Somebody to Love?: A Rock-and-Roll Memoir (Mass Market Paperback)

~ (Author), Andrea Cagan (Author) "It's Chicago, 1973..." (more)
Key Phrases: surrealistic pillow, lighting director, monitor speakers, San Francisco, Jefferson Airplane, New York (more...)

Editorial Reviews

Amazon.com Review

Grace Slick looks back on a lifetime of sex, drugs and rock & roll in Somebody to Love?, a wisecracking memoir featuring cameos by some mighty famous faces. As the lead singer of Jefferson Airplane (later Jefferson Starship and, still later, Starship), Slick had a ringside seat for some of the decade's most notorious high jinks--Haight-Ashbury, Woodstock, the sexual revolution, and of course, '60s drug culture. Put it this way: if the dormouse said feed your head, Slick did--again and again and again. Which leads to this memoir's principal shortcoming: it's hard to document the most important decade of your life if you can't remember it. Still, even if she's a little fuzzy on some of the details, the anecdotes alone are worth the price of admission, from the time Slick and Abbie Hoffman plotted to dose Richard Nixon to her surreal sexual encounter with a nearly autistic-seeming Jim Morrison: "Although I knew there was some pattern of events going on in his head that connected what I'd just said to what he was thinking, it never made sense." Now sober and nearing her 60s, Slick frets over her aging body, campaigns against biomedical research, and feeds the raccoons in her back yard. But she hasn't lost any of her famous feistiness. This is the same woman who flashed her breasts at photographers, pulled her skirt over her head at concerts, and even once, "having ingested the entire contents of the minibar in my hotel room," stuck her fingers up an audience member's nose. Grace Slick may have mellowed, but bless her heart, she's still running off her mouth. --Mary Park --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Rock chanteuse Grace Slick was a sophomore at the University of Miami when, in 1958, a friend from her Bay-area hometown sent her an article about the new San Francisco scene?a world of "marijuana, rock music and strange but pleasantly artistic beatnik behavior." Intrigued, Slick returned home and threw herself into a counterculture that was distinctly at odds with her post-war middle-class upbringing. After playing in a popular local band for a few years, she joined the front ranks of '60s rock icons when she was invited to sing for the already-prominent band Jefferson Airplane, recording hits like "White Rabbit" and "Somebody to Love" that helped to define the kaleidoscopic rock world of the 1960s. Here, Slick unabashedly details her long flirtation with psychedelic drugs; her dalliances with Jim Morrison ("like making love to a floating art form with eyes") and lesser rock luminaries; her many run-ins with the law; and her experiences of marriage and motherhood as her band evolved from rebellious trailblazers into the florid mainstream radio acts Jefferson Starship and Starship. Her present-day dedication to animal-rights causes, visual art and spirituality are also recounted. There are few revelations here, and Slick's penchant for elliptical, hippie-ish pronouncements ("Life, the constantly mutating funeral party") won't win her many new fans. But the appealingly wry good humor she brings to her own life story makes this an engaging trip through two turbulent decades of rock 'n' roll. Photos. Editor, Rich Horgan; agent, Maureen Regan. Audio rights to Warner.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Mass Market Paperback: 384 pages
• Publisher: Grand Central Publishing (December 1, 1999)
• Language: English
• ISBN-10: 0446607835
• ISBN-13: 978-0446607834
• Product Dimensions: 6.7 x 4.1 x 1 inches
• Shipping Weight: 6.6 ounces
• Average Customer Review: 3.5 out of 5 stars  See all reviews (52 customer reviews)
• Amazon.com Sales Rank: #747,854 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

20 of 22 people found the following review helpful:

2.0 out of 5 stars Disappointed in the surface treatment of events, November 30, 1999

By	Eric S. (Los Gatos, CA USA) - See all my reviews

This review is from: Somebody to Love?: A Rock-and-Roll Memoir (Hardcover)

I read the book in two days and while it contained a few items of interest, I was disappointed in the lack of detail in many areas. I would have been really interested to hear Grace Slick talk about the Haight Ashbury days, how the Airplane dealt with the record company business, or the sessions and live appearances that led to some of their great songs. One would think that a woman whose songs were inspired by the likes of Lewis Carroll and James Joyce would have a deeper perspective than this book shows, but maybe not. I think a lot of the blame has to go to Andrea Cagan who most likely told her to make sure to tell her sexual experiences with famous rock stars if nothing else. In any case the editing should have been a lot better; the book is kind of a rambling mess. But for fans of Grace and the Airplane and '60s rock music in general, it's still an interesting read for all its faults.

