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The Solace of Open Spaces Paperback

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Product Details

  • Paperback: 144 pages
  • Publisher: Penguin Books (December 2, 1986)
  • Language: English
  • ISBN-10: 0140081135
  • ISBN-13: 978-0140081138
  • Product Dimensions: 7.8 x 5.1 x 0.4 inches
  • Shipping Weight: 5 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (40 customer reviews)
  • Amazon Best Sellers Rank: #216,855 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

"Everything in nature invites us constantly to be what we are. We are often like rivers: careless and forceful, timid and dangerous, lucid and muddied, eddying, gleaming, still." Whether she's reflecting on nature's teachings, divulging her experiences as a cowpuncher, or painting vivid word portraits of the people she lives and works with, Gretel Ehrlich's observations are lyrical and funny, wise and authentic. After moving from the city to a vast new state, she writes of adjusting to cowboy life, boundless open spaces, and the almost incomprehensible harshness of a Wyoming winter:

"When it's fifty below, the mercury bottoms out and jiggles there as if laughing at those of us still above ground. Once I caught myself on tiptoes, peering down into the thermometer as if there were an extension inside inscribed with higher and higher declarations of physical misery: ninety below to the power of ten and so on."

After experiencing the isolated life of a sheep herder, she writes, "Keenly observed the world is transformed. The landscape is engorged with detail, every movement on it chillingly sharp. The air between people is charged. Days unfold, bathed in their own music. Nights become hallucinatory; dreams, prescient."

Ehrlich's gift is one of subtle precision. She writes beauty into the plainest of thoughts and meaning into the simplest of ideas: "True solace is finding none, which is to say, it is everywhere." --Kathryn True

From Publishers Weekly

Like many before her, poet Gretel Ehrlich discovered the therapeutic qualities of the West. In 1976, a time of personal crisis, she moved from the East to a small farm in Wyoming where she ultimately found peace of mind and inspiration. Originally, she had gone west to make a film for PBS; she returned to work with neighbors at cattle- and sheep-ranching, taking pleasure in open spaces. Ehrlich writes with sensitivity and affection about people, the seasons and the landscape. Whether she is enjoying solitude or companionship, her writing evokes the romance and timelessness of the West. November
Copyright 1985 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

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Yes, the book is good as a travelogue.
William Metheny
Gretel Ehrlich's love of Wyoming and her ability to put that love into words is what makes The Solace of Open Spaces a very good book.
Dorothy Finkel
I first read this book at the recommendation of my daughter, it's one of her most loved books.

Most Helpful Customer Reviews

25 of 26 people found the following review helpful By Peggy Vincent on September 22, 2003
Format: Paperback
Gretel Erlich was a poet and filmmaker when she first came to Wyoming in 1976. She was so taken with everything about the place that she became a cowherd, which gave her time to write about the American West. Reading her books, however, is very much like seeing a film, for her filmmaker's eye and awareness of nuance and gesture is evident in the way she chooses her words.
In The Solace of Open Spaces, Erlich presents us with an eclectic bunch of frontier characters that she met while working as a ranch hand. Almost unaware of what's been accomplished, we readers find ourselves shedding former stereotypes of these people in exchange for seeing them for what they are: unique, quirky, interesting, inexplicable men and women. The Weather (and the word deserves that capital letter, as you'll see upon reading the book) plays as large a role as the people in Ehrlich's book.
About the title: When she arrived in Wyoming, Erlich was grieving the death of someone important to her. As she works hard at physical labor, meets new people, falls in love with the land, and sheds her past like sweat running down her back, healing from grief occurs - although she doesn't exactly say this.
Altogether, a beautiful book and a wonderful read.
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13 of 13 people found the following review helpful By Ronald Scheer on August 2, 2002
Format: Paperback
In these essays about Wyoming, the imagery of mountain and plain and weather calls to mind the sweeping landscapes of John Ford movies. Ehrlich, born and raised in California, retains her outsider's eye for detail, and is able to translate the perspective of someone trained in documentary filmmaking very effectively into the medium of words.

Her portrayal of the men who work in this environment is very different from the stereotypes we know from Marlboro ads, "Bonanza," and movie westerns. She finds cowboys often tender-hearted, quirky, and curiously courtly. Not to be outdone by the men in this world of extremes and hard work, the women she meets and befriends are tough-minded and independent. Completing her picture are the Native Americans, whom she portrays respectfully and with an ironic appreciation for incongruity, as they both recover and reinvent a lost heritage.
Hers is also a personal story. Beginning with the wrenching death of a close male friend, it recounts in her growing love for Wyoming and its people the discovery of a new life. And while her book is no heart-on-the-sleeve display of pain and recovery, one senses at almost every step the healing process that underlies the words. As slender as a book of poems, this volume of essays calls out to be read slowly and savored, word for word.
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13 of 13 people found the following review helpful By Andrew Poupart on March 20, 2000
Format: Paperback Verified Purchase
My first images of Wyoming were formed as a boy, watching "The Virginian" on TV. It was a landscape of gently rolling hills and a mild climate where you could go around in shirtsleeves pretty much all the time. Well, of course, Wyoming bears no resemblance to a Southern California back lot, as I learned when I finally went there as an adult. The climate is not benign, and the land has a scale that can make you and your problems seem very small indeed.
Gretel Ehrlich writes about the true Wyoming of vast, lonely spaces, and brutal, bone chilling winters. In her book, it is a place to lose oneself and then find redemption in the rhythm of life lived in a hard place. She writes about the people that live in this place and their relationships.She writes of lonliness and endurance, friendship and new beginnings.
The highlight of the book, for me, is "The Rules of the Game", an appreciative essay on Rodeo. I've not read anything like it. Ms Ehrlich's description finds the beauty in this celebration of both individual skill and achievement, and the power and grace of teamwork. It's a lovely piece in a wonderful book.
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24 of 28 people found the following review helpful By "dusty_pages" on August 12, 2000
Format: Paperback
Gretel Ehrlich does for the state of Wyoming what other writers have done for other states: Terry Tempest Williams for Utah, Robert Michael Pyle for Washington, Bernd Heinrich for Maine, Jennifer Price for California, Scott Russell Sanders for Indiana. She has given it a space on the literary map. In this book she makes no really brilliant discoveries, which isn't surprising given that she is a relative newcomer to the ranch life she attempts to describe. She can be faulted, I think, for her idealized depiction of the lifestyle and landscape on a Wyoming ranch, and she never addresses some of the hard issues, such as reconciling the ranchers' alleged intimacy with the land with their pillage of that same land. But the prose is beautiful, and her insights about people and landscape are sound. I would tentatively recommend this book, but if you haven't read anything by Terry Tempest Williams, read her books first.
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10 of 10 people found the following review helpful By Light Reader on December 17, 2004
Format: Paperback
This little collection of prose is surprising. A reviewer who didn't care for this book mentioned that it didn't do much to develop or push its theme forward. I think that description is accurate, but misses the point: the book, like its subject matter (Wyoming, mostly, NOT Montana), defies being pushed in any direction. It has a way of imposing itself upon the reader. The vividness of phrase dominates the imagination, but the place it brings you to is an open space, where you're only supposed to linger, discovering and uncovering little surprises of detail as they arrive. It is a wonderful experience and highly recommended, though with a warning: you must be prepared to wander a bit and fall into a different rythm, with different rules, for at least a little while.
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