From School Library Journal
PreSchool-Grade 1–Original and fresh, Henkes's latest surprise is a collaboration with Lobel, who provides watercolor and gouache illustrations in a style reminiscent of Van Gogh. Set in the Southwest, this circular story about a seed, a rabbit, and a boy is reinforced by the rounded forms in the artist's highly textured scenes. The moon, the sun, the glow enveloping the seed and the child, the frenetic lines of motion surrounding the rabbit and the arc of the rainbow all serve to reinforce the cycles of life that are the subject of this drama. The just-planted seed doesn't grow, the rabbit (who has hopped over the narrow part of a creek) is lost, and the boy is bored–until it rains. Catalyst for all that follows, the storm swells the river; thus, the rabbit is prevented from retracing his steps, the boy is inspired to build a bridge from sticks, the hibiscus is nourished, and the rabbit has a way to return home. The minimal text is paired with one-page scenes, full spreads, and triple panels as dictated by the pace of the plot. In the end, the seed planted by the mother becomes a present from her son; the family portrait depicts the woman finding a spot for the bloom and father and child preparing to read a book on bridges. A satisfying look at the interplay of nature, time, and love.
–Wendy Lukehart, Washington DC Public Library
--This text refers to the
Library Binding
edition.
*Starred Review* Gr. 1-3. Three components--a "magic" amaryllis seed, a lost rabbit, and a restless boy--intertwine in this powerful collaboration between two acclaimed author-illustrators. Henkes contributes text stripped gracefully to essentials: "There was no rain, so the seed didn't grow"; the little rabbit, exploring, "wandered and wandered until it didn't know where it was"; and the boy could "think of nothing to do, so he did just that." Then "the rain came." The drenching water strands the rabbit on the wrong side of a storm-swollen creek, nourishes the seed that blooms into a bright gift for the boy's mother, and inspires the boy to construct a bridge that carries bunny home. Lobel's vigorous artwork, a riot of color that pays homage to Van Gogh, locates events in a sun-toasted, south-of-the-border landscape, and captures the rhythm of Henkes' splitting, braided narratives in triptychs alternating with cohesive scenes. For readers slightly older than those targeted by Henkes'
Kitten's First Full Moon [BKL F 15 04] or Lobel's
One Lighthouse, One Moon (2000), this deceptively simple drama imparts a reassuring sense that, at least sometimes, the seemingly disparate incidents of life incline toward universally beneficial, "so happy" convergence.
Jennifer MattsonCopyright © American Library Association. All rights reserved