The transformation of a few Manhattan blocks South of Houston into an epicenter of contemporary art during the '60s and '70s is the subject of artist, critic and anthologist Kostelanetz's brisk memoir, rich in vivid street-level detail and evoking a time that now looks like something of a golden age. While forgivably nostalgic, Kostelanetz (Crimes of Culture) is otherwise evenhanded and thorough, describing not only the multifarious activities in which he was involved but through them the lives and work of such luminaries as theatrical conceptualists Robert Wilson and Richard Foreman, photographers Hannah Wilke and Cindy Sherman, "protean polyartist" Meredith Monk and musicians Philip Glass and Sonic Youth, to name but a few. But the book's major contribution is its meticulous recounting of the unprecedented confluence of gray-area zoning and occupancy laws coupled with sheer pioneering spirit that led to the area's development in the first place. Without government assistance and for years flying under the radar of rapacious developers-and without displacing a resident population, for there was none-hardy souls like Kostelanetz and Twyla Tharp stealthily moved into the vast lofts above garment warehouses in search of creative space, quite unaware of the revolution in urban style they were creating. Photographs, notes and an extensive bibliography fill things out terrifically. Like the neighborhood it describes, Kostelanetz's cheerfully episodic book is full of odd corners, secret alleys and sudden vistas.
Copyright 2003 Reed Business Information, Inc.
Artist and author Kostelanetz writes with firsthand knowledge of the place and its people, tracing SoHo from its heyday as an eclectic center of artistic expression in the 1970s to its discovery by the mainstream and subsequent transformation into the pricey world of chic. -- Carol J. Binkowski,
Library JournalThe chapters that focus on Nam June Paik, Meredith Monk, Richard Foreman, and other such pivotal figures offer the book's best insights into the essence of the SoHo phenomenon. -- Carol J. Binkowski,
Library JournalThere is plenty of detailed description throughout about everything from startling sculpture and performance art and the design of offbeat lofts to the complicated mechanics of funding and the protocol of garbage scavenging. -- Carol J. Binkowski,
Library JournalOf particular interest to artists and New York City buffs, this savvy little history should also be appealing to those intrigued by the sociology of counterculture and the traditions of avant-garde art. -- Carol J. Binkowski,
Library JournalBooks at once this informative and this much fun are rare. Here is city history--neighborhood history--at its best. What starts off looking like a no frills account, develops authority, presence, and drive. Read it, and the art of that time, that place will simply make more sense. It's a book I'm glad I read and am personally grateful to Kostelanetz for having written. -- Samuel R. Delany
New York's SoHo, by an uncanny series of accidents, became one of the great magical places of the late twentieth-century. There are many people around the world today, including me, who were drawn to downtown in its prime and who mourn what is gone. The amazing thing though is that SoHo happened at all. Richard Kostelanetz was there from the start and lived through its glory days from inside. He offers thick, rich descriptions of people, institutions, and events, explains the unlikely synergies that made it possible, and above all captures its aura. Without intending to do it, Kostelanetz convinces us that creative buildings, blocks, streets, and neighborhoods can come into being again. -- Marshal Berman
A very important first hand contribution to the history of a unique art community that changed not only the art, but also the City, of New York. -- Jonas Mekas
For those who want to read up on media and performance artists and others who were active in SoHo in the 70s and 80s, Kotelanetz's book will be a useful reference. He has probably the best and most even-handed description of George Maciunas, the Fluxus artist and creative developer of the first SoHo co-ops. -- SoHo Artists Foundation/ Ingrid Wiegand
For those who want to read up on media and performance artists and others who were active in SoHo in the 70s and 80s, Kotelanetz's book will be a useful reference. He has probably the best and most even-handed description of George Maciumas, the Fluxus artist and creative developer of the first SoHo co-ops. -- Ingrid Wiegand