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The Celtic influence remains palpably intact, which is likely the reason why core fans have stayed so loyal over the past decade. Still, Enter The Haggis continues to break new ground with every offering, and the power of the music is only made more significant by their socio-political conviction. 2004s Casualties Of Retail meshed the aforementioned musical synthesis with lyrics that grab a hold of pertinent issues and cut right to the chase. Standout tracks like "Gasoline" and "Congress" shone a light on a well-established social consciousness and channeled it through a sense of musical experimentation arguably unmatched by other groups with their origins.
ETHs live show is a musical feast- viscerally dynamic, emotionally uplifting and intellectually stimulating. The bands oeuvre darts effortlessly from the trad strains of, say, The Chieftains and the Pogues to the frenetic pop of early Elvis Costello and even to the Latin-tinged spirit of the Buena Vista Social Club and beyond, complete with Lewingtons deftly guitar playing, the reeling of Brian Buchanans flawless fiddle, the diverse rhythmic machinations of bassist Mark Abraham and drummer James Campbell, and Downies transporting pipes, not to mention the near-perfect vocal harmonies. In fact, if youre game, the groups undeniable power is documented in Live at Lanigans Ball, a film chronicling an Enter The Haggis performance at Plattsburgh, New Yorks Hartman Theatre in December of 2003, originally taped for a PBS special, and now available on DVD.
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Most Helpful Customer Reviews
7 of 7 people found the following review helpful:
4.0 out of 5 stars
One of their best.,
By
This review is from: Soapbox Heroes (Audio CD)
Enter the Haggis, Soapbox Heroes (UFO Music, 2006)
The mighty Haggis' fourth full-length studio album has dropped, and a fine, fine disc it is indeed. You need this one. It opens up with "Lancaster Gate," the kind of [undeservedly censored] that makes the Celtic kids go insane, and it's a great one. It's also a wonderful cognate, conscious or no, of Marillion's "White Feather" (start singing during the keyboard break, and you'll see what I mean). If it's not conscious, given the outspoken antiwar stances of both bands, it's a big coincidence. Then, it's just over the top. Enter the Haggis have a history of writing and/or performing really, really good songs-- "Where Will You Go," "The Mexican Scotsman," "Star," "Andromeda," "Lanigan's Ball," "Another Round," and so on and so forth-- but they blow every one of them away with "One Last Drink." This is the song this band were born to perform. Bouncy, catchy, pulling in influences from what seems like every type of music imaginable (most notably Latin percussion, absent from the rest of their oeuvre but perfect here), with great flair and boundless enthusiasm. It ranks with the best singles of the decade, and is worth the price of admission by itself. The album continues on strongly, if not quite as strongly. The band are getting further away from their Celtic roots, for the most part, and while the influence is still there and obvious, these are standard, if exceptionally well-done, rock and roll pieces with the band's trademark "what are you on about now?" lyrical befuddlement. "New Monthly Flavour," "The Apothecary," "Cynical," "The Barfly," and "No More Stones" all stand up well to repeated listening. "The Apothecary" and "The Barfly" are both exceptional-- the former because it's probably the farthest they've strayed from their roots and is still a stunning piece of work, and the latter because it snaps right back to Celtic traditionalism, and like many of the best Haggis tunes, wouldn't sound out of place in an evening of traditional folksongs. It's one that grows on you; give it twenty or thirty spins, it'll become one of your favorites here. "Perfect Song" and the album's closer, "Long Way Home," are both calmer tracks that end the album on an almost downbeat note, or would were it not for "Marti's Last Stand" between them. This one marks the return of Craig Downie to lead vocal duties, and a long overdue return it is. His gravelly tenor and wicked sense of humor have been missed. The latter is not much in evidence with this one, an antiwar track that continues the band's tradition of taking a political stand and having the artistic sensibilities to actually get the point across without beating the listener over the head with it (and this puts them in a very small amount of company), but does it in a way that's still straightforward, almost bitter. That might strike a jarring chord with some folks. Not me. And I say this as someone who generally kicks antiwar-activist songs, even by bands I like, to the curb without ever thinking about them again. This is a wonderful album. Pick it up. Catch the band on tour; they're also possessed of some of the highest energy, most fun live performances I've ever been lucky enough to see. Get yourself Haggis-ized. ****
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Will appeal to anyone and everyone!,
By
This review is from: Soapbox Heroes (Audio CD)
Wow! What a wickedly entertaining CD!
If you don't absolutely love it right from the start, listen to it a second time. By the third hearing, you'll find yourself singing along uncontrollably, running the tunes through your head constantly, and wondering why the heck someone didn't tell you about this kind of music sooner! Infectious songs and tremendous musicianship coupled with clever lyrics that manage to both entertain, and convey a powerful message that leaves the listener with something to chew on. Fusion at its finest! Soapbox Heroes is HIGHLY recommended!
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Wow,
By Kris Oller (California, USA) - See all my reviews
This review is from: Soapbox Heroes (Audio CD)
I got the other CDs from ETH not too long ago, and enjoyed them, but I have to say that I think this CD is their best. I've been listening to it pretty much non-stop since I got it (it's THAT good). The songs go from making you want to dance around, to making you sad, back to making you want to dance. And every song makes you want to sing along (happy OR sad).
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