Prime Cuts: What If We Never, Wreck You, Change
On her fourth studio album "Lessons Learned," Chenoweth has decided to give her Southern nasal distinctiveness the lead. While her debut disc was a jazzy standards excursion, followed by an Adult Contemporary Christian second, then tagged on by a lushful orchestral Christmas disc last year, now Chenoweth has returned to her Oklahoma roots in cutting a contemporary country record. Yet, this is not your standard Nashville-manicured affair. Rather, some of level of perfidy is evident as she has enlisted the help of the producer of Alice Cooper, Pink Floyd and Peter Gabriel, Bob Erzin to helm this effort. And to stag up the odds, she has enlisted the help of legendary writer Diane Warren (Whitney Houston, Celine Dion and Mariah Carey) who has contributed 5 of her compositions here. However, to show some level of kowtowing to the Nashville establishment, some of today's hottest country acts and writers such as Dolly Parton, Lady Antebellum's Hillary Scott, Victoria Shaw, Gary Burr and Sherrie Austin have all had a share of crafting the songs here. At the end of the day, "Lessons Learned" works and it sounds like it sounds like Chenoweth is set out to light country radio airwaves in full ammunition.
Known for her stints in musicals such as "Pushing Daisies" and "Glee," it's hard for Chenoweth to divorce herself from her Broadway musical expressions. This means that Chenoweth has a penchant for the bombastic ballads and songwriter Diane Warren's compositions serve her to a tee. "Wreck You" starts off slow before avalanching with an outburst of emotions of how love changes a person. This is high powered heart stuff set to music. Another Warren ballad "What If We Never" is about the possibility of missed opportunities that is beautifully nested in the song's finger picking acoustics. While Warren's "Borrowed Angel" first appeared on Chenoweth's sophomore disc, here it has a more acoustic backing that gives this inspirational ode a more childlike simplicity. Yet, not all of Warren's compositions here are ballads: lead single "I Want Somebody" is a catchy, insistent, guitar-based rocker with undergirding a message of a tongue-in-cheek plea for unconditional love. While the title cut (formerly cut by Carrie Underwood) is a wildly celebratory number of a wizened woman triumphing over life and heartaches.
Outside of the Warren canon, Chenoweth has unearthed a Dolly Parton chestnut buried in the lady's early 90s CD "Something Special." Backed by the plaintive tingling of those ivory notes of the piano "Changes" finds Chenoweth giving a teary heart shattering version showcasing her agility and vulnerability. Dolly gets her own tribute with "What Would Dolly Do" where Chenoweth kicks up her heels from some doo-wop fun over this Cark Perkins' rockabilly tune. "God And Me," on the other hand, takes the adage that "less is more" to heart. Simply backed by some delightful steel and acoustic guitar riffs guises "God and Me" from its hefty message about God's role in human sufferings. A much needed reminder about the importance of a good fatherly influence, "Father and Daughters" finds Chenoweth ready to explode into tears at every turn of this gorgeous ballad.
Despite the heaviness of many of the subject matters here, Chenoweth does know how to have fun with "I Didn't." A track that first found its way as an album cut by dysfunctional Trick Pony, this Sherie Austin co-written cut finds Chenoweth having some fun trampling on her dud with the killer line, "he thought he was god but I didn't." Maybe it's the presence of writers such as Diane Warren, Sherrie Austin, Dolly Parton and the like, "Lessons Learned" is anchored in great songs that explore the different aspects of love, God, morality and family relationships. This is more than just good music for the ears, but it is reeked with messages for the soul to ponder upon.