From Publishers Weekly
Kowalski made a good impression with his sentimental first novel, Eddie's Bastard, and continues the story here as he takes hero Billy Mann out to Santa Fe on his motorbike to see if he can trace the mother who gave him away as a baby to be raised by his grandfather. There is no one left in Billy's life except Mildred, his grandfather's elderly companion, who acts like a widow in the wake of his death, and so Billy, now an aspiring writer, feels stifled in his upstate New York hometown. Once in Santa Fe, he meets a sinister Latino neighbor who tells him the girl working at the local cantina may be his sister; through her, Billy finds his mother, dying slowly of cancer in a hospital miles away. He nurses her faithfully in her closing days without ever telling her who he is, starts an affair with Consuelo, a Mexican-born former trapeze artist who is now a singer, quarrels with her, then goes back home and helps Mildred fight off efforts to close down a shelter for unwed mothers she has started in the family's old house. In the end, who should come back, repentant and pregnant, but Consuelo ("`I love you, Beelee.' `I love you, too,' I said. `I know that,' she said.") If all this sounds a little artless, it is. Kowalski has a relaxed, easygoing style, and one or two touching moments shine, but Billy is so utterly without affect, and the other characters are sketched so loosely, that the narrative feels severely underpopulated. This book suffers from a bad case of second-novel syndrome. Agent, Anne Hawkins. 10-city author tour.
Copyright 2001 Cahners Business Information, Inc.
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Kowalski continues the story of Billy Mann, whose unconventional childhood was chronicled in
Eddie's Bastard (1999). That novel concerned Billy's coming to terms with his dead father's family and their legacy of failed opportunities. Now, with his beloved grandfather dead, Billy sets out to find the mother who abandoned him, traveling from upstate New York to Santa Fe, her last known address. What he finds there are the remnants of several more dysfunctional families, his own and those of his girlfriend, a Latina singer and former circus performer who talks to angels. Kowalski's work should appeal to readers who like John Irving. Both writers are old-fashioned storytellers who favor incident-rich plots driven by idiosyncratic characters. Similar to the heroes of
Hotel New Hampshire and
Cider House Rules,
Billy is an intelligent innocent whose wanderings bring him in contact with a host of odd, wounded, usually tenderhearted souls. There is an inescapable sentimentality at the root of all this that will seem cloying to some, moving to others, but on the whole, it is hard to resist the feel-good mood that Kowalski creates.
Bill OttCopyright © American Library Association. All rights reserved
--This text refers to an out of print or unavailable edition of this title.
