The sound and scope of "Something for the Rest of Us" evidence the Goo-Goo Dolls to be in tight shape and high spirits. Playing with the ferocity of a younger band with something to prove, they have more than enough sparkly, shining tunes to please listeners on all levels of interest.
Lead single "Home" benefits from a soaring melody, sharp, pulsing guitars, a tastefully polished sheen and, of course, Johnny Rzeznik's throaty, authoritative vocals.
Opener "Sweetest Lie," which rocks with high-octane intensity, heavy melody, poetic lyrics and longing vocals, as well the arresting, lyrically dense "Notbroken," a potential radio hit that would not ware out its welcome on the hundredth play, are among other highlights which prove "Home" is no Trojan horse to lead listeners unsuspectingly into an otherwise poor album.
There are the requisite lesser tracks, of course, such as the earnest yet repetitive "Hey Ya" (thankfully not a cover of the Outkast hit) and the well-meaning yet weak-pulsed title track, which is only partially redeemed by carefully chosen lyrics ("black streaks of Maybelline run down your cheeks") which show dexterous attention to detail. Rubbing against the stronger material, however, they cannot topple over.
Other tracks such as "As I Am" and "One Night" check all the boxes and sound radio-ready, with great playing and Rzeznik's ever-harrowing vocals leading the way, yet they are also rather unimaginative in the lyrics department. They would sound great gracing the airwaves of your local Hot A/C station, but they might disappoint fans looking for the lyrical depth of past albums. It is unquestionably a matter of taste.
By contrast, "Say You're Free" has a meaty, substantial lyric and empassioned vocals but does not fulfill the promise of its first 30 seconds due to lack of a solid hook.
"Still Your Song" shows off the upper and lower parts of Rzeznik's vocal range, with the mercurial, restless melody accenting the sadness and urgency of the lyrics well. "Soldier" works similarly, underscoring the distressing, conflicted era that has continued onward from the late 2000s. Through the distress, however, there is still a glimmer of light.
"I know things change, but you're living like a soldier who's caught in the fray," sings Rzeznik with resolute compassion. "Don't lose your faith. It's not too cold. It's not too late."
Some will be pleased with "Something for the Rest of Us" and some will not, but those in the latter will surely appreciate its professional and passionate execution.