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Sonata in B Minor and Other Works for Piano (Dover Music for Piano)
 
 
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Sonata in B Minor and Other Works for Piano (Dover Music for Piano) [Paperback]

Franz Liszt (Author), Classical Piano Sheet Music (Author)
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Book Description

Series: Dover Music for Piano | Publication Date: January 1, 1990
One of Liszt’s most admired and performed masterpieces for piano, along with the 6 Consolations, 10 Harmonies poetiques et religieuses, 2 Ballades and 2 Legendes, all reprinted from the authoritative Franz Liszt-Stiftung edition published by Breitkopf & Härtel of Leipzig.

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Sonata in B Minor and Other Works for Piano (Dover Music for Piano) + Mephisto Waltz and Other Works for Solo Piano (Dover Music for Piano) + Complete Etudes for Solo Piano, Series I: Including the Transcendental Etudes (Dover Music for Piano)
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Product Details

  • Paperback: 208 pages
  • Publisher: Dover Publications; First Edition edition (January 1, 1990)
  • Language: English
  • ISBN-10: 0486261824
  • ISBN-13: 978-0486261829
  • Product Dimensions: 11.2 x 8.4 x 0.4 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #653,427 in Books (See Top 100 in Books)

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4.0 out of 5 stars The score of the Sonata in B Minor has no bar number, so it's hard to see the Analysis., July 11, 2011
This review is from: Sonata in B Minor and Other Works for Piano (Dover Music for Piano) (Paperback)
The score of the Sonata in B Minor has no bar number, so it's hard to see the Analysis.

Piano Sonata in B minor
Analysis from wikipedia.de

1 - 7: frame
8 - 13: jumping motif
13 - 17: hammer strikes (Hammerschlag)
18 - 29: jumping motif elements
30 - 39: jumping motif elements and hammer strikes (alternated)
40 - 44: jumping motif elements
45 - 54: free ascending notes
55 - 81: jumping motif with continuation
82 - 104: frame in bass

The sub-theme begins from above

105 - 119: Grandioso-motif (in three-two time, the first motif of sub-movement)
120 - 140: jumping motif (go back to in four-four time)
141 - 152: hammer strikes
153 - 170: double length hammer strikes (the second motif of sub-theme)
170 - 190: jumping motif elements in bass
190 - 196: double length hammer strikes and frame
197 - 204: short solo-cadenza
205 - 231: jumping motif and reflect
232 - 238: solo-cadenza
239 - 254: cadenza with accompaniment
255 - 269: hammer strikes elements with cadenza-elements
270 - 277: jumping
278 - 286: frame
286 - 296: jumping motif with continuation
297 - 300: Grandioso-motif (in three-two time)
301: recitative (free)
302 - 305: Grandioso-motif (in three-two time)
306 - 310: recitative
310 - 314: hammer strikes
315 - 318: jumping motif elements
319 - 330: hammer strikes with expanded jumping motif by right hand

The middle movement begins from here

331 - 348: Lyrical Andante sostenuto - melodious theme (in three-four time)
349 - 362: double length hammer strikes with cadenza-elements
363 - 380: Grandioso-motif in half of length
381 - 384: approach to jumping motif
385 - 394: jumping motif
395 - 415: Varied Andante sostenuto - melodious theme
415 - 432: passage with frame elements (descending notes in bass)
433 - 445: double length hammer strikes
446 - 459: frame

The recapitulation begins from here

460 - 523: Fugato by jumping motif and hammer strikes
524 - 530: jumping motif followed by skillful sixteenth notes
531 - 540: jumping motif alternated with hammer strikes, followed by sixteenth notes
541 - 554: sixteenth notes
555 - 569: chord and sixteenth notes
569 - 581: jumping motif alternated with hammer strikes in bass
582 - 599: passage and hammer strikes
600 - 615: recapitulation of Grandioso-motif, presented in B Major from bar 600
616 - 650: double length hammer strikes followed by solo-cadenza

Coda can be separated from the section here and all the motifs are presented in reverse order

650 - 672: Stretta: double length hammer strikes, jumping motif elements
673 - 681: Presto: descending quarter notes
682 - 699: Prestissimo: chord and eighth notes
700 - 710: Grandioso-motif (in three-two time) with variation (with accompaniment of 9 quarter triplets instead of 12 eighth notes per bar)
711 - 728: Lyrical Andante sostenuto - recapitulation of melodious theme (four-four time)
728 - 736: "Original" - hammer strikes in bass (B Major)
737 - 743: jumping motif shared by both hands, without parallel eighth notes
743 - 749: chord
750 - 754: frame
755 - 760: closing chord
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