led to believe. The wicked stepmother, for example, was probably the real mother; it was probably more than a kiss which awakened Sleeping Beauty; and the hungry wolf--with the drool running down his lips--was probably hungry for other than just food. It was with some curiosity then, that I picked up this anthology, the stories of which are, for the most part, modern-day reworkings of these classic fairy-tales.

And for the first half of the book I was quite entertained. It was interesting to see how the authors would rework these things to more adult, modern sensibilities. Rapunzel's mother kept her daughter locked in a tower because she hated men--her father raped her when she was a child. The wolf of the Little Red Riding Hood story is redone here--twice--as a stalking, predatory child-molester. And Jack, of Beanstalk fame, is lured to the giant's cloudy castle by the giant's lusty wife, a wench in search of an earthling to tryst with.

About half way through the thing, though, I began to notice a certain similarity in these tales: all of the men were horrid, selfish beasts. Worse, they were horrid, selfish, ONE-DIMENSIONAL beasts. Boring. And then I got to the story called The Snow Queen. This is the one story in the anthology which is based on a fairy-tale with which I was unfamiliar. Without the underlying subtext, I was forced to rely on more traditional ways of understanding. You know, like plot, structure, and character development. Those sorts of things. And lo and behold, the story fell flat on its face. The characterizations were either woefully simple or bizarre and unbelievable; the setting was unrecognizable; and the plotting was of the weird, scratch-your-head variety. Of course, if I had read the fairy-tale, it might have made more sense. But I hadn't, and it didn't.

And therein lies the problem with the whole thing. Unless you know the stories--and admittedly most of us do--you'll find that these new reworkings are mostly stale. All are thematically empty, and in retrospect this was to be expected: the goal, after all, was only to artificially recreate fairy-tales. Even in the better stories, this is exactly as far as they were able to go.