17 of 19 people found the following review helpful:

3.0 out of 5 stars Somebody to like a lot in any case!, September 4, 2002

By	Gregor von Kallahann - See all my reviews (TOP 500 REVIEWER)

Grace Slick was always one of the more quotable rock stars. Even well past the point where Rolling Stone would even consider giving one of her records (solo or with Jefferson Whatever...) anything remotely like a positive review, they'd still run little blurbs on her from time to time, usually with one or two "outrageous" quotes.

She could be counted on for that. Funny, sarcastic, but also endearingly self-deprecating, her take on the world in general and the absurdities of rock stardom in particular were always worth a look. Once when asked about all the attention she received as the sole female member of a six-"man" band, she pooh-poohed it all by saying, "Well, if you had five cows and a pig, you'd look at the pig, right?" Well, yeah, although Grace was scarcely a pig, and I don't know about how her bandmates may have felt about being called cows, but you get the idea.

Often described by people as an "ice queen"--at least by people who had never heard of Nico--Grace was actually pretty down to earth and anything but self-serious. On the other hand, her penchant for wisecracking and sheer outrageousness often detracted from her more reflective, artsy side. Her own compositions, with their often elliptical lyrics and exotic arrangements, hinted at an artistic ambition that was very real--if never fully realized. Still "rejoyce," "Two Heads" and "Hyperdrive" remain real dazzlers, suggesting that if Grace had been less given to epataying the old bourgeoisie (and ribbing the counter-culture too, much to her credit) she might have pulled off something even more remarkable than what she (with and without her various bands) actually did achieve.

The book is, for the most part, a fun breezy read, the funny, quotable, outrageous Grace. No, it's not all it might have been, but it was pretty much what I expected. This is one of those odd books, where you suspect that the narrator's apparent "frankness" actually serves as a kind of defense. Don't let's dig too deep, God forbid. One can read between the lines a bit, especially in the brief early chapters that describe her childhood and adolescence, and maybe conclude that there are some conflicts there above and beyond what she's willing to reveal. And well, that's OK. Really, most of us are not THAT nosey. But the tone is an odd juxtaposition of self-disclosure and self-protectiveness. "Odd"--but not really all that surprising. Honesty--or as we said in the 60s, "righteousness"--was a counter-cultural value, but you couldn't get too "corny" about the whole thing either.

I could have done without another re-hashing of the "plot to dose Nixon" co-starring Abbie Hoffman. Despite Grace's protestations to the contrary, I don't believe she ever intended to get any further than the White House gate--you don't bring Hoffman as your escort if you really want to get in and wreak a little psychedelic havoc on the President of the United States. It's a wild tale, but it was more theater and self-mythologizing than anything else.

Nor do I particularly care about the Jim Morrison episode (the strawberry jam session). It seemed like a pretty meaningless encounter for both participants, but someone (co-writer Andrea Cagan, perhaps?) must have thought it merited a chapter of its own. It's disappointing that this kind of tale-telling is given more focus than on the music itself. In one revealing passage, Slick talks about her compulsion to be as well rehearsed as possible. That kind of professionalism may seem antithetical to "hippie" ideals of spontaneity and improvisation. But that was one of the little contradictions that made Slick a compelling figure to begin with. Too bad that same level of care didn't really make it into the autobiography.

Now that it's available as a paperback (or as a remaindered cloth-bound edition), the book is well worth picking up--for curiousity seekers as well as fans. Enough of the quotable Grace is there. The mysterioso, orphic Grace is missing in action though. Too bad in a way.

7 of 7 people found the following review helpful:

4.0 out of 5 stars Grace speaks the truth, April 8, 1999

By	Brad Jaster "benz1015" (Exiled in Cuba) - See all my reviews

This review is from: Somebody to Love?: A Rock-and-Roll Memoir (Hardcover)

Grace Slick has been renowned as the acid queen, and the original rock beauty. This book is straight from the recollections of Grace herself, and it is probably not what the fans exactly expected. More of an oral biography, which jumps from one time period of her life to a completely different time within each chapter, Grace reminisces on her thoughts and feelings about her childhood, the tumultuous 60s, and her faults of the 70s. I enjoyed this book because Grace told no lies, and really has forgotten most of her past, or was too high at the time to recall. This goes back to what Grace has always claimed, that in the 60s, if you can remember it, then you probably weren't there. It is a reminder that the 60s are not really a time that we really would like to relive, which shoots down a lot of false preconceptions that the world was undergoing a wave of love, and all times were high and happy. Overall, if you are a die-hard Slick fan, this book is not a complete chronological story like other books that have been written about characters like the deceased: Morrison, Hendrix, and Joplin, but is a book worth the time.