Society of the Spectacle [Paperback]

Guy Debord (Author), Ken Knabb (Translator)

Book Description

ISBN-10: 0946061122 | ISBN-13: 978-0946061129 | Publication Date: February 24, 2006

The Das Kapital of the 20th century. An essential text, and the main theoretical work of the situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This new edition is the Ken Knabb translation. Certainly it has the most "modern" design of all three editions, as well as a short new introduction from the translator.

Editorial Reviews

Review

In all that has happened in the last twenty years, the most important change lies in the very continuity of the spectacle. Quite simply, the spectacle's domination has succeeded in raising a whole generation moulded to its laws. The extraordinary new conditions in which this entire generation has lived constitute a comprehensive summary of all that, henceforth, the spectacle will forbid; and also all that it will permit. --Guy Debord

Language Notes

Text: English (translation)
Original Language: French --This text refers to an alternate Paperback edition.

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Product Details

• Paperback: 124 pages
• Publisher: AKPress (February 24, 2006)
• Language: English
• ISBN-10: 0946061122
• ISBN-13: 978-0946061129
• Product Dimensions: 8.2 x 5 x 0.6 inches
• Shipping Weight: 6.4 ounces
• Average Customer Review: 4.6 out of 5 stars  See all reviews (27 customer reviews)
• Amazon Best Sellers Rank: #260,744 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

181 of 191 people found the following review helpful:

5.0 out of 5 stars Great Modern Critique of our Consumer Society, June 15, 2002

By 

James Pruett (Houston, TX USA) - See all my reviews

This review is from: The Society of the Spectacle (Paperback)

"Religion served the interests of the masters, expounding and embellishing what society could not deliver. Power as a separate realm has always been spectacular, but mass allegiance to frozen religious imagery was originally acknowledgment of loss, an imaginary compensation for a poverty of real social activity...the modern spectacle, by contrast, depicts what society can deliver..."

And The Promised Land, as Debord sees it, is TOTAL CONSUMPTION. This is the edict and goal of contemporary consumer society. The fact that it has grown out of and usurped religious feeling makes the SPECTACLE a competitive product to formal religion. Certainly, Islam feels its power and threat. Certainly, the Middle East is reacting to it, through individual and state sponsored terrorism against the West.

Debord is a difficult read, but ultimately worth it. His insights are penetrating, remarkable, and have proven to be more acute with the passing of time. Private and public over consumption has become a disease and the hallmark of an age that has debt financed prosperity for too long.

For me, Debord's has number of chief insights that signify trouble ahead for our current economic system. One of them is the apparent and obvious falling use value for goods in abundance (many of them pseudo goods - things we don't really need). Having long fulfilled our need for food, clothing, and shelter, our current economic growth is contingent upon consistently manufacturing pseudo needs that must feed upon the boundless desires of persons in an unending pursuit of gratification through purchasing new products and services.

The problem occurs when the next disillusionment, Debord tells us, takes place not with religion or politics but within the commodity itself. Product prestige evaporates into vulgarity soon after its purchase...at this point; the actual poverty of production stands revealed - but too late. By this time another product will demand attention...the continuous process of replacement means that fake gratification cannot help but be exposed as new models are released every year but yet remain all to similar. Why upgrade, we ask?

For the sake of Dell, GM, Microsoft, Target, Home Depot and so on, we had certainly better. Herein lies the rub picked off by Debord: "By the time that the society has become contingent upon the economy, the economy has in point of fact become contingent on society...he economy begins to lose its power."

A society/economy built upon an illusion of needs will certainly be a fragile on at best. Such a society/economy, whose growth rests upon expanding the market of pseudo commodities, has apparently developed a penchant for reporting pseudo revenue earnings (eg. Enron, World Comm, etc). This is all very predictable and very much Debordian.

Debord is reminiscent of McLuhan, full of arcane wisdom and prolix, and a prophet of the current society nonetheless. He predicted our growing devotion to quantitative trivia that arise from a juxtaposition of roles and competing spectacles, and a never-ending succession of, what he calls, "paltry contests - from competitive sports to elections." All this, he says, fuels an abnormal need for representation, to compensate for the feeling of being at the margins of existence. This seems to be modern man, slavishly devoted to commodities, celebrities, politicians, sports teams and sports heroes, compensating for the loss felt by the dividing line being the self and the world that Debord calls THE SPECTACLE.

Although it is not for lightweights or the nonchalant, I do highly recommend this book as a guide to understanding some of the psychological complexes at work in the new society/economy.

63 of 71 people found the following review helpful:

5.0 out of 5 stars evolution of Marxism, September 9, 1999

By A Customer

This review is from: The Society of the Spectacle (Paperback)

Society of Spectacle has sometimes been characterized as a kind of dated meditation on consumer society and media, a diatribe on popular culture and pop psychology. It in fact, a far more important book of political and philosophical thought. Debord eposes the fallacies and perceptions of society and its manipulation and subjegation. In part a revision of scientific Marxism, necessary to account for the divergence (or at least the anomalies) in the path of 20th Century capitalism from that predicted in Capital (as perhaps moderated by the socialist movement), and also a critical response to the utter failure of established communism to produce a free society. The brutal ideological bureaucracy and dictatorship in China and Russia had fully embraced capitalist methods of imposing the illusionary ideals of Debord's thesis on its people, but without capitalism's productive success. This was too much to ignore in the exhilarating, if naive, atmosphere at the barricades in the 60's, which accounts for this books appeal at that time.

Society of Spectacle is existentialist Marxism, buttressed by Freud and the behavioural sciences maybe, but still one which retains the fundamental qualitative legacy of Marx and the philosophical thread begun with Hegel. Its a fascinating and challenging book on political theory, one which is an authentic attempt modernize classic communist and anarchist dogma into a theory which fuses with and responds to history and society as a whole. Few people are going to be convinced by this now, but there is a strand of irrefutable truth in its analysis of the consumer society, and the predicament of the individual caught up in our commodity and market driven culture, which makes for a penetrating and worth while read.

62 of 70 people found the following review helpful:

4.0 out of 5 stars hegelian/marxist dialectic is hard to follow, but great, March 4, 2002

By 

J from NY (New York) - See all my reviews
(VINE VOICE)   

This review is from: The Society of the Spectacle (Paperback)

if you're not very familiar with the dialectic of hegel and marx, a lot of this book will be lost on you, but the effort is worth it when you realize the enormity of what debord is saying about our society. it becomes even more relevant when, surveying your own environment, you recognize that he is for the most part right.

the personalities of the people who surround us, debord believes, are not their own, but are acquired through images made by pop culture, which replace whatever the person might have become free from these mediated images. they identify (and this usually happens unconsciously, so maybe this isn't as 'radical' a thought as it might at first seem)with characters on television, in movies, and believe that the cultural lie of this or that period is the absolute and metaphysical truth of existence, ie, everyone goes to school, tries to fit in, is happy, gets a family, tries to have a lot of friends, etc. the reason people reject debord's ideas is because they think of them as too radical and abstract, like marx. and yet all this is chillingly consistent with the concrete, everyday reality of our lives.think about most of the people you know and see if you find any of these herdlike qualities in them, and if you're looking at things truthfully, a bell rings.