Explores in the words of those who participated in the growth of this theater hybrid how theatresports sprang to life and has grown into an international league spanning four continents.
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About the Author
Clem Martini is a well-regarded playwright and instructor at the University of Calgary. He lives in Calgary, Alberta, and his most recent play, Illegal Entry, won the 2000 Gwen Pharis Ringwood Award for Drama.
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11 of 11 people found the following review helpful:
4.0 out of 5 stars
Insights from participants are welcomed,
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This review is from: Something Like a Drug: An Unauthorized Oral History of Theatresports (Paperback)
The book, written by two professors at the University of Calgary, give an oral history of Keith Johnstone's Theatresports. It is presented as a series of comments from the actual participants of theatresports. While covering such topics as the history of the movement, its spread worldwide, women in theatresports, favorite games, and the future of the art, it gives both affirming and dissenting opionions about this particular form of improvision. While some revere Johnstone as a guru, others mention his sometimes inflexible attitudes. Some follow his lead while others choose their own path. This book is an interesting read, in that it gives you the opinions of those who are actually involved. It is not, however, a book about acting technique. For those people interested in improvisation, it gives you an insight in the "behind the scenes" world of improv.
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