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Some Dance to Remember: A Memoir-Novel of San Francisco, 1970-1982 (Southern Tier Editions)
 
 
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Some Dance to Remember: A Memoir-Novel of San Francisco, 1970-1982 (Southern Tier Editions) [Paperback]

Jack Fritscher (Author)
4.8 out of 5 stars  See all reviews (17 customer reviews)


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Paperback, September 2005 --  

Book Description

Southern Tier Editions September 2005
This is the reissue of this classic in gay literature looking at the golden age of gay liberation. The Harrington Park Press is proud to bring this classic of gay literature to a new generation of readers. "Some Dance to Remember", out of print for over a decade, has been referred to as "The Gay Gone with the Wind", but such words do not do justice to this story. "Some Dance to Remember" uses the quintessential gay love story between a writer and a bodybuilder to capture the tone, setting, style, events and essence of the Gay Liberation Generation of the 1970's. It is a lyrical romance, a comedy, and a tragedy wrapped up in the historical context of the life and times of San Francisco, during the decade that changed the world. This historical epic seethes with sex, love and passionate characters. Lives are built, lives are destroyed. Brimming with ideas and meticulous details, this entertaining, sharp-witted and totally enthralling story chronicles an extraordinary time in an extraordinary place that shall never be forgotten. Ryan O'Hara takes the lead in this wild story of love, sex, fear, and abandon. He is a writer, coming to San Francisco during this golden age to seek a voice not only for himself but also for the burgeoning gay liberation movement galvanising the country. Enter Kick Sorensen, Ryan's "perfect man," the drop-dead beautiful blonde bodybuilder who may or may not be all he seems...


Editorial Reviews

Review

"A testament to what went tragically wrong in gay men's lives, and society overall, in those long-gone golden days." -- Marilyn Jaye Lewis, Founder & Executive Director, The Erotic Authors Association

"I wouldn't be surprised if he has written what will be looked on as that period's Great American Gay Novel." -- Sam Steward (Phil Andros), Author of Dear Sammy: Letters from Gertrude and Alice

From the Publisher

In her acceptance letter, publisher Elizabeth Gershman wrote, "I'd fucking kill to publish your novel, SOME DANCE TO REMEMBER" --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 437 pages
  • Publisher: Harrington Park Press (September 2005)
  • Language: English
  • ISBN-10: 1560233273
  • ISBN-13: 978-1560233275
  • Product Dimensions: 8.3 x 5.9 x 1 inches
  • Shipping Weight: 1.5 pounds
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon Best Sellers Rank: #2,614,059 in Books (See Top 100 in Books)

More About the Author

Jack Fritscher emerging from the gay past exists, both now and in the future, as a pioneer participant in gay culture and as a critic chronicling analytical witness to that history. He is the double-jointed author of literary fiction as well as of erotic fiction, including 4 novels, 5 fiction anthologies, 3 nonfiction books, and 2 produced plays. He is also the director and videographer of 170 feature videos. A Gemini, born June 20, 1939, he has balanced twin careers in literature and erotica--often recombinantly.

MID-CENTURY GAY WRITERS
A gay pioneer from the 1960s, he wrote the 1968 novel, "I Am Curious (Leather)," began before Stonewall his research on "Popular Witchcraft," befriended the legendary and elderly gay author Sam Steward (Phil Andros) in 1969, and became the founding San Francisco editor shaping the legendary "Drummer" magazine (1975) which published his features, fiction, and photographs for 25 years in more than 62 issues. Those writings and photographs, annotated with historical commentary by the author, are available free online at this site.

In 1953 at age 14, he came out into the closeted gay world by writing a "gladiator novel" while attending the Vatican's ultra-exclusive Catholic seminary, the Pontifical College Josephinum, where the bullies were not the jocks but the opera-and-liturgy queens. His short fiction was first published in 1958 in the Catholic press.

Also adolescents at this time, his American gay peers were John Rechy; William Carney; Rita Mae Brown; and Dorothy Allison; as well as Andrew Holleran, Felice Picano, and Edmund White who founded their Violet Quill in late 1980.

These mid-century careers made possible the next generation: the fin de siecle writers who appeared after HIV in 1982. They rose during the late-80s invention of history's first viable small lesbigay book publishers whose anthologies took the place of the once-flourishing gay magazines which by the millennium had collapsed because of internet competition.

DIVERSITY, PERVERSITY. THEOLOGY, PHILOSOPHY
As a diverse wild card among his 20th-century contemporaries, Fritscher is the only Catholic writer, and the only actual holder of an earned PhD in literature. In addition, he is the only writer who also composes and creates as a photographer and videographer. In 1966, he wrote the world's first PhD dissertation on Tennessee Williams titled "Love and Death in Tennessee Williams: His Philosophy and Theology." Themes and rituals of Catholicism thread through his fiction and nonfiction from the incarnational "Some Dance to Remember" to the passion and death of "Mapplethorpe: Assault with a Deadly Camera." His formal training in philosophy, theology, literature, and criticism is the architecture of his sweeping historical work on witchcraft, the drama of Tennessee Williams, the photography of Robert Mapplethorpe, and the popular culture of homosexuality. His photography is a succession of heroic and suffering images from the "Roman Martyrology of the Saints."

 

Customer Reviews

17 Reviews
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Average Customer Review
4.8 out of 5 stars (17 customer reviews)
 
 
 
 
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11 of 12 people found the following review helpful:
5.0 out of 5 stars Memoir, Manifesto, Mythology....and Classic, April 8, 2006
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This review is from: Some Dance to Remember: A Memoir-Novel of San Francisco, 1970-1982 (Southern Tier Editions) (Paperback)
"The hardest thing to be in America today is a man."

