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Justly considered one of the finest works by Mick Jagger, Keith Richards, Charlie Watts, Bill Wyman and Ronnie Wood, Some Girls topped the US charts over three decades ago and remains the best selling album of their storied career. This new package will include some undiscovered gems that include tracks that have recently been unearthed from the Rolling Stones vaults by producer Don Was.
Some Girls is the Rolling Stones' most direct and diverse collection of material, from Mick Jagger's irresistible falsetto on the four-on-the-floor filler Miss You, their eighth US number one, to the country-flavoured Far Away Eyes via the Chuck Berry meets punk snarl of Respectable. And let's not forget the sensuous, Beast Of Burden, one of Keith Richards' finest tunes, which reached number 8 on the US singles chart, the garage rock of Shattered, the album's third US Top 40 entry, and the soulful swagger of the group's version of The Temptations' Just My Imagination (Running Away With Me), another timeless offering in their canon of classic Stones Motown covers.
Following the critical praise and commercial success afforded the re-mastered, expanded editions of Exile On Main Street, which matched the chart performance of the epochal 1972 album, and returned the Rolling Stones to their rightful place at the top of the British charts in 2010, the extensive reissue of Some Girls constitutes the next step in the band's ongoing relationship with Universal Music Group. This started in April 2008 with Shine A Light, the soundtrack from the stunning concert film directed by Martin Scorsese, and has encompassed the reissues of the Rolling Stones re-mastered, post-1971 studio albums, several live albums and classic compilations, and the exhaustive box-set Singles 1971-2006 earlier this year.
Some Girls holds a special place in the history of the Rolling Stones and demonstrates why they remain one of the most thrilling and influential bands of all time. The 1978 album features a Keith Richards' classic Before They Make Me Run, a signature song he stills performs defiantly to this day. Some Girls documented Mick Jagger's love of 70's funk reflected in Miss You, the dance track that wrongfooted many people, made the club and black charts, and made it okay for other mainstream acts at the time to `go disco'.
The 1978 album courted controversy because of Jagger's tongue-in-cheek lyrics on the title track, on Miss You and on Respectable, perceived as a retort to the punk and new wave groups who had borrowed so much attitude and copped so many anti-establishment moves from the Rolling Stones. Ironically, the furore around the elaborate Some Girls package, designed by Peter Corriston and featuring the band members in drag - a nod in the direction of the picture on their 1966 single Have You Seen Your Mother, Baby, Standing in the Shadow? - and likenesses of Lucille Ball, Farrah Fawcett, Raquel Welch, Judy Garland and Marilyn Monroe that hadn't been legally cleared, necessitating a swift withdrawal and rethink.
Some Girls demonstrated the distinctive and definitive riffing from Keith Richards, with its abundance of unstoppable licks and majestic power chords driving the band into its brand new musical direction. This album not only defined him and his playing, but also defined a new era for the Rolling Stones, which Richards since described as a `sense of renewal'. Some Girls marks the only other time since recording Satisfaction where Richards used an effects pedal to `elevate' the sound.
The album cemented the position of guitarist Ronnie Wood, who had joined in 1975, and added his trademark slide and pedal steel playing to several of the album's most memorable tracks, including When The Whip Comes Down and Shattered. He also co-wrote the Shattered B-side Everything Is Turning To Gold. Some Girls also marked a move to the Pathé Marconi Studios in Paris for the Glimmer Twins production team of Jagger and Richards. These factors helped what is arguably the group's most focused and dynamic album, driven by the sans pareil rhythm section of drummer Charlie Watts and bassist Bill Wyman. Some Girls featured fewer guest musicians than any Rolling Stones albums since 1971, but the contributions keyboard-player Ian McLagan, Wood's bandmate in The Faces, saxophone-player Mel Collins, and harmonica-player Sugar Blue - discovered busking on the Paris métro - made Miss You in particular sound brighter than ever.
Amongst many eagerly-awaited extras, the Super-Deluxe edition of Some Girls will include a stunning, previously unseen Helmut Newton photo session from 1978, an essay by esteemed author and journalist Anthony DeCurtis putting the album in its cultural context, and a 7" single of Beast Of Burden/When The Whip Comes Down in its banned sleeve.
Thirty-three years on from its original release, the re-mastered, expanded, Super-Deluxe, Deluxe and Digital editions of Some Girls show why the 1978 album has often been hailed as the equal of Exile On Main Street. Some Girls is both a time capsule and a timeless listen. It features the band at their tightest and toughest, at their most vibrant and vital. It's an all-killer, no-filler, must-have album. It still packs a punch.
