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Some Nights (Explicit)

February 14, 2012 | Format: MP3

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$9.49 to buy
Also available in CD Format
Song Title
Time
Popularity Prime  
30
1
2:17
30
2
4:37
30
3
4:10
30
4
4:38
30
5
3:36
30
6
4:46
30
7
3:03
30
8
3:57
30
9
3:31
30
10
6:53
30
11
4:21

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Product Details

  • Original Release Date: February 14, 2012
  • Release Date: February 14, 2012
  • Label: Fueled By Ramen
  • Copyright: 2012 Fueled By Ramen LLC for the United States and WEA International Inc. for the world outside of the United States.
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 45:49
  • Genres:
  • Format: Explicit Lyrics
  • ASIN: B007B6VOG0
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (809 customer reviews)
  • Amazon Best Sellers Rank: #443 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

The rest of the album is a mix of good and very good songs.
John L. Miller
They were great, the singer has a great voice, great musical backing with a very nice sounding female backup vocalist.
Gavazzi
Bought this because the "one night" song and LOVE the whole album.
Lotta Hedman

Most Helpful Customer Reviews

240 of 253 people found the following review helpful By R. Gerard on February 22, 2012
Format: Audio CD
First, a word about the auto-tuning. I will say that I am generally averse to electric manipulation of the voice. The difference here is that Fun. uses auto-tuning, not to compensate for the soloist's inability to sing (as a disturbingly increasing number of popular artists do these days -- as we have seen in his live performances Nate Ruess can really belt one out). Fun. uses auto-tune as a completely valid musical instrument; it's done tastefully and appropriately, not to compensate for some vocal shortcoming. Sans auto-tune, Nate Ruess is a strong high tenor who sings without vibrato, making his high notes in "We Are Young" sound pretty effortless.

The record is one where you don't find yourself skipping over tracks. Each is packed with a catchy melody. There is not one weak link in the record, with the exception being "It Gets Better" (track 5), but even this is not a bad song at all.

For many, "We Are Young," with its massive, anthemic chorus used in a Chevy commercial and episode of Fox's Glee, is the track that exposed them to Fun. For the rest of us that have been with Nate since his days in The Format, this record is the sophomore record with Fun., following the phenomenal "Aim and Ignite." There is no "sophomore slump" here where a good indie band becomes a bit more popular and a bit more commercialized. Rather Fun. has partly moved away from the sound of "Aim and Ignite" developed their own sound out of an effective blending of different styles and genres:

At some instances ("Intro" and "Some Nights") Nate Ruess seems to summon Queen. The chorus "Why Am I the One" is tinged with early Elton John.
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178 of 203 people found the following review helpful By Pizza Quixote on March 22, 2012
Format: Audio CD Verified Purchase
I'm 55, as keenly interested in music as I was at 18. It's work to stay hip, and a lot of hip stuff is just indulgent navel-gazing LPs wrapped around one clever hit. Anyhow, THIS is different, because it is such well-crafted pop. It's every modern sound in pop music, great melodies and beats, with a strong tenor to sing it. Most of all, it's instantly accessible to kids, to teens, to hipsters, to Gen-X, to boomers. You'd have to have a hard and bitter heart not to like this.

Many write about auto-tune here. I too lament its over-use in pop, but it works here as an enhancement, not a coverup for deficient vocal talent.
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10 of 10 people found the following review helpful By Gavazzi on February 22, 2012
Format: Audio CD
I saw this band play on Conan last night, they played youth anthem We Are Young, and I recognized the song, but could not place where I knew it from until I heard it on a car commercial afterwards. So, I knew the tune but fell in love with it when I saw it performed live. They were great, the singer has a great voice, great musical backing with a very nice sounding female backup vocalist. Also of note was the children's choir they brought along to sing their "na na, na na na na na"'s in the background.
I was moved by the performance, so I bought the album right away and stuck in on my phone to give it a listen while I ran some errands today. Needless to say, the whole album is stellar, especially the first 5 songs which I listened to multiple times because I enjoyed it so much. Highly recommend this album to everyone, it is fun to listen to and has some really good lyrics and music.
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47 of 59 people found the following review helpful By Metaphysical Realist on February 21, 2012
Format: MP3 Music
This is just a great, great album. I'd been streaming it for the last week or so, and it's just so fresh and so energetic. The songs capture a wild, passionate and youthful sound in the vein of The Naked and Famous, Foster the People and Cage the Elephant. It's the kind of music that makes you want to jump for joy and do wild and crazy things---just see the video for "We Are Young" ([...]). I'm not promoting violence, though, so be good. :)
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11 of 12 people found the following review helpful By Skuff on April 23, 2012
Format: MP3 Music
I'm going to start out by saying that I've been a fan of Nate's musical endeavors since I first heard the Format's "Dog Problems" and still love almost everything he does. I try to evaluate the record on its own, but I will compare it to his previous work in a few places. I admit comparisons aren't everything, and a piece of art should be evaluated by itself, but I feel it must be done here.
Track-by-Track breakdown:

1. Some Nights (Intro)
This is my favorite song on the record. I heard the slow piano intro and was prepared for another quirky, great, fun. record. Nate's singing is superb on this and it serves as a great intro to the record.

2. Some Nights
The title track is another great song, although very different to some of his previous work. Very poppy and synthy, which is a a theme throughout the whole record.

3. We Are Young
The lead single from the record. I actually quite like this song, but its over-saturation in my life has caused it to grow stale for me. But I still like it, and in a few months when it's "Old" to the masses, I will like it again. (I guess that sounds snobbish, but I've heard it too much and need a break.)

4. Carry On
This is a song that I feel would not be too out of place on a Format record. Its slow acoustic beginning launching into a inspirational chorus that then gains volume with Simon and Garfunkel-esque percussion, albeit electronic. Strip it of its synths, and It wouldn't be out of place on Dog Problems.

5. It Gets Better
Crap. Just Crap. Lyrically, it's lazy. Musically, it's annoying. The worst song on the record and I almost wanted to stop listening here. But I kept going and I'm glad I did.

6.
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