I recall seeing the movie "The Boys In The Band" in college and being so put out by the loathsome men depicted in it that I was easily confined to the closet for another five years. Back in my high-school seventies, when the bulk of the activity in this book took place, I was just a kid with a confused identity. Even in college, I read about Moscone/Milk with a mix of confusion and anger, wondering why good men could get gunned down for little more than being who they were, while all the time I was denying to myself who I really was. It took me another decade or so to come to grips with it all, and to discover what one of the basic premises of "Some Dance To Remember" sets forth. It makes me wish I'd come across this book in the seventies and not viewed "The Boys In The Band."

From "Some Dance To Remember;" "Every gay man is a homosexual, but not every homosexual is gay."

Jack Fritscher has created a world in "Some Dance To Remember" that goes from romanticized to mythologized to the aftermath of when paradise crumbled under the corrosional erosion of AIDS, drugs and too many Peter Pans. Ryan O'Hara is the hero of the story. He publishes MANUEVERS magazine in pursuit of the romanticized masculine man, engaging in rough and tumble leathersex and disdaining the hordes of men who come to San Francisco only to give up any male traits and begin acting like Junior Judy Garlands. He publishes a book titled "The Masculinist Manifesto" and sets the feminests and the SF Queenly majority into a convulsions. (Any similarity to MANUEVERS and Mr. Fritscher's residency at the legendary DRUMMER magazine are purely coincidental.) A cast a characters surrounds Ryan and form his support net; his sister who is a high profile cabaret star, his best friend and porn-king Solly Blue and his hustler's paradise, pop culture critic Magnus Bishop, and finally his ideal man, the southern-bred Kick Sorenson.

Throughout the novel, real life men and women drop by, such luminaries as Moscone and Milk, Dianne Feinstein, Tony Travorossi and Armistead Maupin all get name checked during the decade that "Some Dance To Remember" winds through. But where this book really shines is in its portrayal of the whole San Francisco gay liberation scene of the seventies. The first two acts of the book made me long for a time machine, for the chance to enter a golden age of freedom and possibility, before AIDS, before Iran-Contra, before Bush and Dobson and Falwell and Phelps. The descriptions of both the fictional and the true legendary places sinks in deeply, and even the side characters are all exquisitely detailed. "Some Dance To Remember" is almost a mirror reflection of Maupin's "Tales Of The City" (before the endless sequel books splattered into absurdity), with the characters more exclusively masculine and a lot tougher. Both books capture the very essence of the heady times of San Francisco's madcap dance through the get up and boogie years.

Alas, and much like the cautionary ending song/tale the album from which "Some Dance To Remember" takes its name, O'Hara discovers "to call someplace paradise is to kiss it good-bye." His friend Solly Blue has told him repeatedly how all hustlers are the same, just with different packaging, and as Ryan discovers the world he tried to design is undoing, the story reaches its conclusion in the fog of AIDS, steroids, and the real world that invaded The Castro as the Age Of Reagan ascended.

Probably more identifiable for me than those endless tales of coming out and the subversion of masculinity that most gay books churn away; "Some Dance To Remember" relishes its maleness and shys not from looking into the darker areas of the male psyche. Rich in depth and lovingly detailed, spellbinding in its vocabulary (Jack Fritscher is a master of catchy phrases), "Some Dance To Remember" deserves a place on the pantheon of great American gay novels.
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10 of 11 people found the following review helpful:
5.0 out of 5 stars Take a tour of 18th & Castro, Folsom south of Market, February 6, 2004
By A Customer
I provide gay tours of San Francisco and I came across this novel which was written before I moved to the City. This memoir is chock full of gay history details when Castro was in bloom with Harvey Milk and the Cockettes and clones and leather in the 1970s. I think that tourists to San Francisco, especially gay tourists coming to Mecca, might better enjoy their visits to 18th and Castro and to Folsom Street with a copy of this memoir in their backpack. This is an emotional, historical guide to SOMA and 18th and Castro back in the day. Back in the day when the 1970s was the golden age. The writing is very good. The characters seem real. Even Dianne Feinstein is in the book.
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9 of 10 people found the following review helpful:
5.0 out of 5 stars Fritscher's masterpiece, savour this time now gone, June 19, 2000
Perhaps you had to be there...the 70's, San Francisco, the blossoming and peak of the gay sexual culture. It was a rare time; everything, it seemed, was perfect. So perfect, in fact, that those of us there could not have possibly imagined it might ever be otherwise! The list of honors and citations which precede this more modest effort, don't really reveal or do justice to what Fritscher has written. He has, quite simply, told the truth, sometimes whispering secrets that were to remain secret, sometimes using words to betray unspeakable thoughts. The truth of that time is played out on a vast stage within his head, on occasion momentarily inaccessible. But, within a few paragraphs or pages, some small detail, as if casually discarded, will suddenly bring life, and meaning, and intimacy to what he is saying. Fritscher worked the better part of a decade on Some Dance to Remember, living the life as he wrote the words. The story is tightly and carefully knit together, and it's a story that's hard to put down. In spite of the high page count, Fritscher clearly has a reverence for language, and his style is economical, accessible, and crystal clear. His sentences invite re-reading for the sheer pleasure of their composition. Maybe this book is a tribute to those embraced by the San Francisco fog in that forever vanished, blessed, golden moment. I can only recall that wondrous time with a hollow sadness, everyday missing it even more. But even if you weren't there, the book is a monument to its time. The words come to life, and to read it is to be there. Although Fritscher (perhaps with a wink and a nod) steadfastly insists that his book is fiction, it is also a hagiology of people, place and time. A character such as Solly Bluestein (with his overflowing penthouse of husters) simply has to have really existed, if only because he is far too human to have not existed. So, if you've come this far with me, trust me...the book's a gem!
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