From Publishers Weekly
Art imitates television in this aptly named sudsfest by one of the reigning doyennes of soapdom, familiar to daytime viewers as Lisa Miller in As the World Turns. Stranded at the altar by her gambling-addicted, promiscuous fianc?, unsophisticated Amanda Baker departs D.C. for New York, vowing never to let a man stand in the way of a career on Broadway. In the Big Apple, after a month of waitressing and despairing, she lands a job on Another Life, a popular daytime soap, playing the long-lost daughter of a beloved veteran. Not everyone is happy to have Amanda on board, however. Soon, not only is she coping with the less glamorous aspects of soap lifeAthe grueling hours, the fans who confuse actor with characterAbut also with bitchiness and blackmail. And, of course, romance. Encapsulating the multiple tragedies, flagrant coincidences and tear-streaked triumphs that define soap opera, Fulton includes such stock characters as the dashing hero, the ingenue, the idiosyncratic diva and the lecherous producer, as well as swarthy and quixotic lady-killers, beautiful na?fs ripe for love and scandal, and lost children later found. There are enough car accidents among a small circle of people to completely defeat statistical law. True to its title, the plot moves briskly through assorted melodramas. But this is what millions tune in for on a daily basisAthe campiness as well as the escapismAand Fulton confidently delivers the goods. (June) FYI: Fulton is author of seven mysteries (Take One for Murder; Fatal Flashback) and co-author of two autobiographies (How My World Turns; How My World Still Turns).
Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews
After 30 years of playing mischievous Lisa on As the World Turns, writing six mysteries, and cowriting two autobiographies, actress Fulton provides a frothy first romance novel. Midwesterner Amanda Baker, who has a leading role on the soap opera Another Life, bubbles and bursts with agony and sorrowwhen not dancing with delight and twinkling like stars on a summer night (``She gazed into Costa's eyesthose deep blue pools of light that made her want to laugh and cry all at once''). The story begins with Amanda left waiting at the altar by her beloved football herone'er-do-well fianc Will, whos a no-show. Brimming with heartbreak and humiliation, Amanda heads for New York, bankrolled in part by her father. She moves into a Village sublet but has a stiff time finding work until she starts going to cattle calls for the theater. It turns out she is such a ringer for Monique O'Day, star of CBS's Another Life, that shes hired to play Monique's adopted-out, 18-year-old daughter, Hope Adams, with whom she will be reunited. Amanda feels life's magnificence opening before her until one day, during a rehearsal of a heavy dancing scene, she faints. When she recovers, she has to admit that losing Will at the altar was only the second-worst thing ever to happen to her. Losing her virginity to Will the night before their nonwedding has now left her pregnant. And when Will shows up in Manhattan, crippled and begging for $48,000, what is she to say to her future baby's father? Whom she despises! And what will happen to her character, Hope, as Amanda begins to show? And who is doing all that heavy breathing on Amanda's phone? Whoo, tune in tomorrow! The heart is a beanbag, Eileen. Just punch it any way you want. --
Copyright ©1999, Kirkus Associates, LP. All rights reserved.