Amazon.com Review
Some Days There's Pie is a determinedly folksy title for a determinedly folksy novel. Catherine Landis's debut tells the story of two iconoclastic Southern women who find each other at exactly the right moment. Narrator Ruth, fleeing a constraining marriage, is just starting out in life; Rose, an elderly muckraker, is just coming to the end. Their friendship provides the scaffolding for this quirky, emotional novel. The two characters are gritty and funny, but they can also be annoyingly aware of their own uniqueness. Ruth's sister wants her to "have a lot of boyfriends and join the pep club and wear makeup instead of hanging out in the woods, looking at the stars, which was the kind of thing I liked to do." Such clichéd iconoclasm would be heavy-handed even in a young adult novel. On the other hand, almost every page yields the kind of offhandedly sprightly language--"It was August and no-kidding hot"--that marks the best and freshest Southern writing. These small pleasures amass and make this first-time novelist a writer to watch.
--Claire Dederer
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Alternately wise, poignant, droll and sassy, this debut charts the life-changing friendship of two singular Southern women. Tennessee-born Ruth turns 20 in the course of their relationship; Rose, from Texas, is 80 and dying of lung cancer. But it almost doesn't matter where they are on the time line: all their energy goes into getting the moment right, whether they're rescuing graffiti poet Cecil from the cops, spoiling awful Fred Fish's scam to build private boat canals at public expense by calling them mosquito control ditches, or savoring fried crab sandwiches. Unsentimental women who spurn birthday cakes, heaven and everlasting love, both are runaways from true believers Ruth, for example, is escaping her churchy husband, Chuck, who had helped her leave a mother wedded to despair. The women meet by chance in a Lawsonville, N.C., five-and-ten, and Rose gets Ruth a receptionist job at the Lawsonville Ledger, where the octogenarian former ace reporter now hustles ads. Eventually, Ruth repays Rose by snatching her from a loving but smothering daughter, Carol, a nurse who wants Rose to quit smoking, take her pills and die by the book. Chronic escape artists able to tolerate some intimacy with each other only because they're both big on boundaries, Ruth and Rose never duck a challenge. Landis does a fine job of rendering these memorable characters, two iconoclasts on a quest to live big until they die.
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--This text refers to an out of print or unavailable edition of this title.