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Some Nights

896 customer reviews

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Audio CD, February 21, 2012
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$8.11 & FREE Shipping on orders over $35. Details Only 15 left in stock (more on the way). Ships from and sold by Amazon.com. Gift-wrap available.

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Some Nights + Aim and Ignite + Grand Romantic
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Editorial Reviews

Having earned widespread acclaim with their 2009 debut album, Aim & Ignite, fun. decided to raise the stakes with this album, their first on Fueled By Ramen, by teaming with noted producer Jeff Bhasker (Kanye West, Jay-Z, Alicia Keys, Beyonce, Drake).

The first single from Some Nights, "We Are Young (Feat. Janelle Monáe)," has generated quite a buzz, hitting the top 3 on The Hype Machine music blog aggregator in its first week of release, not to mention the top 5 on iTunes' "Top Alternative Songs" sales ranking. What's more, "We Are Young" has received major airplay from KCRW's influential Morning Becomes Eclectic, while USA Today applauded the "baroque indie-popsters" for "(making) a counterintuitive play for the big time, slowing down for the massive singalong chorus."


Product Details

  • Audio CD (February 21, 2012)
  • Number of Discs: 1
  • Label: Fueled By Ramen
  • ASIN: B006M4RN3U
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (896 customer reviews)
  • Amazon Best Sellers Rank: #360 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

248 of 261 people found the following review helpful By R. Gerard on February 22, 2012
Format: Audio CD
First, a word about the auto-tuning. I will say that I am generally averse to electric manipulation of the voice. The difference here is that Fun. uses auto-tuning, not to compensate for the soloist's inability to sing (as a disturbingly increasing number of popular artists do these days -- as we have seen in his live performances Nate Ruess can really belt one out). Fun. uses auto-tune as a completely valid musical instrument; it's done tastefully and appropriately, not to compensate for some vocal shortcoming. Sans auto-tune, Nate Ruess is a strong high tenor who sings without vibrato, making his high notes in "We Are Young" sound pretty effortless.

The record is one where you don't find yourself skipping over tracks. Each is packed with a catchy melody. There is not one weak link in the record, with the exception being "It Gets Better" (track 5), but even this is not a bad song at all.

For many, "We Are Young," with its massive, anthemic chorus used in a Chevy commercial and episode of Fox's Glee, is the track that exposed them to Fun. For the rest of us that have been with Nate since his days in The Format, this record is the sophomore record with Fun., following the phenomenal "Aim and Ignite." There is no "sophomore slump" here where a good indie band becomes a bit more popular and a bit more commercialized. Rather Fun. has partly moved away from the sound of "Aim and Ignite" developed their own sound out of an effective blending of different styles and genres:

At some instances ("Intro" and "Some Nights") Nate Ruess seems to summon Queen. The chorus "Why Am I the One" is tinged with early Elton John.
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183 of 208 people found the following review helpful By Pizza Quixote on March 22, 2012
Format: Audio CD Verified Purchase
I'm 55, as keenly interested in music as I was at 18. It's work to stay hip, and a lot of hip stuff is just indulgent navel-gazing LPs wrapped around one clever hit. Anyhow, THIS is different, because it is such well-crafted pop. It's every modern sound in pop music, great melodies and beats, with a strong tenor to sing it. Most of all, it's instantly accessible to kids, to teens, to hipsters, to Gen-X, to boomers. You'd have to have a hard and bitter heart not to like this.

Many write about auto-tune here. I too lament its over-use in pop, but it works here as an enhancement, not a coverup for deficient vocal talent.
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12 of 12 people found the following review helpful By Gavazzi on February 22, 2012
Format: Audio CD
I saw this band play on Conan last night, they played youth anthem We Are Young, and I recognized the song, but could not place where I knew it from until I heard it on a car commercial afterwards. So, I knew the tune but fell in love with it when I saw it performed live. They were great, the singer has a great voice, great musical backing with a very nice sounding female backup vocalist. Also of note was the children's choir they brought along to sing their "na na, na na na na na"'s in the background.
I was moved by the performance, so I bought the album right away and stuck in on my phone to give it a listen while I ran some errands today. Needless to say, the whole album is stellar, especially the first 5 songs which I listened to multiple times because I enjoyed it so much. Highly recommend this album to everyone, it is fun to listen to and has some really good lyrics and music.
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48 of 60 people found the following review helpful By Metaphysical Realist on February 21, 2012
Format: MP3 Music
This is just a great, great album. I'd been streaming it for the last week or so, and it's just so fresh and so energetic. The songs capture a wild, passionate and youthful sound in the vein of The Naked and Famous, Foster the People and Cage the Elephant. It's the kind of music that makes you want to jump for joy and do wild and crazy things---just see the video for "We Are Young" ([...]). I'm not promoting violence, though, so be good. :)
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6 of 6 people found the following review helpful By Music maven on May 23, 2012
Format: Audio CD
This CD gives me hope for the future of rock music. It's incredibly thrilling to hear a band that produces such strong, fresh, and interesting melodies and vocals that are as good as anything rock has produced since the 60s. The lyrics are perfectly fine, but the melodies and song structures are so strong that they seem to call for equally strong lyrics, and so by contrast they seem a little disappointing. What really makes this CD so compelling for me is the enthusiasm and energy they project and the singing, which is startling in its soaring range. The first time I heard We Are Young, it was almost as exciting as the first time I heard the Kink's You Really Got Me in 1964 (and to be clear, the musical sophistication here is leagues beyond the Kinks). My one complaint about the CD is the production, which is heavy handed and full of the usual heavily processed computerized noises, particularly in the bass and drums. For most of the music being made these days, this kind of heavy production is necessary, because there's no real melody to speak of, and singers, when they sing at all, are extremely weak. But this music doesn't need any props or cosmetics, and the production in this case actually gets in the way of the music. Next time, they need a producer who recognizes great songwriting and singing and who understands that production is supposed to bring out and support those things. But don't let that stop you from buying this. It is the freshest, best thing I've heard in many years, and the songs are completely stuck in my head, as they will be in yours.
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