SOME GIRLS - now bigger, brighter and better than ever.
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Most Helpful Customer Reviews
98 of 104 people found the following review helpful:
3.0 out of 5 stars
Stick With a Virgin..,
This review is from: Some Girls (Audio CD)
As a huge Rolling Stones fan I have to say I am disappointed in this remaster. It is one of my favorite Stones albums but this version on UMG is highly compressed with a major loss in any dynamic range it had.
Yes, the guitars are louder and even clearer in some cases and because of this, many of the songs seem to lose their swing. Oh, it rocks, alright, but the swing that was present in the Virgin issue of 'Respectable' is gone. The break in 'Miss You' (OOooohh ooohh, Everybody waits so loooong) loses it's impact as well as the vocals and Charlie's drums in 'Before They Make Me Run.' In the latter song, the drums used to kick and the chorus used to stand out from the rest of the recording, which it no longer does. The break at about 1:35 in 'Shattered' where the bass drum kicks in is a plodding mess and much clearer and listenable on the Virgin '94 issue. The record, as a whole, loses much of it's depth and warmness as a result. Perhaps the biggest travesty, and I don't recall any other reviews mentioning this, but at the beginning of 'Beast Of Burden', Keith's guitar is in the right channel and in the left you hear an echoing or 'bleeding' effect of the guitar lines. It is plainly obvious on the Virgin issue and all previous issues of the recording. On the UMG this is all but GONE! Even when I isolated the left channel and turned it up it was close to inaudible. I put on the Virgin and it's very audible, even without much volume or isolation of the left channel. If you want the issue that sounds better and sticks closer to the integrity of the original recording, seek out the '94 Virgin remaster and not this. If these sort of nuances are not an issue for you and just prefer loud guitars at the loss of any dynamic range, then by all means, fire away and pick up this UMG remaster. Those of you not familiar with the original recording will not notice a thing. Those of you who are familiar with it do not feel that an upgrade is necessary.
56 of 60 people found the following review helpful:
3.0 out of 5 stars
You Know, The Audiophiles Are Right: Stick With The Virgin Remaster!,
By Erik Morton "Erik Morton" (Carmel, CA United States) - See all my reviews
This review is from: Some Girls (Audio CD)
I'm no audiophile; I own no fancy speaker systems or equipment, I don't know any of the lingo that goes along with sound quality, I don't own any vinyl, etc. I'm a casual music lover who still prefers to buy the CDs, but listens to the vast majority of my music on my iPod through $10-$20 headphones. And even I have to agree with what people are saying: the 1994 Virgin remaster by Bob Ludwig is better than this 2009 Universal remaster.
When I first bought this album a few months ago, it was the 2009 version. Right from the get-go, something about the sound quality hurt my ears; I don't blast my music very loud or often at all, but it actually gave me a bit of a headache listening to this album a few times. It just sounded too "bright," somehow, for lack of a better way to phrase it. Mind you, it's still a perfectly listenable CD. So I finally bought the older 1994 version, and the difference is extremely subtle (to the point where I'm not sure if I can put my finger on the exact reasons), but to my untrained ears it sounds better than the 2009 version. It sounds more "full," more like the Stones I know. Sounds are perhaps less clear and crisp, but you know what? That's how I like my Stones. They're one of those bands who actually benefits from some "muddy" sound in their music, so to speak. It just gives them a certain atmosphere. I think the 2009 remasters cleaned up the recordings a little too much, and in doing so not only made a less pleasurable listening experience, but also lost a lot of that Stones feeling. Conclusion: The 1994 Virgin CD is the way to go. Mind you, the 2009 UM version isn't the travesty a lot of people have made it out to be, but it's still a less satisfying listening experience, IMHO. I can't speak for any of the other 2009 remasters, but based on my 'Some Girls' experience, I'll continue to seek out the 1994 Virgin remasters.
62 of 75 people found the following review helpful:
1.0 out of 5 stars
Worst Remasters Ever...,
By
This review is from: Some Girls (Audio CD)
All I want to say is these new Stones remasters are brittle...washed out...compressed...totally distorted and unlistenable. Do not buy these...stay with your Virgin Records versions...worst I have ever heard. I'm being liberal here folks...it's your money though. The artwork is shabby and on this cd they have basically edited Bill Wyman out of the band although he was still in the band. His photo is not shown with photos of the band in the booklet. Way to go Mick.
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